Before Bill Nye, There Was Julius Sumner Miller: Watch Complete Episodes of His Classic Science Show, Why Is It So?, Free Online (1962–73)

“We are approach­ing a dark­ness in the land. Boys and girls are emerg­ing from every lev­el of school with cer­tifi­cates and degrees, but they can’t read, write or cal­cu­late. We don’t have aca­d­e­m­ic hon­esty or intel­lec­tu­al rig­or.” That quote may sound like a famil­iar lament today, but it’s actu­al­ly drawn from an inter­view con­duct­ed about half a cen­tu­ry ago with the physi­cist and tele­vi­sion host Julius Sum­n­er Miller. If that name sounds famil­iar to you, there’s a fair chance you’re an Aus­tralian who grew up between the six­ties and the eight­ies — and it’s hard­ly impos­si­ble that, thanks to his pro­gram Why Is It So?, you went on to pur­sue a career in sci­ence or engi­neer­ing.

Gen­er­a­tions of young view­ers down under and else­where learned from Why Is It So? that physics and its prin­ci­ples could be fun. Even if you weren’t among them at the time, you can now watch full episodes of the show uploaded to YouTube by ABC, the Aus­tralian Broad­cast­ing Cor­po­ra­tion.

As you may notice after just a few sec­onds of lis­ten­ing to him, Miller him­self was Amer­i­can. The Mass­a­chu­setts-born son of immi­grants from Latvia and Lithua­nia, he stud­ied physics at Boston Uni­ver­si­ty and there­after taught and per­formed research at var­i­ous insti­tu­tions (befriend­ing Albert Ein­stein along the way) before tak­ing a long-term posi­tion at El Camino Col­lege in Tor­rance, Cal­i­for­nia in 1952.


Miller’s pop­u­lar­i­ty at El Camino, the school’s prox­im­i­ty to Hol­ly­wood, and tele­vi­sion’s rapid expan­sion into a mass medi­um led to his launch­ing Why Is It So? on KNXT in Los Ange­les in 1959. By the mid-six­ties, he was also explain­ing sci­en­tif­ic phe­nom­e­na on Dis­ney’s Mick­ey Mouse Club, Great Moments in Sci­ence, and Sci­ence and Its Mag­ic, as well as on Steve Allen’s late-night talk show. He made his debut on Aus­tralian tele­vi­sion when the Uni­ver­si­ty of Syd­ney brought him out as a vis­it­ing lec­tur­er. The appear­ance went wrong when he could­n’t per­form his stan­dard trick of dri­ving a drink­ing straw through a pota­to, but what it nev­er­the­less got him — apart from an office filled with the domes­tic straws he’d jok­ing­ly crit­i­cized on-air — was a new home for Why Is It So? on ABC.

ABC has so far made avail­able sev­en full broad­casts orig­i­nal­ly aired between the ear­ly six­ties and the ear­ly sev­en­ties. Despite their black-and-white pro­duc­tion and lack of visu­al effects, they hold up well today in both edu­ca­tion­al and enter­tain­ment val­ue. How­ev­er engag­ing his per­son­al­i­ty as what we would now call a sci­ence com­mu­ni­ca­tor, it seems that “Miller could be a ter­ror in the class­room,” accord­ing to his Los Ange­les Times obit­u­ary from 1987, “intol­er­ant of mis­spelled words or mis­placed punc­tu­a­tion” and insis­tent that “most fac­ul­ty were not rigid enough and that stu­dents were not learn­ing enough.” He’d hard­ly be pleased with what’s hap­pened to intel­lec­tu­al stan­dards in the near­ly four decades since his death, but he’d sure­ly appre­ci­ate that his teach­ing con­tin­ues to reach “every­body ages four to 94,” as he liked to describe his audi­ence. Age, nation­al­i­ty, and even cre­den­tials did­n’t mat­ter; what count­ed was gen­uine curios­i­ty and the will­ing­ness to pur­sue it, whether in the class­room or the liv­ing room.

