Nowa­days, most of us who still reli­gious­ly attend screen­ings of films by the most respect­ed Euro­pean direc­tors of the twen­ti­eth cen­tu­ry have cir­cled the wag­ons: even if we far pre­fer, say, Felli­ni to Truf­faut, we’ll more than like­ly still turn up for the Truf­faut, even if only out of cinephilic sol­i­dar­i­ty. But in the fifties, … Con­tin­ue read­ing Ing­mar Bergman Eval­u­ates His Fel­low Film­mak­ers — The “Affect­ed” Godard, “Infan­tile” Hitch­cock & Sub­lime Tarkovsky