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The Night When Miles Davis Opened for the Grateful Dead (1970), Compare the “It Ain’t Me Babe” Scene from A Complete Unknown to the Real Bob Dylan & Joan Baez Performance at the Newport Folk Festival
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We’ve often featured the work of the Public Domain Review here on Open Culture, and also various searchable copyright-free image databases that have arisen over the years. It makes sense that those two worlds would collide, and now they’ve done so in the form of the just-launched Public Domain Image Archive…
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What’s that, you ask? Did Miles Davis open for the Grateful Dead at the Fillmore West? In what world could such a thing happen? In the world of the late sixties/early seventies, when jazz fused with acid rock, acid rock with country, and pop culture took a long strange trip. The “inspired pairing” of…
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A Complete Unknown, the new movie about Bob Dylan’s rise in the folk-music scene of the early nineteen-sixties and subsequent electrified break with it, has been praised for not taking excessive liberties, at least by the standards of popular music biopics. Its conversion of a real chapter of cultural history has entailed various conflations, compressions,…
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In 1581, the medieval cartographer and Protestant theologian Heinrich Bünting created a symbolic map of the world that adorned his book Itinerarium Sacrae Scripturae (Travel Through Holy Scripture). Hand-colored and shaped like a three-leaf clover, the map put Jerusalem at its center, highlighting its central role in Christianity, Judaism, and Islam. From…
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Ideally, a viewer should be able to identify the work of a particular auteur from any one scene that the auteur has directed. In reality, it’s not always possible to do so, even in the work of filmmakers with highly idiosyncratic styles. But in the case of Quentin Tarantino, it would probably be more difficult…
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