A Stunning, Hand-Illustrated Book of Mushrooms Drawn by an Overlooked 19th Century Female Scientist

in Biology, Gender, History | November 7th, 2022

Mushrooms have quietly become superstars of the global stage.

Sure, not everyone likes them on pizza, but who cares?

In the 21st-century, they are hailed as role models and potential planet savers (not to mention a wildly popular design motif…)

Time-lapse cinematography pioneer Louie Schwartzberg’s critically acclaimed documentary, Fantastic Fungi, has made experts of us all.




Go back a century, and such knowledge was much harder won, requiring time, patience, and proximity to field or forest.

Witness Fungi collected in Shropshire and other neighborhoods, a handbound, hand-illustrated 3-volume collection by one Miss M. F. Lewis, of Ludlow, England.

Miss Lewis, a talented artist with an obvious passion for mycology spent over 40 years painstakingly documenting the specimens she ran across in England’s West Midlands region.

Each drawing or watercolor is identified in Miss Lewis’ hand by its subject’s scientific name. The location in which it was found is dutifully noted, as is the date.

The hundreds of species she captured with pen and brush between 1860 and 1902 definitely constitute a life’s work, and also an unpublished one.

Cornell University’s Mann Library, where the only copy of this precious record is housed, has managed to truffle up but a single reference to Miss Lewis’ scientific mycological contribution.

English botanist William Phillips, writing in an 1880 issue of the Transactions of the Shropshire Archaeological and Natural History Society, noted that he been “permitted to look over [a work] of very much excellence executed by Miss M. F. Lewis, of Ludlow”, adding that “several rare species [of fungi] are very artistically represented.“

The historical significance of Miss Lewis’ work extends beyond the fungal realm.

As Sage writes in Missing Misses in Mycology, a post on the Mann Library’s Tumblr celebrating Miss Lewis and her contemporary, English mycologist and illustrator, Sarah Price, women’s work was often omitted from the official scientific record:

While we’re now seeing considerable effort to rectify the record, the discovery of untold stories to fill in the blanks can be tricky business. It’s not that the stories never happened — the field of botany, for one, is replete with some pretty spectacular evidence of women’s (often unacknowledged) engagement with scientific inquiry, embodied in the detailed illustrations that captured the insights of observations from the natural world. But the published historical record is often woefully scant when it comes to closer detail on the lives and careers of the women who have helped carry modern science forward.

We may never learn anything more about the particulars of Miss Lewis’ training or personal circumstances, but the care she took to preserve her own work turned out to be a great gift for future generations.

Leaf through all three volumes of Miss M.F. Lewis’ Fungi collected in Shropshire and other neighborhoods on the Internet Archive:

Volume I

Volume II

Volume III

Via Public Domain Review

Related Content 

John Cage Had a Surprising Mushroom Obsession (Which Began with His Poverty in the Depression)

How Mushroom Time-Lapses Are Filmed: A Glimpse Into the Pioneering Time-Lapse Cinematography Behind the Netflix Documentary Fantastic Fungi

The Beautifully Illustrated Atlas of Mushrooms: Edible, Suspect and Poisonous (1827)

Algerian Cave Paintings Suggest Humans Did Magic Mushrooms 9,000 Years Ago

– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto.  Follow her @AyunHalliday.

by | Permalink | Make a Comment ( None ) |

How Plants Move in a 24-Hour Period

in Biology, Random | October 9th, 2022

Neat to watch. Learn more about how plants move over on this Penn State web site.

If you would like to sign up for Open Culture’s free email newsletter, please find it here.

If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, Venmo (@openculture) and Crypto. Thanks!

by | Permalink | Make a Comment ( None ) |

Behold the Medieval Wound Man: The Poor Soul Who Illustrated the Injuries a Person Might Receive Through War, Accident or Disease

in Art, Biology, Health, History | September 29th, 2022

Do you swoon at the sight of blood?

Suffer paper cuts as major trauma?

Cover your eyes when the knife comes out in the horror movie?

If so, and also if not, fall to your knees and give thanks that you’re not the Wound Man, above.




A staple of medieval medical history, he’s a grisly compendium of the injuries and external afflictions that might befall a mortal of the period- insect and animal bites, spilled entrails, abscesses, boils, infections, plague-swollen glands, piercings and cuts, both accidental and deliberately inflicted.

