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When Samuel Beckett Drove Young André the Giant to School, How an Ancient Roman Shipwreck Could Explain the Universe ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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Are your idle moments spent inventing imaginary conversations between strange bedfellows? The sort of conversation that might transpire in a pickup truck belonging to Samuel Beckett, say, were the Irish playwright to chauffeur the child André Rene Roussimoff—aka pro wrestler André the Giant—to school?
Too silly, you say? Nonsense. This isn’t some wackadoo…
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In a 1956 New Statesman piece, the British scientist-novelist C. P. Snow first sounded the alarm about the increasingly chasm-like divide between what he called the “scientific” and “traditional” cultures. We would today refer to them as the sciences and the humanities, while still wringing our hands over the inability of each side to…
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Jimi Hendrix arrived on the London scene like a ton of bricks in 1966, smashing every British blues guitarist to pieces the instant they saw him play. As vocalist Terry Reid tells it, when Hendrix played his first showcase at the Bag O’Nails, arranged by Animals’ bassist Chas Chandler, “there were guitar players weeping.…
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You know the sound of the theremin, that weird, warbly whine that signals mystery, danger, and otherworldly portent in many classic sci-fi films. It has the distinction of being not only the very first electronic instrument but also the only instrument in history one plays without ever touching any part of it. Instead, the theremin…
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