Millvinia Dean, the last surviving passenger of the RMS Titanic, died in 2009. She’d lived a full life of 97 years, but that meant that she’d been only two months old when the famously luxurious and innovative ship hit the iceberg that sent it to the bottom of the Atlantic in the middle of its maiden voyage. Despite being humanity’s last direct link to the Titanic, she would have retained no memory of the ship or its sinking. That’s very much not the case with the survivors interviewed in the 1970 British Pathé documentary footage above. One of them, Edith Russell, remembers the Titanic as having been “so very formal.” The “coziness” of other ocean liners, the “get-together feeling — it didn’t exist.”

A celebrity stylist and Paris correspondent for Women’s Wear Daily, Russell was traveling first-class: one stateroom for her, and another for her luggage. Not so Gurshon Cohen, who’d been “sleeping six in a bunk” down below. Unlike many of the Titanic‘s third-class passengers, prohibited as they were from entering the upper decks, Cohen managed to find a place on a lifeboat (after jumping […]

Prophecies are really about now. In science fiction it’s always about now. What else could it be about? There is no future. There are many possibilities, but we do not know which one we are going to have.

— Margaret Atwood

There is no need to explain why Margaret Atwood’s The Handmaid’s Tale has gone from reading like a warning of the near-future to an allegory of the present after the U.S. Supreme Court’s ruling in Dobbs v. Jackson Women’s Health Organization. Atwood’s story revolves around the fictional Republic of Gilead, which takes over the U.S. after a fertility crisis decimates the population. Overnight, the fundamentalist Christian theocracy divides women into two broad classes – Handmaids: chattel who perform the labor of forced birth through forced conception; and the infertile who prop up the patriarchal ruling class as wives, overseers, or slave labor in the polluted “colonies.”

It’s a bleak tale, a story far less about heroism than the TV series based on the book would have viewers–who haven’t read it–believe. (The 5th season, slated for this July, seems to have […]

On your first day in architecture school, you have to design a doghouse. Having never set foot inside an architecture school, I concede that the previous sentence may well be false, but you have to admit that it sounds plausible. As the simplest form of shelter in common use across the world, the humble doghouse presents to an aspiring architect the most basic possible test. If you can’t build one, what business do you have building anything else? Yet it was with characteristic idiosyncrasy that Frank Lloyd Wright, that most famous of all American architects, took on the project of a doghouse only toward the end of his long life and career.

Images courtesy of the Marin County Civic Center

“‘Eddie’s House’ is a doghouse designed gratis by Wright in 1956 to complement a Usonian-style house he built on commission for Robert and Gloria Berger between 1950 and 1951, in the Marin County town of San Anselmo, California,” writes Hyperallergic’s Sarah Rose Sharp. The commission, such as it was, came from […]

On the question of whether novels can successfully be turned into films, the cinephile jury remains out. In the best cases a filmmaker takes a literary work and reinvents it almost entirely in accordance with his own vision, which usually requires a book of modest or unrealized ambitions. This method wouldn’t do, in other words, for War and Peace. Yet Tolstoy’s epic novel, whose sheer historical, dramatic, and philosophical scope has made it one of the most acclaimed works in the history of literature, has been adapted over and over again: for radio, for the stage, as a 22-minute Yes song, and at least four times for the screen.

The first War and Peace film, directed by and starring the pioneering Russian filmmaker Vladimir Gardin, appeared in 1915. Japanese activist filmmaker Fumio Kamei came out with his own version just over three decades later. Only in the nineteen-fifties, with large-scale literary adaptation still in vogue, did the mighty hand of Hollywood take up the book. The project went back to 1941, when producer Alexander Korda tried to […]

My issue is that it’s all very well to sit back and complain but when it’s your country you have a responsibility. – Cass Elliot

What could be more heavenly than Cass Elliot of The Mamas & The Papas and singer-songwriter John Denver harmonizing on Denver’s “Leaving on a Jet Plane,” a tune many conceived of as a protest to the Vietnam War, owing largely to folk trio Peter, Paul and Mary‘s cover version.

Maybe some voter registration added to the mix?

Before breaking into their duet on the late night TV musical variety show The Midnight Special, Denver invited Mama Cass to share a few words on her efforts to get out the vote in a presidential election year:

I’ve been traveling around the country for the past year or so, talking on a lot of college campuses and trying to find out exactly what people are thinking, and the thing that’s impressed me the most is, there is still in this country, believe it or not, after all the talk, […]