Any one of these troubles should be enough to fell him, yet he remains upright, displaying every last one of them simultaneously, his expression stoic.

He’s hard to look at, but as art historian Jack Hartnell , author of Medieval Bodies: Life, Death and Art in the Middle Ages writes in British Art Studies:

The Wound Man was not a figure designed to inspire fear or to menace. On the contrary, he represented something more hopeful: an imaginative and arresting herald of the powerful knowledge that could be channelled and dispensed through the practice of medieval medicine.

A valuable educational resource for surgeons for some three centuries, he began cropping up in southern Germany in the early 1400s. In an essay for the Public Domain Review, Hartnell notes how these early specimens served “as a human table of contents”, directing interested parties to the specific passages in the various medical texts where information on existing treatments could be found.

The protocol for injuries to the intestines or stomach called for stitching the wound up with a fine thread and sprinkling it with an antihemorrhagic powder made from wine, hematite, nutmeg, white frankincense, gum arabic, bright red sap from the Dracaena cinnabari tree and a restorative quantity of mummy.

The Wound Man evolved along with medical knowledge, weapons of warfare and art world trends.

The woodcut Wound Man in Hans von Gersdorff’s 1517 landmark Fieldbook of Surgery introduces cannonballs to the ghastly mix.

And the engraver Robert White’s Wound Man in British surgeon John Browne’s 1678 Compleat Discourse of Wounds loses the loincloth and grows his hair, morphing into a neoclassical beauty in the Saint Sebastian mold.

Surgical knowledge eventually outpaced the Wound Man’s usefulness, but popular culture is far from ready for him to lay down and die, as evidenced by recent cameos in episodes of Hannibal and the British comedy quiz show, QI.


Delve into the history of the Wound Man in Jack Hartnell’s British Art Studies article “Wording the Wound Man.”

via Public Domain Review

Related Content

1,000-Year-Old Illustrated Guide to the Medicinal Use of Plants Now Digitized & Put Online

Discover the Persian 11th Century Canon of Medicine, “The Most Famous Medical Textbook Ever Written”

How Illuminated Medieval Manuscripts Were Made: A Step-by-Step Look at this Beautiful, Centuries-Old Craft

– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto. Follow her @AyunHalliday.

by | Permalink | Make a Comment ( None ) |

The Biology of Bonsai Trees: The Science Behind the Traditional Japanese Art Form

in Art, Biology | June 21st, 2022

The art of bonsai originated in China. As subsequently refined in Japan, its techniques produce miniature trees that give aesthetic pleasure to people all around Asia and the wider world beyond. This appreciation is reflected in the couple-on-the-street interview footage incorporated into “The Biology Behind Bonsai Trees,” the video above from Youtuber Jonny Lim, better known as The Backpacking Biologist. Not only does Lim gather positive views on bonsai around Los Angeles, he also finds in that same city a bonsai nursery run by Bob Pressler, who has spent more than half a century mastering the art.

Even Pressler admits that he doesn’t fully understand the biology of bonsai. Lim’s search for scientific answers sends him to “something called the apical meristem.” That’s the part of the tree made of “stem cells found at the tips of the shoots and roots.” Stem cells, as you may remember from their long moment in the news a few years ago, have the potential to turn into any kind of cell.




The cells of bonsai are the same size as those of regular trees, research has revealed, but thanks to the deliberate cutting of roots and resultant restriction of nutrients to the apical meristem, their leaves are made up of fewer cells in total. Lim draws an analogy with baking cookies of different sizes: “The components are exactly the same. The only difference is that bonsais have less starting material.”

Having gained his own appreciation for bonsai, Lim also waxes poetic on how these miniature trees “still grow on the face of adversity, and they do so perfectly.” But as one commenter replies, “Why recreate adversity?” Claiming that the process is “crippling trees for just aesthetics,” this individual presents one of the known cases against bonsai. But that case, according to the experts Lim consults, is based on certain common misconceptions about the processes involved: that the wires used to position limbs “torture” the trees, for example. But as others point out, do those who make these anti-bonsai arguments feel just as pained about the many lawns that get mown down each and every week?