Relat­ed Con­tent:

The Pio­neer­ing Physics TV Show The Mechan­i­cal Uni­verse Is Now on YouTube: 52 Com­plete Episodes from Cal­tech

Watch a Young Carl Sagan Appear in His First TV Doc­u­men­tary, The Vio­lent Uni­verse (1969)

Richard Feyn­man Enthu­si­as­ti­cal­ly Explains How to Think Like a Physi­cist in His Series Fun to Imag­ine (1983)

The Great­est Shot in Tele­vi­sion: Sci­ence His­to­ri­an James Burke Had One Chance to Nail This Scene … and Nailed It

The Offi­cial Mis­ter Rogers’ Neigh­bor­hood YouTube Chan­nel Goes Live: Watch Com­plete Episodes, Includ­ing the Very First

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Official Mister Rogers’ Neighborhood YouTube Channel Goes Live: Watch Complete Episodes, Including the Very First

A great many, and per­haps the major­i­ty of Amer­i­cans now between their late twen­ties and ear­ly six­ties, have spent time in Mis­ter Rogers’ neigh­bor­hood. My own peri­od of reg­u­lar vis­i­ta­tion would have been in the nine­teen-eight­ies, a decade when Fred Rogers intro­duced his preschool-age view­ers to guest stars from Lou Fer­rig­no, in and out of Incred­i­ble Hulk make­up, to a ten-year-old boy with spina bifi­da. He also took on geopo­lit­i­cal issues, up to and includ­ing mutu­al­ly assured nuclear destruc­tion, and social ones, as on the mem­o­rable “divorce week” of 1981. Such top­i­cal broad­casts were mixed in with re-runs pro­duced as far back as 1969, the year Mis­ter Rogers got the coun­try’s atten­tion by invit­ing Offi­cer Clem­mons to share his wad­ing pool.

What those of us then tun­ing in did­n’t see was any­thing from the first, black-and-white sea­son of Mis­ter Rogers’ Neigh­bor­hood, which com­prised an aston­ish­ing 130 episodes that aired in 1968 alone. You can watch the series pre­miere at the top of the post, just recent­ly uploaded onto the show’s new offi­cial chan­nel.

It may come as a shock to see a 39-year-old Mis­ter Rogers, whom most of us remem­ber as the embod­i­ment of avun­cu­lar­i­ty or even grand­fa­ther­li­ness. But what’s even more strik­ing, if unsur­pris­ing, is that his onscreen per­sona, with its dis­in­cli­na­tion to talk down to chil­dren, nev­er real­ly changed. That sure­ly owes to its appar­ent iden­ti­ty with his off­screen per­sona: as he liked to put it, “kids can spot a pho­ny a mile away.”

“Aside from clips and com­pi­la­tions,” writes the New York Times’ Sopan Deb, “the chan­nel will make a selec­tion of full-length episodes avail­able glob­al­ly for the first time as well as some that haven’t aired in sev­er­al decades on PBS sta­tions.” With the show’s 60th anniver­sary com­ing up the year after next, the time does seem right to make as many of its 895 episodes as pos­si­ble avail­able to a new gen­er­a­tion. As of now, the chan­nel also offers the episodes with Offi­cer Clem­mons and the pool, Koko the Goril­la, and the mes­mer­iz­ing look inside the cray­on fac­to­ry. There’s even the crossover between Mis­ter Rogers and Bill Nye the Sci­ence Guy from 1997, by which time the lat­ter had become a tele­vi­sion icon to us mil­len­ni­als. Though we prob­a­bly did­n’t catch his vis­it at the time, we can now keep it book­marked to show our own kids — assum­ing they don’t dis­cov­er it first.

