A 400-Year-Old Ring that Unfolds to Track the Movements of the Heavens


Rings with a dis­creet dual pur­pose have been in use since before the com­mon era, when Han­ni­bal, fac­ing extra­di­tion, alleged­ly ingest­ed the poi­son he kept secret­ed behind a gem­stone on his fin­ger. (More recent­ly, poi­son rings gave rise to a pop­u­lar Game of Thrones fan the­o­ry…)

Vic­to­ri­ans pre­vent­ed their most close­ly kept secrets—illicit love let­ters, per­haps? Last wills and testaments?—from falling into the wrong hands by wear­ing the keys to the box­es con­tain­ing these items con­cealed in signet rings and oth­er state­ment-type pieces.

A tiny con­cealed blade could be lethal on the fin­ger of a skilled (and no doubt, beau­ti­ful) assas­sin. These days, they might be used to col­lect a bit of one’s attack­er’s DNA.

Enter the fic­tion­al world of James Bond, and you’ll find a num­ber of handy dandy spy rings includ­ing one that dou­bles as a cam­era, and anoth­er capa­ble of shat­ter­ing bul­let­proof glass with a sin­gle twist.

Armil­lary sphere rings like the ones in the British Muse­um’s col­lec­tion and the Swedish His­tor­i­cal Muse­um (top) serve a more benign pur­pose. Fold­ed togeth­er, the two-part out­er hoop and three inte­ri­or hoops give the illu­sion of a sim­ple gold band. Slipped off the wearer’s fin­ger, they can fan out into a phys­i­cal mod­el of celes­tial lon­gi­tude and lat­i­tude.

Art his­to­ri­an Jes­si­ca Stew­art writes that in the 17th cen­tu­ry, rings such as the above spec­i­men were “used by astronomers to study and make cal­cu­la­tions. These pieces of jew­el­ry were con­sid­ered tokens of knowl­edge. Inscrip­tions or zodi­ac sym­bols were often used as dec­o­ra­tive ele­ments on the bands.”

The armil­lary sphere rings in the British Museum’s col­lec­tion are made of a soft high-alloy gold.

Jew­el­ry-lov­ing mod­ern astronomers seek­ing an old school fin­ger-based cal­cu­la­tion tool that real­ly works can order armil­lary sphere rings from Brook­lyn-based design­er Black Adept.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent: 

A 16th-Cen­tu­ry Astron­o­my Book Fea­tured “Ana­log Com­put­ers” to Cal­cu­late the Shape of the Moon, the Posi­tion of the Sun, and More

When Astronomer Johannes Kepler Wrote the First Work of Sci­ence Fic­tion, The Dream (1609)

The Rem­brandt Book Bracelet: Behold a Func­tion­al Bracelet Fea­tur­ing 1400 Rem­brandt Draw­ings

Behold the Astro­nom­icum Cae­sareum, “Per­haps the Most Beau­ti­ful Sci­en­tif­ic Book Ever Print­ed” (1540)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist in New York City.

by | Permalink | Make a Comment ( 14 ) |

Why Ancient Romans Paid a Fortune for the Color Purple — More Than Even Silver

Pur­ple may not be one of the most pop­u­lar col­ors in the appar­el of our age, but if you want it — as cer­tain cul­tur­al fig­ures have amply demon­strat­ed — you can get as much of it as you like, even if you don’t belong to the aris­toc­ra­cy. That was­n’t the case in antiq­ui­ty, as explained by ancient-his­to­ry YouTu­ber Gar­rett Ryan in the new video from his chan­nel Told in Stone above. Back then, long before the inven­tion of syn­thet­ic dyes, human­i­ty had to get all its col­ors from nature, and some of those nat­ur­al sources were more abun­dant and acces­si­ble than oth­ers. To pro­duce splen­did “Tyr­i­an pur­ple” required the mucus of sea snails, and not just any sea snails: only three species, col­lec­tive­ly referred to as murex, would do.

This par­tic­u­lar pur­ple, as Ryan explains, “was vir­tu­al­ly immune to wash­ing and weath­er­ing,” unlike the veg­etable dyes com­mon­ly used in antiq­ui­ty, and per­haps that strength inspired the leg­end that it was dis­cov­ered by Her­cules him­self.

