Founded in 1997, Getty Images has made a business out of licensing stock photography to web sites. But, in recent years, the company has struggled, facing stiffer competition from other companies …. and from online piracy.[...]
No one here gets out alive, but who will live on in the public’s memory?
Last month, photographer Victoria Will enticed present-day luminaries to sit for tintype portraits at the Sundance film festival.
We’ve taken you inside Marilyn Monroe’s personal library, which included “no shortage of great literary works – everything from Invisible Man by Ralph Ellison, to Ulysses by James Joyce, to Crime And Punishment by Fyodor Dostoevsky and The Plays Of Anton Chekhov.[...]
My wife jokes that I’m pretentious for my love of what she calls “tiny awards” on the covers of movies—little laurel leaf-bound seals of freshness from the art film festival circuit. It’s true, I nearly always bite when unknown films come to me preapproved.[...]
For several decades of its history, the Polaroid was called a “Land Camera” after the company’s founder Edwin Land, and the product line included not only consumer devices but also high-end machines like the SX-70, a folding SLR camera introduced in 1972.[...]
Before Urban Outfitters and Project Impossible, before the adorable bickering ubiquity of spokespeople James Garner and Mariette Hartley, Polaroid kept things classy by entrusting its reputation to the most serious of serious actors.
Take Laurence Olivier.
Let’s let NASA paint the picture for you:
In December of 1968, the crew of Apollo 8 became the first people to leave our home planet and travel to another body in space. But as crew members Frank Borman, James Lovell, and William Anders all later recalled, the most important thing they discovered was Earth.
This week, The Public Domain Review (PDR) posted a series hand-colored albumine prints (“a process which used the albumen found in egg whites to bind the photographic chemicals to the paper) from 19th century Japan. They date back to 1880.
Some of the prints, like the one below, certainly have a foreign quality to them.
I believe it was Jacques Derrida, though I don’t recall exactly where, who said that some of the most revealing text of any work can be found in the footnotes.[...]
Spare yourself the grim realities of the state fair reunion tour circuit.
On the other hand, it’s deathly hard to control one’s image from beyond the grave.