Relat­ed Con­tent:

Mr. Rogers Takes Break­danc­ing Lessons from a 12-Year-Old (1985)

Mr. Rogers’ Nine Rules for Speak­ing to Chil­dren (1977)

Mis­ter Rogers Cre­ates a Prime Time TV Spe­cial to Help Par­ents Talk to Their Chil­dren About the Assas­si­na­tion of Robert F. Kennedy (1968)

Mr. Rogers Intro­duces Kids to Exper­i­men­tal Elec­tron­ic Music by Bruce Haack & Esther Nel­son (1968)

Mis­ter Rogers Accepts a Life­time Achieve­ment Award, and Helps You Thank Every­one Who Has Made a Dif­fer­ence in Your Life

Watch the First Episode of Sesame Street and 140 Oth­er Free Episodes

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Nearly 50 Years Later, WKRP in Cincinnati Becomes a Real Radio Station

It took near­ly 50 years. WKRP in Cincin­nati is no longer just a TV sit­com. It’s now a real radio sta­tion in Cincin­nati.

A Cin­cy-area FM sta­tion, known as “The Oasis,” has adopt­ed the WKRP call let­ters after acquir­ing them from a non­prof­it radio sta­tion in North Car­oli­na. The Raleigh-based sta­tion put the call let­ters up for auc­tion as part of a fundrais­ing effort. And then The Oasis snapped them up.

To mark the offi­cial launch last week, the sta­tion played the TV show’s theme song for six straight hours. Mov­ing for­ward, the sta­tion will con­tin­ue play­ing clas­sic rock from the ’60s through the ’80s — much like the music fea­tured on the 1978–82 sit­com. As a bonus, Gary Sandy, who played pro­gram direc­tor Andy Travis, has record­ed pro­mos for the revived WKRP. If the orig­i­nal show was before your time, you can watch some episodes on YouTube. Enjoy…

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

All the Music Played on MTV’s 120 Min­utes: A 2,500-Video Youtube Playlist

All of the Songs Played on “WKRP in Cincin­nati” in One Playlist: Stream 202 Clas­sic Tracks

MTV Rewind Lets You Revis­it 40,000 Music Videos & Com­mer­cials from the Gold­en Age of MTV

 

The Simpsons Present Edgar Allan Poe’s “The Raven,” and Teachers Now Use It to Teach Kids the Joys of Literature

The Simp­sons has mocked or ref­er­enced lit­er­a­ture over its many sea­sons, usu­al­ly through a book Lisa was read­ing, or with guest appear­ances (e.g., Michael Chabon & Jonathan Franzen, Maya Angelou and Amy Tan). And it has ref­er­enced Edgar Allan Poe in both title (“The Tell-Tale Head” from the first sea­son) and in pass­ing (in “Lisa’s Rival” from 1994, the title char­ac­ter builds a dio­ra­ma based on the same Poe tale.)

But on the first ever “Tree­house of Hor­ror” from 1990—the Simp­sons’ recur­ring Hal­loween episode—they adapt­ed Poe’s “The Raven” more faith­ful­ly than any bit of lit found in any oth­er episode. The poem, read by James Earl Jones, remains intact, more or less, but with Dan Castellaneta’s Homer Simp­son pro­vid­ing the unnamed narrator’s voice. Marge makes an appear­ance as the long depart­ed Lenore, with hair so tall it needs an extra can­vas to con­tain it in por­trait. Mag­gie and Lisa are the censer-swing­ing seraphim, and Bart is the annoy­ing raven that dri­ves Homer insane.

Castel­lan­e­ta does a great job deliv­er­ing Poe’s verse with con­vic­tion and humor, while keep­ing the char­ac­ter true to both Homer and Poe. It’s a bal­anc­ing act hard­er than it sounds.

Suf­fice it to say that this for­ay into Poe was good enough for sev­er­al teach­ers’ guides (includ­ing this one from The New York Times) to sug­gest using the video in class. (We’d love to hear about this if you were a teacher or stu­dent who expe­ri­enced this.) And it’s the first and only time that Poe got co-writ­ing cred­it on a Simp­sons episode.