Though its recipe has nev­er quite been repli­cat­ed in moder­ni­ty, it seems to have required a near­ly Her­culean labor to exe­cute, with each batch of ten thou­sand snails pro­duc­ing a sin­gle gram of dye. Even ancient Roman sen­a­tors got just one pur­ple stripe each on their togas; full pur­ple was reserved for tri­umph­ing gen­er­als and emper­ors. In some ages, under emper­ors like Nero, pur­ple — at least in its most lux­u­ri­ant shades — was for­bid­den to the com­mon peo­ple.

Not that most of them could have afford­ed it any­way, in Rome or oth­er ancient civ­i­liza­tions. “In clas­si­cal Athens, a pur­ple cloak cost three minas, or 300 drach­mas, when a fam­i­ly of four could live com­fort­ably for a year on 200,” Ryan explains. “The finest pur­ple cloth was worth its weight in sil­ver, and an espe­cial­ly rich gar­ment could cost two tal­ents: 12,000 drach­mas.” Dur­ing the reign of Augus­tus, when impe­r­i­al legionar­ies earned 900 ses­ter­tii a year, “a cloak of sec­ond-rate pur­ple” might sell for 10,000. Cal­cu­lat­ing from Dio­cle­tian’s Price Edict, you could the­o­ret­i­cal­ly trade a few pounds of pur­ple silk for 75,000 pints of beer, 7,500 “suc­cu­lent sow udders,” 750 pheas­ants, “a sin­gle first-class male lion,” and 150 law­suits: the mak­ings of quite a high time in Ancient Rome.

Relat­ed con­tent:

How the Ancient Greeks & Romans Made Beau­ti­ful Pur­ple Dye from Snail Glands

Behold Ancient Egypt­ian, Greek & Roman Sculp­tures in Their Orig­i­nal Col­or

Dis­cov­er Harvard’s Col­lec­tion of 2,500 Pig­ments: Pre­serv­ing the World’s Rare, Won­der­ful Col­ors

Why Most Ancient Civ­i­liza­tions Had No Word for the Col­or Blue

Prince Gets an Offi­cial Pur­ple Pan­tone Col­or

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

A Stylish 2,000-Year-Old Roman Shoe Found in a Well


When the Romans pushed their way north into the Ger­man provinces, they built (cir­ca 90 AD) the Saal­burg, a fort that pro­tect­ed the bound­ary between the Roman Empire and the Ger­man­ic trib­al ter­ri­to­ries. At its peak, 2,000 peo­ple lived in the fort and the attached vil­lage, and it remained active until around 260 AD.

Some­time dur­ing the 19th cen­tu­ry, the Saal­burg was redis­cov­ered and exca­vat­ed, then lat­er ful­ly recon­struct­ed. It’s now a UNESCO World Her­itage site and hous­es the Saal­burg Muse­um, which con­tains many Roman relics, includ­ing a 2,000-year-old shoe, appar­ent­ly found in a local well.

If you think the Ital­ians have mas­tered the craft of mak­ing shoes, well, they don’t have much on their ances­tors. Accord­ing to the site Romans Across Europe, the Romans “were the orig­i­na­tors of the entire-foot-encas­ing shoe.” The site con­tin­ues:

There was a wide vari­ety of shoes and san­dals for men and women. Most were con­struct­ed like mil­i­tary cali­gae, with a one-piece upper nailed between lay­ers of the sole. Many had large open-work areas made by cut­ting or punch­ing cir­cles, tri­an­gles, squares, ovals, etc. in rows or grid-like pat­terns. Oth­ers were more enclosed, hav­ing only holes for the laces. Some very dain­ty women’s and children’s shoes still had thick nailed soles.

The image above, which puts all of the Romans’ shoe-mak­ing skill on dis­play, comes to us via Red­dit and imgur.

Note: An ear­li­er ver­sion of this post appeared on our site in 2016.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Ancient Romans First Com­mit­ted the Sar­to­r­i­al Crime of Wear­ing Socks with San­dals, Archae­o­log­i­cal Evi­dence Sug­gests

Archae­ol­o­gists Dis­cov­er an Ancient Roman San­dal with Nails Used for Tread

How Wear­ing Ridicu­lous­ly Long Point­ed Shoes Became a Medieval Fash­ion Trend

A Huge Scale Mod­el Show­ing Ancient Rome at Its Archi­tec­tur­al Peak (Built Between 1933 and 1937)