Related content:

The Art & Philosophy of Bonsai

This 392-Year-Old Bonsai Tree Survived the Hiroshima Atomic Blast & Still Flourishes Today: The Power of Resilience

What Makes the Art of Bonsai So Expensive?: $1 Million for a Bonsai Tree, and $32,000 for Bonsai Scissors

The Art of Creating a Bonsai: One Year Condensed Condensed Into 22 Mesmerizing Minutes

Daisugi, the 600-Year-Old Japanese Technique of Growing Trees Out of Other Trees, Creating Perfectly Straight Lumber

A Digital Animation Compares the Size of Trees: From the 3-Inch Bonsai, to the 300-Foot Sequoia

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

by | Permalink | Make a Comment ( Comments Off on The Biology of Bonsai Trees: The Science Behind the Traditional Japanese Art Form ) |

Ergonomics Experts Explain How to Set Up Your Desk

in Biology, Design, Life | April 15th, 2022

Ergonomics aren’t a joke, Jim. – Dwight Schrute, The Office

Technological innovations are snowballing faster than ever in the third decade of the 21st-century. A home office set-up that would have been cause for pride in 2019 seems woefully inadequate now.

Just ask anyone whose desk job pivoted to virtual in March of 2020.

So, perhaps don’t take physical therapist’s Jon Cinkay’s nearly three year old advice in the above Wall Street Journal video as gospel, but rather as a chance to check in with your carpal tunnels, your aching neck and back, and your favorite refurbished office furniture outlet.




Cinkay assumes that your desk is a standard 29 – 30” tall, which is not the case here, but okay…

Our bodies’ unique dimensions mean that no desk can be a one-size-fits-all proposition, and Cinkay makes a robust case for making modifications:

1. Adjust your desk chair

Cinkay recommends adjusting the seat height until your elbows are bent at a 90-degree angle when your fingers are on the keyboard. (As of this writing, keyboards have not yet become obsolete.)

In a 2020 article for the Hospital of Special Surgery, he also recommends making sure your chair’s armrests can fit under your desk to avoid postural compromises when reaching for your keyboard or mouse.

He also wisely advises looking for a chair with a minimum 30-day warranty so you don’t get stuck with an expensive mistake.

2. Consider a footstool

If cranking your desk chair to the perfect height leaves your feet dangling, you’ll need a footstool to help your knees maintain a proper 90-degree bend. If you can’t invest in a high tech adjustable footstool, a ream of paper will do in a pinch.

Tech expert David Zhang, who we’ll hear from soon below, rests his cute striped socks on a yoga mat.

Who among us does not have dozens of things that could be pressed into service as a footstool?

I am left to ponder the fate of the decorative needlepointed footstools my late grandmother and her sisters scattered around their living rooms.

Can an actual footstool be considered a footstool hack?

3. Adjust the height of your monitor 

To avoid neck pain, use a monitor stand to position the top of the screen level with your eyes. If you’re working with a laptop, you’ll need a stand, a separate keyboard and and a mouse.

Cinkay’s monitor stand hack is – you guessed it – a ream of paper.

Mine is 5000 Years of the Art of India which is about the same thickness as a ream of paper and was in easy reach at the library where I work.

To judge by some of the comments on Cinkay’s Wall Street Journal video, his keyboard dates to the Stone Age.

Whatever his keyboard vintage, the aforementioned article did suggest gel wrist rests to relieve pressure on the sensitive carpal tunnel area, but watch out! Zhang is not a fan!

4. Get a Headset

Leaving aside the fact that the phone in question appears to be a landline, a headset allows you to keep your head on straight, thus minimizing neck and shoulder pain.

5. Remember that you’re not chained to your desk

Of all the ergonomic advice offered above, this seems likeliest to remain evergreen.

Take a snack break, a water break, a bathroom break, and while you’re at it toss in a couple of the stretches Cinkay recommends.

(The Mayo Clinic has more, including our favorite shoulder stretch.)

Zhang’s desk-centric video was uploaded in 2017, when keyboard trays were already becoming a relic of a bygone era. 

As mentioned, he’s anti-wrist rest. If your wrists are in need of support, and they are, get a palm rest!