Note: An ear­li­er ver­sion of this post appeared on our site in 2016.

Relat­ed Con­tent:

The Simp­sons Pay Won­der­ful Trib­ute to the Ani­me of Hayao Miyaza­ki

Watch The Simp­sons’ Hal­loween Par­o­dy of Kubrick’s A Clock­work Orange and The Shin­ing

Thomas Pyn­chon Edits His Lines on The Simp­sons: “Homer is my role mod­el and I can’t speak ill of him.”

Ted Mills is a free­lance writer on the arts.

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Watch Jazzy Spies: 1969 Psychedelic Sesame Street Animation, Featuring Grace Slick, Teaches Kids to Count

When asked for their favorite Sesame Street seg­ment, many chil­dren of the 70s and 80s point to Pin­ball Num­ber Count. Psy­che­del­ic ani­ma­tion, the Point­er Sis­ters, odd time signatures—what’s not to love? But for the seri­ous Sesame Street buff, the “Jazz Num­bers” series above deserves the sil­ver medal. It’s got free jazz, Yel­low Sub­ma­rine-style sur­re­al­is­tic ani­ma­tion, and a vocal from Grace Slick of Jef­fer­son Air­plane. How many young par­ents rec­og­nized her dis­tinc­tive voice, I won­der?

Also known as “Jazzy Spies,” this 1969 series of ani­ma­tions was devot­ed to the num­bers 2 through 10 (there was no film for “one” as it is the loneli­est num­ber that you’ll ever do), and was an essen­tial ele­ment in Sesame Street’s first sea­son. High­lights include the dream-like ele­va­tor door sequence of “2,” the Jack­son 5 ref­er­ence in “5,” and the rac­ing fans in “10.”

Slick got involved through her first hus­band, Jer­ry Slick, who pro­duced the seg­ments for San Fran­cis­co-based ani­ma­tion stu­dio Imag­i­na­tion, Inc. Head­ed by ani­ma­tor Jeff Hale, the com­pa­ny also pro­duced the Pin­ball seg­ments, as well as the famous anamor­phic “Type­writer Guy,” the Ring­mas­ter, and the Detec­tive Man. Hale, by the way, has a cameo as Augie “Ben” Dog­gie in the well-loved Lucas par­o­dy Hard­ware Wars.)

The deliri­ous music was com­posed and per­formed by Colum­bia jazz artist Den­ny Zeitlin, who would go on to score the 1979 remake of Inva­sion of the Body Snatch­ers. Zeitlin plays both piano and clavinet; accom­pa­ny­ing him is Bob­by Natan­son on drums and Mel Graves on bass. Accord­ing to Zeitlin, Grace Slick over­dubbed her vocals lat­er.

This wasn’t Slick’s first encounter with Jim Hen­son. In 1968, she and oth­er mem­bers of Jef­fer­son Air­plane were part of a coun­ter­cul­ture doc­u­men­tary called Youth ’68, the trail­er for which you can groove on here.

Sesame Street, with all its pri­ma­ry col­ors, plas­tic mer­chan­dise, and Elmo infes­ta­tion, may have lost its edge, but these ear­ly works show its rev­o­lu­tion­ary foun­da­tions.

Note: An ear­li­er ver­sion of this post appeared on our site in 2015.

Relat­ed Con­tent:

Philip Glass Com­pos­es Music for a Sesame Street Ani­ma­tion (1979)

Itzhak Perl­man Appears on Sesame Street and Poignant­ly Shows Kids How to Play the Vio­lin and Push Through Life’s Lim­its (1981)

Watch the First Episode of Sesame Street and 140 Oth­er Free Episodes

A Young Jim Hen­son Teach­es You How to Make Pup­pets with Socks, Ten­nis Balls & Oth­er House­hold Goods (1969)

See Ste­vie Won­der Play “Super­sti­tion” and Ban­ter with Grover on Sesame Street in 1973

Thank You, Mask Man: Lenny Bruce’s Lone Ranger Com­e­dy Rou­tine Becomes a NSFW Ani­mat­ed Film (1968)

Ted Mills is a free­lance writer on the arts.