Exquis­ite 2300-Year-Old Scythi­an Woman’s Boot Pre­served in the Frozen Ground of Siberia

by | Permalink | Make a Comment ( 2 ) |

How Wearing Ridiculously Long Pointed Shoes Became a Medieval Fashion Trend

We can all remem­ber see­ing images of medieval Euro­peans wear­ing pointy shoes, but most of us have paid scant atten­tion to the shoes them­selves. That may be for the best, since the more we dwell on one fact of life in the Mid­dle Ages or anoth­er, the more we imag­ine how uncom­fort­able or even painful it must have been by our stan­dards. Den­tistry would be the most vivid exam­ple, but even that fash­ion­able, vague­ly elfin footwear inflict­ed suf­fer­ing, espe­cial­ly at the height of its pop­u­lar­i­ty — not least among flashy young men — in the four­teenth and fif­teenth cen­turies.

Called poulaines, a name drawn from the French word for Poland in ref­er­ence to the footwear’s sup­pos­ed­ly Pol­ish ori­gin, these pointy shoes appeared around the time of Richard II’s mar­riage to Anne of Bohemia in 1382. “Both men and women wore them, although the aris­to­crat­ic men’s shoes tend­ed to have the longest toes, some­times as long as five inch­es,” writes Ars Tech­ni­ca’s Jen­nifer Ouel­lette. “The toes were typ­i­cal­ly stuffed with moss, wool, or horse­hair to help them hold their shape.” If you’ve ever watched the first Black­ad­der series, know that the shoes worn by Rowan Atkin­son’s hap­less plot­ting prince may be com­ic, but they’re not an exag­ger­a­tion.

Regard­less, he was a bit behind the times, giv­en that the show was set in 1485, right when poulaines went out of fash­ion. But they’d already done their dam­age, as evi­denced by a 2021 study link­ing their wear­ing to nasty foot dis­or­ders. “Bunions — or hal­lux val­gus — are bulges that appear on the side of the foot as the big toe leans in towards the oth­er toes and the first metatarsal bone points out­wards,” writes the Guardian’s Nico­la Davis. A team of Uni­ver­si­ty of Cam­bridge researchers found signs of them being more preva­lent in the remains of indi­vid­u­als buried in the four­teenth and fif­teenth cen­turies than those buried from the eleventh through the thir­teenth cen­turies.

Yet bunions were hard­ly the evil against which the poulaine’s con­tem­po­rary crit­ics inveighed. After the Great Pesti­lence of 1348, says the Lon­don Muse­um, “cler­ics claimed the plague was sent by God to pun­ish Lon­don­ers for their sins, espe­cial­ly sex­u­al sins.” The shoes’ las­civ­i­ous asso­ci­a­tions con­tin­ued to draw ire: “In 1362, Pope Urban V passed an edict ban­ning them, but it did­n’t real­ly stop any­body from wear­ing them.” Then came sump­tu­ary laws, accord­ing to which “com­mon­ers were charged to wear short­er poulaines than barons and knights.” The pow­er of the state may be as noth­ing against that of the fash­ion cycle, but had there been a law against the blunt­ly square-toed shoes in vogue when I was in high school, I can’t say I would’ve object­ed.

Relat­ed con­tent:

Ele­gant 2,000-Year-Old Roman Shoe Found in a Well

Exquis­ite 2300-Year-Old Scythi­an Woman’s Boot Pre­served in the Frozen Ground of Siberia

The Ancient Romans First Com­mit­ted the Sar­to­r­i­al Crime of Wear­ing Socks with San­dals, Archae­o­log­i­cal Evi­dence Sug­gests

Doc Martens Boots Adorned with Hierony­mus Bosch’s “Gar­den of Earth­ly Delights”

How to Get Dressed & Fight in 14th Cen­tu­ry Armor: A Reen­act­ment

How Women Got Dressed in the 14th & 18th Cen­turies: Watch the Very Painstak­ing Process Get Cin­e­mat­i­cal­ly Recre­at­ed

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The BBC Creates Step-by-Step Instructions for Knitting the Iconic Dr. Who Scarf: A Document from the Early 1980s

Knitting-Pattern-4th-Doctor

When Jon Per­twee rein­car­nat­ed into Tom Bak­er in 1974, the Fourth Doc­tor of the pop­u­lar sci-fi show Doc­tor Who ditched the fop­pish look of vel­vet jack­ets and frilly shirts, and went for the “Roman­tic adven­tur­er” style, with flop­py felt hat, long over­coats and, most icon­i­cal­ly, his mul­ti­col­ored scarf.

