Black Mirror Predicts Our Technological Dystopia — Pretty Much Pop: A Culture Podcast #156

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Your Pretty Much Pop team Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker talk about Charlie Brooker’s British anthology TV series that began in 2011 and recently released its sixth season.

How has this show evolved from satirical science fiction to something more often just horror studies that study human nature? We talk about our favorite episodes and what does and doesn’t work. Does the show have to be so dark to make its point? Does it always have a point, or is some of it just fun?

To refresh yourself or learn more about these individual episode names that we keep dropping, check out the Wikipedia article listing all the episodesA Guardian article rates how well ten of the episodes predicted the future, and a Vulture article ranks every single episode.

We mention philosopher Charles Mills talking about a Black Mirror episode on another podcast.

Follow us @law_writes@sarahlynbruck@ixisnox@MarkLinsenmayer.

Hear more Pretty Much Pop, including recent episodes on Barbie and Indiana Jones. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network. Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Kids’ Films, Adult Messages — Pretty Much Pop: A Culture Podcast #153

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Today’s Pretty Much Pop features panel of parents: your host Mark Linsenmayer, NY Times Entertainment Writer and Philosophy Professor Lawrence Ware, educator Michelle Parrinello-Cason and pop-culture philosopher Chris Sunami. We take on the mass of largely animated films by Disney, Pixar, Dreamworks, Illumination, etc. We’ve all watched them with our kids, and many adults devour them even in preference to other types of films.

So what’s the underlying ideology of this kind of media? What messages are they conveying, and are these substantial or even coherent? What elements in these films can adults relate to?

We touch on Puss in Boots, Turning Red, Soul, Trolls, Enola Holmes, The Polar Express, toddler edutainment, things we watched as kids, and stories by Roald Dahl, Lewis Carroll and L. Frank Baum. Our hosts recommended The Babysitter’s Club, The Mysterious Benedict Society, the studio Ghibli films, and the Series of Unfortunate Events books.

Follow us @law_writes, @DaylaLearning (Michelle), @PopCultPhil (Chris), and @MarkLinsenmayer.

Hear more Pretty Much Pop. If you’re not subscribed to the podcast, you’re missing lots of good episodes, such as our recent post-mortems on Succession and Ted Lasso. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Considering Rocky/Creed, Our Most Successful Sports Film Franchise — Pretty Much Pop: A Culture Podcast #149

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Your Pretty Much Pop hosts Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker talk through the ups and downs of this nine-film franchise that started with Rocky, the highest grossing film of 1976 and winner of that year’s Academy Award for Best Picture. We’re especially concerned with this year’s Creed III, directed by its star Michael B. Jordan, which is the first entry in the franchise that’s entirely free of Sylvester Stallone.

How can such an apparently simple formula (start as an underdog, train, and win at least a moral victory) stay fresh? Why was there a robot in Rocky IV? Is there any rationale for an extended, continuing Rocky-verse? Does enjoying these films involve approving of boxing as a sport, or the glorification of fictional sports heroes over real-life ones?

For various articles about things going on in the franchise, check out totalrocky.com. Sarahlyn mentions the NPR podcast The Statue.

Follow us @law_writes@sarahlynbruck@ixisnox@MarkLinsenmayer.

Hear more Pretty Much Pop. If you’re not subscribed to the podcast, you’re missing lots of good episodes. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Do Movie Androids Want to Love Us or Kill Us? Pretty Much Pop: A Culture Podcast #144

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Your Pretty Much Pop hosts Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker talk through various ethical and narrative problems having to do with the creation of artificial life.

We all watched M3GAN and Steve Spielberg’s A.I., and also touch on After YangEx MachinaBicentennial Man, the BBC show Humans, and of course this is an element in classic sci-fi properties like AlienBlade RunnerStar Trek, etc.

We also go on a tangent about A.I. writing academic papers.

We mention the short stories E.M. Forster’s “The Machine Stops” and Roger Zelazny’s “For a Breath I Tarry.”

Follow us @law_writes@sarahlynbruck@ixisnox@MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Adapting the Unfilmable Story of Pinnochio — Pretty Much Pop: A Culture Podcast #143

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Your Pretty Much Pop A-Team Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker discuss the original 1883 freaky children’s story by Carlo Collodi and consider the recent rush of film versions, from a new Disney/Robert Zemikis CGI take to Guillermo del Toro’s stop-motion passion project to a heavily costumed Italian version by Matteo Garrone, which is the second to feature Oscar winner Roberto Benigni in a lead role. Benigni’s previous try was a 2002 version that is the most true to the beats of the original story and maybe because of this has a 0% on Rotten Tomatoes. Why do people keep remaking this story, and how has the original moral of “be a good boy and obey” changed over the years?

Read the original story. Some articles going through the film versions include:

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

What Are “Creatives”? Pretty Much Pop #138 on the Role of the Artist in Modern Society

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Is there really a division in today’s culture between those who create and the merely receptive masses? Your Pretty Much Pop host gathers three artists in different media about the place of the artist in society: sci-fi author Brian Hirt, art photographer and academic Amir Zaki, and musician/novelist/ex-English prof John Andrew Fredrick, who leads a band called The Black Watch.

We touch on art education, the self-understanding of artists, the relation between artist and consumer, art vs. commerce, bad art vs. non-art, and much more.

Listen to Amir talking about photography on a past PMP episodeListen to John talk about his music with Mark on Nakedly Examined MusicListen to John’s new EP. Brian brings up the Decoder Ring podcast episode “The Storytelling Craze.” Listen to Mark’s tunes.

Follow us @blackwatchmusic@amir_zaki_, and @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Making Sense of Nathan Fielder’s The Rehearsal with Pretty Much Pop: A Culture Podcast #136

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Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker convene an emergency podcast recording to react to this mind-bending, possibly immoral HBO comedy docuseries, wherein Fielder helps ordinary people rehearse difficult personal confrontations, but this plan goes off the rails after 1.5 episodes out of the six that made up its first season.

This series builds upon Fielder’s previous show where he comedically tried to help businesses, Nathan for You, whose ground-breaking finale (“Finding Frances”) discovered The Rehearsal‘s format. Is Nathan himself the main butt of the joke, or is he punching down? Are there better ways to show the failings of reality TV? How does this kind of embarrassment humor differ from Borat and its ilk? Maybe the show is not as much about these people going through their rehearsals as an examination of the process of rehearsing itself that Fielder has devised.

Feel free to listen to us to find out what it’s all about, but you will be best served by watching this indescribable show yourself before experiencing this episode.

A few relevant articles also considering the show include:

Follow us @law_writes@sarahlynbruck@ixisnox@MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

The Breaking Bad-O-Verse — Pretty Much Pop: A Culture Podcast #135 Considers “Better Call Saul”

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Given the end of Better Call Saul, your Pretty Much Pop host Mark Linsenmayer, plus NY Times entertainment writer/philosophy professor Lawrence Ware, novelist/writing professor Sarahlyn Bruck, and philosopher/musician Al Baker discuss this strange TV “franchise” that amazingly produced a prequel that was arguably better than the original. We cover the characterization and pacing, novelistic TV vs. not having a plot roadmap in advance, and whether we want to see another installment in this world.

A few articles we consulted included:

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

 

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