Watch Peter Tork Quietly Mouth Other Actors’ Lines in The Monkees: A Strange Quirk You’ll Never Unsee

And now for some­thing entire­ly ran­dom. As not­ed on Metafil­ter, “Peter Tork from the Mon­kees had a strange lit­tle quirk. Some­times, when oth­er actors … were deliv­er­ing their lines Tork would unthink­ing­ly mouth their dia­logue along with them, as seen in this YouTube com­pi­la­tion. Once you spot it, it makes the show (which was already kin­da weird) weird in a whole new way.” The YouTu­ber who cre­at­ed this com­pi­la­tion spent count­less hours star­ing at Peter’s lips. Giv­en the alter­na­tive these days, it’s not a bad use of time.

Relat­ed Con­tent 

Jimi Hen­drix Opens for The Mon­kees on a 1967 Tour; Then Flips Off the Crowd and Quits

How the 1968 Psy­che­del­ic Film Head Destroyed the Mon­kees & Became a Cult Clas­sic

Watch Frank Zap­pa Play Michael Nesmith (RIP) on The Mon­kees–and Vice Ver­sa (1967)

Rare Video: Vince Guaraldi’s First Televised Performance of “Linus and Lucy” (1964)

In 1964—a year before the release of A Char­lie Brown Christ­masVince Guaral­di gave the first tele­vised per­for­mance of “Linus and Lucy.” Filmed for pub­lic tele­vi­sion, the per­for­mance fea­tured Guaral­di on piano, Tom Bee­son on bass, and John Rae on drums. Long unseen, this 1964 per­for­mance cap­tures the piece in its ear­li­est tele­vised form, well before A Char­lie Brown Christ­mas became the sec­ond-best-sell­ing jazz album in his­to­ry. Sit back, take a deep breath, and enjoy this groovy, his­toric per­for­mance.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

How Inno­v­a­tive Jazz Pianist Vince Guaral­di Became the Com­pos­er of Beloved Char­lie Brown Music

The Vel­vet Under­ground as Peanuts Char­ac­ters: Snoopy Morphs Into Lou Reed, Char­lie Brown Into Andy Warhol

An Intro­duc­tion to Vince Guaral­di, the Jazz Com­pos­er Who Cre­at­ed the Best Christ­mas Album Ever, A Char­lie Brown Christ­mas

Watch the First Episode of Sesame Street and 140 Other Free Episodes

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FYI: Sesame Street has released on YouTube more than 140 full episodes from past sea­sons. On the Sesame Street Clas­sics chan­nel, you’ll find some icon­ic episodes, start­ing with the very first 1969 broad­cast. Watch it above. Also on that same chan­nel you can revis­it episodes where Big Bird reveals that Snuffy is real, Mr. Rogers vis­its the show, Maria and Luis get engaged, and the death of Mr. Hoop­er gets del­i­cate­ly addressed. Beyond these episodes, you can also watch 129 com­plete episodes on Sesame Street’s main YouTube Chan­nel here. Enjoy!

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent

When Mis­sis­sip­pi Tried to Ban Sesame Street for Show­ing a “High­ly Inte­grat­ed Cast” (1970)

Watch the Sesame Street Episode Banned for Being Too Scary, Fea­tur­ing The Wiz­ard of Oz’s Wicked Witch of the West (1976)

Watch Jazzy Spies: 1969 Psy­che­del­ic Sesame Street Ani­ma­tion, Fea­tur­ing Grace Slick, Teach­es Kids to Count

Philip Glass Com­pos­es Music for a Sesame Street Ani­ma­tion (1979)

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