|
Watch The Idea, the First Animated Film to Deal with Big, Philosophical Ideas (1932), How 2001: A Space Odyssey Became “the Hardest Film Kubrick Ever Made” ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
|
| |
|
We could call the time in which we live the “Information Age.” Or we could describe it more vividly as the era of Bill Gates and Jeff Bezos, Martin Scorsese and Steven Spielberg, Oprah Winfrey and Martha Stewart, Beyoncé and Bob Dylan. Whatever you think of the work of any of these figures…
|
|
|
|
| |
|
A vague sense of disquiet settled over Europe in the period between World War I and World War II. As the slow burn of militant ultranationalism mingled with jingoist populism, authoritarian leaders and fascist factions found mounting support among a citizenry hungry for certainty. Europe’s growing trepidation fostered some of the 20th century’s most striking…
|
|
|
|
| |
|
Stanley Kubrick’s 2001: A Space Odyssey has been praised in all manner of terms since it came out more than half a century ago. An early advertising campaign, tapping into the enthusiasm of the contemporary counterculture, called it “the ultimate trip”; in the equivalently trendy parlance of the twenty-twenties, one could say that it “goes…
|
|
|
|
| |
|
History escapes us. Events that changed the world forever, or should have, slide out of collective memory. If we’re pointing fingers, we might point at educational systems that fail to educate, or at huge historical blind spots in mass media. Maybe another reason the recent past fades like old photographs may have…
|
|
|
|
| |
|
Video essayists don’t normally retire; in most cases, they just drift into inactivity. Hence the surprise and even dismay of the internet’s cinephiles when Tony Zhou and Taylor Ramos declared the end of their respected channel Every Frame a Painting in 2016. We here at Open Culture had featured their analyses of everything from…
|
|
|
|