The Medieval Masterpiece, the Book of Kells, Is Now Digitized & Put Online

If you know nothing else about medieval European illuminated manuscripts, you surely know the Book of Kells. “One of Ireland’s greatest cultural treasures” comments Medievalists.net, “it is set apart from other manuscripts of the same period by the quality of its artwork and the sheer number of illustrations that run throughout the 680 pages of the book.” The work not only attracts scholars, but almost a million visitors to Dublin every year. “You simply can’t travel to the capital of Ireland,” writes Book Riot’s Erika Harlitz-Kern, “without the Book of Kells being mentioned. And rightfully so.”

The ancient masterpiece is a stunning example of Hiberno-Saxon style, thought to have been composed on the Scottish island of Iona in 806, then transferred to the monastery of Kells in County Meath after a Viking raid (a story told in the marvelous animated film The Secret of Kells). Consisting mainly of copies of the four gospels, as well as indexes called “canon tables,” the manuscript is believed to have been made primarily for display, not reading aloud, which is why “the images are elaborate and detailed while the text is carelessly copied with entire words missing or long passages being repeated.”




Its exquisite illuminations mark it as a ceremonial object, and its “intricacies,” argue Trinity College Dublin professors Rachel Moss and Fáinche Ryan, “lead the mind along pathways of the imagination…. You haven’t been to Ireland unless you’ve seen the Book of Kells.” This may be so, but thankfully, in our digital age, you need not go to Dublin to see this fabulous historical artifact, or a digitization of it at least, entirely viewable at the online collections of the Trinity College Library. The pages, originally captured in 1990, “have recently been rescanned,” Trinity College Library writes, using state of the art imaging technology. These new digital images offer the most accurate high resolution images to date, providing an experience second only to viewing the book in person.”

What makes the Book of Kells so special, reproduced “in such varied places as Irish national coinage and tattoos?” ask Professors Moss and Ryan. “There is no one answer to these questions.” In their free online course on the manuscript, these two scholars of art history and theology, respectively, do not attempt to “provide definitive answers to the many questions that surround it.” Instead, they illuminate its history and many meanings to different communities of people, including, of course, the people of Ireland. “For Irish people,” they explain in the course trailer above, “it represents a sense of pride, a tangible link to a positive time in Ireland’s past, reflected through its unique art.”

But while the Book of Kells is still a modern “symbol of Irishness,” it was made with materials and techniques that fell out of use several hundred years ago, and that were once spread far and wide across Europe, the Middle East, and North Africa. In the video above, Trinity College Library conservator John Gillis shows us how the manuscript was made using methods that date back to the “development of the codex, or the book form.” This includes the use of parchment, in this case calf skin, a material that remembers the anatomical features of the animals from which it came, with markings where tails, spines, and legs used to be.

The Book of Kells has weathered the centuries fairly well, thanks to careful preservation, but it’s also had perhaps five rebindings in its lifetime. “In its original form,” notes Harlitz-Kern, the manuscript “was both thicker and larger. Thirty folios of the original manuscript have been lost through the centuries and the edges of the existing manuscript were severely trimmed during a rebinding in the nineteenth century.” It remains, nonetheless, one of the most impressive artifacts to come from the age of the illuminated manuscript, “described by some,” says Moss and Ryan, “as the most famous manuscript in the world.” Find out why by seeing it (virtually) for yourself and learning about it from the experts above.

Related Content:

Behold the Beautiful Pages from a Medieval Monk’s Sketchbook: A Window Into How Illuminated Manuscripts Were Made (1494)

800 Illuminated Medieval Manuscripts Are Now Online: Browse & Download Them Courtesy of the British Library and Bibliothèque Nationale de France

How Illuminated Medieval Manuscripts Were Made: A Step-by-Step Look at this Beautiful, Centuries-Old Craft

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness


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  • June Coghlan says:

    The Llyola Institute at Trinity College teach a marvellous module on the ‘Book of Kells’ as part of a degree. I did it as a short course so that I could teach second level students about it and bring students into the library at Trinity College Dublin to view the manuscript.

  • Charles Poynton says:

    *Loyola*

  • wagner says:

    i want see the book of kells
    where can I find the correct link

  • Scott in the Hill Country says:

    It was an embedded link near the beginning of the article.

    https://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_003v

  • Lia says:

    When I visit the page, I get an information popup with this copyright notice:

    “Copyright 2012 The Board of Trinity College Dublin. Images are available for single-use academic application only. Publication, transmission or display is prohibited without formal written approval of Trinity College Library, Dublin.”

    How on earth can they claim copyright if all they did was digitise it? Only a significant restoration job allows you to do that.

  • Arlene Davis says:

    What I’d like to know is where I can find a copy in English. My Latin isn’t quite THAT good yet, and I really want to read it. Thanks!

  • Greg Croke says:

    Their copyright would only be over the digitisation and the digitised images, not the Book of Kells itself.

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