Con­sid­er­ing the pos­si­bil­i­ty of a tru­ly pro­le­tar­i­an art, the great Eng­lish lit­er­ary crit­ic William Emp­son once wrote, “the rea­son an Eng­lish audi­ence can enjoy Russ­ian pro­pa­gan­dist films is that the pro­pa­gan­da is too remote to be annoy­ing.” Per­haps this is why Amer­i­can artists and bohemi­ans have so often tak­en to the polit­i­cal iconog­ra­phy of far-flung … Con­tin­ue read­ing How the CIA Secret­ly Fund­ed Abstract Expres­sion­ism Dur­ing the Cold War