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Digest of new articles at openculture.com, your source for the best cultural and educational resources on the web ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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Last night, we sadly learned of the passing of Ivan Reitman, director of many beloved comedies--Meatballs (1979), Stripes (1981), Ghostbusters (1984), and beyond.
Born in Czechoslovakia in 1946--his mother an Auschwitz survivor and his father an underground resistance fighter--Reitman moved to Canada as a young child, where he eventually attended McMaster University. And there he "produced and directed Orientation [in 1968], the most successful student film ever made in Canada," writes Macleans. "Produced at a cost of $1,800 while Reitman was president of the McMaster University Film Board, Orientation — the story of a freshman during his first week at university — was acquired by Twentieth CenturyFox of Canada as a “featurette” to accompany John And Mary in first-run engagements across the country." "It earned $15,000 in rentals and continues to be in demand..." You can watch it above, or on McMaster's website.
For anyone interested in hearing Reitman discuss his development as a filmmaker, we'd recommend listening to his 2014 interview with Marc Maron.
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This year will see the long-delayed publication of a version of Ulysses that Joyce didn't want you to read — not James Joyce, mind you, but the author's grandson Stephen Joyce. Up until his death in 2020, Stephen Joyce opposed the publication of his grandfather's best-known book in an illustrated edition. But he only retained the power actually to prevent it until Ulysses' 2012 entry into the public domain, which made the work freely usable to everyone who wanted to. In this case, "everyone" includes such notables as neo-figurative artist Eduardo Arroyo, described by the New York Times' Raphael Minder as "as one of the greatest Spanish painters of his generation."

At the time of Ulysses' copyright expiration, Arroyo had long since finished his own set of more than 300 illustrations for Joyce's celebrated and famously intimidating novel. Arroyo noted in a 1991 essay, writes Minder, that "imagining the illustrations kept him alive when he was hospitalized in the late 1980s for peritonitis, an inflammation of the abdominal [...]
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The Riot Grrrl movement feels like one of the last real revolutions in rock and punk, and not just because of its feminist, anti-capitalist politics. As Polyphonic outlines in his short music history video, Riot Grrrl was one of the last times anything major happened in rock music before the internet. And it’s especially thrilling because it all started with *zines*.
Women in the punk scene had a right to complain. Bands and their fans were very male, and sexual harassment was chronic at shows, leaving most women standing at the back of the crowd. Some zines even spelled it out: “Punks Are Not Girls,” says one.
Alienated from the scene but still fans at heart, Tobi Vail and Kathleen Hanna, already producing their own feminist zines, joined forces to release “Bikini Kill” a gathering of lyrics, essays, confessionals, appropriated quotes, plugs for Vail’s other zine "Jigsaw", and a sense that something was happening. Something was changing in rock culture. Kim Deal of the Pixies and Kim Gordon of Sonic Youth were heroes, Poly Styrene of X-Ray Spex was [...]
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