Fan leg­end has it that cos­tume design­er James Ache­son picked up a load of mul­ti-col­or wool and asked knit­ter Bego­nia Pope to cre­ate a scarf, and Pope, per­haps mis­hear­ing, used *all* the wool, result­ing in a scarf that ran 12 feet long. The mis­take was per­fect, and sud­den­ly many UK grand­moth­ers were being asked by their grand­chil­dren to recre­ate their hero’s look.

The above memo isn’t dat­ed, but comes from some­time in the ear­ly ‘80s when the BBC sent detailed instruc­tions to a fan’s moth­er on mak­ing the scarf. (Click here, then click again, to view the doc­u­ment in a larg­er for­mat.) The col­ors include camel, rust, bronze, mus­tard, grey, green and pur­ple and should be knit­ted with size four nee­dles (that’s #9 US size). The requests must have come reg­u­lar­ly, because a sim­i­lar memo is reprint­ed from many years lat­er to anoth­er fan’s fam­i­ly.

The orig­i­nal scarf only last­ed a few episodes, then was altered, replaced, and sub­tly changed as the show went on. There were stunt scarves for stand-ins.

Come Sea­son 18, cos­tume design­er June Hud­son rethought the entire cos­tume and stream­lined the col­ors to three: rust, wine, and pur­ple, to match the Doctor’s more swash­buck­ling look. It also became the longest scarf of the series, some 20 feet.

The fol­low­ing year, the Doc­tor rein­car­nat­ed again into a crick­et-jumper and striped trouser-wear­ing young blonde man. The Scarf Years were over.

For a very in-depth look at the scarves, includ­ing Pan­tone col­or ref­er­ences and wool brands, there is noth­ing bet­ter than DoctorWhoScarf.com. So, get knit­ting, Who-vians!

Relat­ed Con­tent:

How Doc­tor Who First Start­ed as a Fam­i­ly Edu­ca­tion­al TV Pro­gram (1963)

The Fas­ci­nat­ing Sto­ry of How Delia Der­byshire Cre­at­ed the Orig­i­nal Doc­tor Who Theme

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

by | Permalink | Make a Comment ( 9 ) |

Archaeologists Discover an Ancient Roman Sandal with Nails Used for Tread

A recre­ation of the mil­i­tary san­dals. (Pho­to: Bavar­i­an State Office for Mon­u­ment Preser­va­tion)

Whether you’re putting togeth­er a stage play, a film, or a tele­vi­sion series, if the sto­ry is set in ancient Rome, you know you’re going to have to get a lot of san­dals on order. This task may sound more straight­for­ward than it is, for sim­ply copy­ing the styles of clas­sic pro­duc­tions that take place in the Roman Empire will put you on the wrong side of the his­tor­i­cal research. We now know, for instance, that some ancient Romans wore their san­dals with socks, a look that, seen in today’s cul­tur­al con­text, may not give quite the desired impres­sion. And thanks to an even more recent dis­cov­ery, it seems we also need to think about what’s on their soles.

Dis­cov­ered near the Bavar­i­an city of Ober­stimm, “an ancient Roman san­dal, large­ly decayed but recon­struct­ed through X‑ray, sug­gests the spread of mil­i­tary fash­ion to local pop­u­la­tions.” So writes Madeleine Muz­dakis at My Mod­ern Met, explain­ing that its type were known as cali­gae, which “had tough soles with hob­nails [that] pro­vid­ed trac­tion for the troops,” who did a fair bit of march­ing.

This par­tic­u­lar cali­ga dates from between 60 and 130, around the time the Roman army switched from san­dals to boots, and it shows that, dur­ing their time in this part of Bavaria, their footwear had an influ­ence on what the civil­ians were wear­ing.

