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Read the Original 32-Page Program for Fritz Lang’s Metropolis (1927), Every Wes Anderson Movie, Explained by Wes Anderson ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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By some estimations, Frank Lloyd Wright’s Taliesin West home-studio complex took shape in 1941. But even then, the Arizona Republic presciently noted that “it may be years before it is considered finished.” The Taliesin West you can see in the new Architectural Digest video above is unlikely to change dramatically over the next few…
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One of the very first feature-length sci-fi films ever made, Fritz Lang’s Metropolis took a daring visual approach for its time, incorporating Bauhaus and Futurist influences in thrillingly designed sets and costumes. Lang’s visual language resonated strongly in later decades. The film’s rather stunning alchemical-electric transference of a woman’s physical traits onto the body…
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That Wes Anderson is perhaps the most assiduous maker of short films today becomes clear when you look closely at his recent work. The four adaptations of “The Wonderful World of Henry Sugar” and three other Roald Dahl stories he made for Netflix were presented as a single anthology film; his slightly earlier feature
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In the image above, we see an impressive pre-internet macro-infographic called a “Histomap.” Its creator John B. Sparks (who later created “histomaps” of religion and evolution) published the graphic in 1931 with Rand McNally. The five-foot-long chart—purportedly covering 4,000 years of “world” history—is, in fact, an example of an early illustration trend called…
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https://www.youtube.com/watch?v=Nb1PrONDHhk
If you want to see a tour de force of modern technology and design, there’s no need to visit a Silicon Valley showroom. Just feel around your desk for a few moments, and sooner or later you’ll lay a hand on it: the BIC Cristal ballpoint pen, which is described in the…
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