Eight or so years ago, young filmmaker Colin Levy got an opportunity of a lifetime. He got a one-on-one meeting with Martin Scorsese. After spending much of his time in high school making a five-minute short, Levy won the national YoungArts award — and, with it, the chance to chat with the guy who directed Goodfellas, Taxi Driver and Raging Bull.
After getting a personal tour of Scorsese’s office and editing bays by none other than legendary editor Thelma Schoonmaker, Levy met the man himself. “It was a defining moment in my path as a filmmaker,” he later wrote on his blog.
Martin Scorsese was intimidating, to say the least. But very jovial, very talkative, and he took me seriously. (Or convinced me, at least.) I pretty much kept my mouth shut. Every 30 seconds he would mention an actor, producer, director or film title I had never heard of before. I was stunned just to be in his presence. He liked my film, he said. “How did you do the little creatures?” I tried to explain how I figured out the basics of 3D animation. His eyes lit up and he started talking about the digital effects in The Aviator.
The juxtaposition of scales was overpowering. I felt like I was in a movie. Why he spent so much time with me I do not know, but it was amazing just to be in his presence. A few weeks afterwards I labored over a thank-you card, in which I expressed the overwhelming impression I had gotten that I don’t know enough about anything. I specially don’t know enough about film history and foreign cinema. I asked if he had any suggestions for where to start.
A couple weeks later, Scorsese’s assistant sent him a handful of books and 39 foreign movies personally picked by the filmmaker. “Mr. Scorsese asked that I send this your way,” his assistant wrote to Colin. “This should be a jump start to your film education!”
Scorsese’s selections – which you can see above – are a fascinating insight into what influenced the filmmaker. Several movies are perennial film school classics: Italian neorealist masterpieces like the Bicycle Thief and Umberto D pop up on the list along with groundbreaking French New Wave works like 400 Blows and Breathless. More unexpected is surprisingly strong showings of both Japanese post-war movies and New German cinema. Both Akira Kurosawa and Rainer Werner Fassbinder get three films each. And while there are some rather eccentric, unexpected inclusions in the list–Rocco and his Brothers? Il Sorpasso? Death by Hanging? – there are also some pretty striking omissions; big name art house figures like Ingmar Bergman, Robert Bresson and most surprisingly Federico Fellini didn’t make the cut. In any case, as Scorsese’s assistant writes, this list is a great place to start for anyone looking to learn more about foreign film.
At least the first few films on the list you will find in our collection, 4,000+ Free Movies Online: Great Classics, Indies, Noir, Westerns, Documentaries & More.
via Huffington Post
Martin Scorsese Teaches His First Online Course on Filmmaking: Features 30 Video Lessons
Martin Scorsese Reveals His 12 Favorite Movies (and Writes a New Essay on Film Preservation)
Martin Scorsese Create a List of 38 Essential Films About American Democracy
Jonathan Crow is a Los Angeles-based writer and filmmaker whose work has appeared in Yahoo!, The Hollywood Reporter, and other publications. You can follow him at @jonccrow. And check out his blog Veeptopus, featuring lots of pictures of vice presidents with octopuses on their heads. The Veeptopus store is here.
I wouldn’t read too hard into any “omissions.” We all know how list generating goes…you either labor for way too long, entirely aware of what you might be missing due to either length constraints or brain blarts, or you have a great time just generating the list in your brain at that given moment.
A bit impressed and entirely heartened to see genuine communication going on. And while I can’t be Colin, it sure is fun to get a look at the note.
Now off to see the titles I haven’t yet. Or at least at them to the “to see pile.” Because you know how THOSE go.
I’ve seen these films and I could sign the list.
aspiring to be good movie buff to relish
and explore and experiance a wide range of emotions and equations,
But ‘Rocco and his Brothers’ should be no surprise: an epic melodrama about Italian economic migrants, boxing, and brotherhood.
No “The Leopard” I thought that would be first on his list
Can we see the list of books, too? Would love to know which ones he recommends.
No Bunuel. No Bergman. No Tarkovsky.
the best 3 film-makers ever.
Scorsese’s book suggestions would be more interesting.
Rocco and his brothers is for sure,a great movie,and the Leopard too.But not mentioning Tarkovski,is a mistake,but dont let it ruin your day,i dont know all that is worth to see.Theres so many good movies that to see them all would make your eyes fall out!!!Excuse me here,off course you know him,but not taking him in,is a mistake.So,there,i avoided looking like a jerk!Its only me rambling on,take it easy,i do…