An x‑ray of the ancient san­dals. (Pho­to: Bavar­i­an State Office for Mon­u­ment Preser­va­tion

The idea that stan­dard-issue mil­i­tary gear could influ­ence pop­u­lar fash­ion may sur­prise any­one who’s ever had to wear a pair of “GI glass­es.” But in its hey­day, the Roman army was­n’t just a group of occu­piers installed to project force on the part of a dis­tant metro­pole, but an exten­sion of civ­i­liza­tion itself. If the hob­nails in Roman mil­i­tary san­dals afford­ed extra trac­tion in addi­tion to the sub­tle sug­ges­tion of cul­tur­al sophis­ti­ca­tion, so much the bet­ter. Though the ques­tion of just how far and wide this par­tic­u­lar type of footwear (which appears recon­struct­ed at the top of the post, and in X‑ray just above) spread through the Roman Empire remains a mat­ter for fur­ther research, now would be as good a time as any for cos­tume design­ers to stock up on nails.

via Live Sci­ence/My Mod­ern Met

Relat­ed con­tent:

Ele­gant 2,000-Year-Old Roman Shoe Found in a Well

The Ancient Romans First Com­mit­ted the Sar­to­r­i­al Crime of Wear­ing Socks with San­dals, Archae­o­log­i­cal Evi­dence Sug­gests

Archae­ol­o­gists Dis­cov­er a 2,000-Year-Old Roman Glass Bowl in Per­fect Con­di­tion

What the Romans Saw When They Reached New Parts of the World: Hear First-Hand Accounts by Appi­an, Pliny, Tac­i­tus & Oth­er Ancient His­to­ri­ans

Do You Think About Ancient Rome Every Day? Then Browse a Wealth of Videos, Maps & Pho­tos That Explore the Roman Empire

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Free Download: A Knitting Pattern for a Sweater Depicting an Iconic Cover of George Orwell’s 1984

It’s win­ter, and we still have a ways to go. So maybe we could inter­est you in a free knit­ting pat­tern that depicts a vin­tage Pen­guin Clas­sics cov­er of George Orwell’s <i>1984</i>. A col­lege stu­dent gave it a go and post­ed the results on Red­dit. It’s pret­ty swelle­gant. You can down­load the pat­tern here.

Please note, “The pat­tern includes extra alpha­bet charts so that you can cus­tomise the title and author to your favourite book.”

via Kot­tke

Relat­ed Con­tent 

The BBC Cre­ates Step-by-Step Instruc­tions for Knit­ting the Icon­ic Dr. Who Scarf: A Doc­u­ment from the Ear­ly 1980s

A Mas­sive, Knit­ted Tapes­try of the Galaxy: Soft­ware Engi­neer Hacks a Knit­ting Machine & Cre­ates a Star Map Fea­tur­ing 88 Con­stel­la­tions

Behold an Anatom­i­cal­ly Cor­rect Repli­ca of the Human Brain, Knit­ted by a Psy­chi­a­trist

Behold 1,600-Year-Old Egypt­ian Socks Made with Nål­bind­ning, an Ancient Pro­to-Knit­ting Tech­nique

 

 

by | Permalink | Make a Comment ( 1 ) |

Why Henry VIII’s Codpiece Is So Monumental in Holbein’s Famous, Lost Portrait

Dur­ing the 15th and 16th cen­turies, fash­ion­able men sport­ed a cod­piece. Orig­i­nal­ly a gar­ment designed to pro­tect and sup­port the prover­bial “Willy” (espe­cial­ly when men wore tights), the cod­piece mor­phed into some­thing else–a sign of viril­i­ty, “a bulging and absurd rep­re­sen­ta­tion of mas­culin­i­ty itself.” The cod­piece fea­tured promi­nent­ly in paint­ings by mas­ters such as Tit­ian, Gior­gione, Bruegel and Hol­bein. Above, Evan Puschak (aka the Nerd­writer) intro­duces you to Hol­bein’s famous por­trait of Hen­ry VIII, “the poster boy for cod­pieces.”

For a deep­er dive into the sub­ject, you can read the New York­er piece “A Brief His­to­ry of the Cod­piece, the Per­son­al Pro­tec­tion for Renais­sance Equip­ment.” And to go still deep­er, see Michael Glover’s entire book ded­i­cat­ed to the sub­ject, Thrust: A Spas­mod­ic Pic­to­r­i­al His­to­ry of the Cod­piece in Art.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

Get­ting Dressed Over the Cen­turies: 35 Videos Show How Women & Men Put on Clothes Dur­ing Ancient, Medieval & Mod­ern Times

Watch the Renais­sance Paint­ing, The Bat­tle of San Romano, Get Brought Beau­ti­ful­ly to Life in a Hand-Paint­ed Ani­ma­tion

Free Course: An Intro­duc­tion to the Art of the Ital­ian Renais­sance

 

More in this category... »
Quantcast