The late Angelo Badalamenti composed music for singers like Marianne Faithfull and Nina Simone, for movies like The City of Lost Children and National Lampoon's Christmas Vacation, and even for the 1992 Olympics in Barcelona. But of all his musical work, no piece is more likely to begin playing in our minds at the mention of his name than the theme from Twin Peaks, the ABC series that both mystified and enraptured audiences in the early nineteen-nineties. Looking back, one would expect anything less from a prime-time show co-created by David Lynch. And though Twin Peaks' initial run would come to only three seasons, Lynch and Badalamenti's collaboration would continue for decades thereafter.

It was with his work for Lynch, in fact, that Badalamenti first broke through as a film composer: 1986's Blue Velvet may have established Lynch as America's foremost popular "art house" auteur, but it also introduced its viewers the world over to the seductive and unsettling beauty of Badalamenti's music.

That film's song "Mysteries of Love" (with its Lynch-penned lyrics sung [...]

In Christmases past, we featured Charles Dickens' hand-edited copy of his beloved 1843 novella A Christmas Carol. He did that hand editing for the purposes of giving public readings, a practice that, in his time, "was considered a desecration of one’s art and a lowering of one’s dignity." That time, however, has gone, and many of the most prestigious writers alive today take the reading aloud of their own work to the level of art, or at least high entertainment, that Dickens must have suspected one could. Some writers even do a bang-up job of reading other writers' work: modern master storyteller Neil Gaiman gave us a dose of that when we featured his recitation of Lewis Carroll's "Jabberwocky" from memory. Today, however, comes the full meal: Gaiman's telling of A Christmas Carol straight from that very Dickens-edited reading copy.

Gaiman read to a full house at the New York Public Library, an institution known for its stimulating events, holiday-themed or otherwise. But he didn't have to hold up the afternoon himself; taking [...]

I got hooked on Duolingo a few years ago. Since then, I've used it daily to practice languages like French, Spanish, Finnish, Chinese, and Japanese. But none of those courses is quite as popular with as many users as the one for English, which is widely spoken around the world — and, inevitably, almost as widely misspoken around the world. Even non-English-speaking countries tend to put up some English-language signage, sparse and strange though it can often be: a handwritten grocer's sign warning customers not to "finger the peaches"; a notice mounted just above a urinal that urges visitors to "please urinate with precision and elegance."

These examples come, unsurprisingly, from Japan, whose awkward but vividly memorable written English has long circulated in Western media. That made Tokyo the ideal location for the Museum of Wonky English, a pop-up collaboration between Duolingo Japan and creative agency UltraSuperNew that, as the latter's site describes it, exhibits "sixteen of the best examples of wonky English found all over Japan."

When "visitors look at the signs, menus, clothes, and [...]

For a medieval knight, physical combat in a full suit of armor could hardly have been a simple matter — but then, nor could the task of putting it on in the first place. You can see the latter depicted in the video above from Norwegian history buff Ola Onsrud. He describes the armor as a "detailed reconstruction based on the effigy of the Black Prince (1330-1376) in the Canterbury Cathedral, other relevant effigies, paintings in fourteenth-century manuscripts and late fourteenth-century armor displayed in The Royal Armories in Leeds." If you've so much as glanced at such imagery, Onsrud's armor should strike you as looking quite like the real deal.

But this is functional clothing, after all, and as such must be put to the test. Onsrud does so in the video just below, a demonstration of how the wearer of such armor would actually do hand-to-hand combat. "To make comments, the visor of my helmet is open through most of the video," he notes.

"This will of course make my face an interesting target for my [...]

Many of us can remember a time when artificial intelligence was widely dismissed as a science-fictional pipe dream unworthy of serious research and investment. That time, safe to say, has gone. "Within a decade," writes blogger Samuel Hammond, the development of artificial intelligence could bring about a world in which "ordinary people will have more capabilities than a CIA agent does today. You’ll be able to listen in on a conversation in an apartment across the street using the sound vibrations off a chip bag" (as previously featured here on Open Culture.) "You’ll be able to replace your face and voice with those of someone else in real time, allowing anyone to socially engineer their way into anything."

And that's the benign part. "Death-by-kamikaze drone will surpass mass shootings as the best way to enact a lurid revenge. The courts, meanwhile, will be flooded with lawsuits because who needs to pay attorney fees when your phone can file an airtight motion for you?" All this "will be enough to make the stablest genius feel schizophrenic." But "it doesn’t have [...]