|
Jane Austen Used Pins to Edit Her Manuscripts: Before the Word Processor & White-Out, What It Was Like to Get a Meal at a Medieval Tavern ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
|
| |
|
In the credits of Phil Collins’ No Jacket Required appears the disclaimer that “there is no Fairlight on this record.” Cryptic though it may have appeared to most of that album’s many buyers, technology-minded musicians would’ve got it. In the half-decades since its introduction, the Fairlight Computer Musical Instrument, or CMI, had reshaped the sound…
|
|
|
|
| |
|
Before the word processor, before White-Out, before Post-It Notes, there were straight pins. Or, at least that’s what Jane Austen used to make edits in one of her rare manuscripts. In 2011, Oxford’s Bodleian Library acquired the manuscript of Austen’s abandoned novel, The Watsons. In announcing the acquisition, the Bodleian wrote:
The…
|
|
|
|
| |
|
At least since The Canterbury Tales, the setting of the medieval tavern has held out the promise of adventure. For their customer base during the actual Middle Ages, however, they had more utilitarian virtues. “If you ever find yourself in the late medieval period, and you are in need of food and drink, you’d better…
|
|
|
|
| |
|
In 1913, Germany, flush with a new nation’s patriotic zeal, looked like it might become the dominant nation of Europe and a real rival to that global superpower Great Britain. Then it hit the buzzsaw of World War I. After the German government collapsed in 1918 from the economic and emotional toll of a half-decade…
|
|
|
|