Zhang’s also critical of drawers and – unusual for 2017 – standing desks though like Cirkay, he’s a big fan of standing up and moving around.

His video description includes some common sense, ass-covering encouragement for viewers with irregular symptoms or pain to seek professional help. We think this means medical professional, though unsurprisingly, ergonomic assessment is a fast growing field. It’s expensive but possibly costs less in the long run than rushing out to buy whatever a stranger on the internet tells you to.

To that end, we appreciate Zhang’s transparency regarding his channel’s participation in the Amazon Services LLC Associates affiliate advertising program.

Caveat emptor!

Related Content 

Why Sitting Is The New Smoking: An Animated Explanation

Who Wrote at Standing Desks? Kierkegaard, Dickens and Ernest Hemingway Too

Behold the Elaborate Writing Desks of 18th Century Aristocrats

– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto.  Follow her @AyunHalliday.

by | Permalink | Make a Comment ( None ) |

What Did People Do Before the Invention of Eyeglasses?

in Biology, Health, History | April 7th, 2022

You remember it — one of the most heartbreaking scenes on TV. A man longs for nothing more than time to read, to be free of all those people Sartre told us make our hells. Finally granted his wish by the H-Bomb, he then accidentally break his glasses, rendering himself unable make out a word. Oh, cruel irony! Not an optometrist or optician in sight! Surely, there are “Time Enough at Last” jokes at eye care conventions worldwide.

Morality tales wrapped in science fiction might make us think about all sorts of things, but one of the most obvious questions when we witness the fate of Mr. Henry Bemis, “charter member in the fraternity of dreamers,” might be, but what did people do before corrective lenses? Were millions forced to accept his fate, living out their lives with farsightedness, nearsightedness, and other defects that impede vision? How did early humans survive in times much less hospitable to disabilities? At least there were others to read and describe things for them….




In truth, the Twilight Zone is not far off the mark. Or at least nearsightedness and reading are closely linked. “As long as primates have been around, there’s probably been myopia,” says professor of ophthalmology Ivan Schwab. But Schwab argues in his book Evolution’s Witness: How Eyes Evolved that the rise of reading likely caused skyrocketing rates of myopia over the past three hundred years. “Though genes and nutrition may play a role in nearsightedness,” Natalie Jacewicz writes at NPR, “[Schwab] says education and myopia seem to be linked, suggesting that when people do a lot of close work, their eyes grow longer.”

As the History Dose video above explains, the oldest image of a pair of glasses dates from a 1351 painting of Cardinal Hugh of Saint-Cher. The painting is an anachronism — spectacles, the narrator tells us, were invented 23 years earlier in Pisa, after the cardinal’s death. They “gradually spread across Europe and travelled the Silk Road to China.” (The oldest surviving pair of glasses dates from around 1475). So what happened before 1286? As you’ll learn, glasses were not the only way to enlarge small items. In fact, humans have been using some form of magnifying lens to read small print (or manuscript or cuneiform or what-have-you) for thousands of years. Those lenses, however, corrected presbyopia, or far-sightedness.

Those with myopia were mostly out of luck until the invention of sophisticated lens-grinding techniques and improved vision tests. But for most of human history, unless you were a sailor or a soldier, you “likely spent your day as an artisan, smith, or farm worker,” occupations where distance vision didn’t matter as much. In fact, artisans like medieval scribes and illuminators, says Neil Handley — museum curator of the College of Optometrists, London — were “actually encouraged to remain in their myopic condition, because it was actually ideal for them doing this job.”

It wasn’t until well after the time of Gutenberg that wearing lenses on one’s face became a thing — and hardly a popular thing at first. Early glasses were held up to the eyes, not worn. They were heavy, thick, and fragile. In the 15th century, “because… they were unusual and rare,” says Handley, “they were seen as having magical powers” and their wearers viewed as “in league with the devil, immoral.” That stigma went away, even if glasses picked up other associations that sometimes made their users the subject of taunts. But by the nineteenth century, glasses were common around the world.

Given that we all spend most of our time interacting with small text and images on handheld screens, it seems maybe they haven’t spread widely enough. “More than a billion, and maybe as many as 2.5 billion, people in the world need but don’t have glasses to correct for various vision impairments,” notes Livescience, citing figures from The New York Times. For many people, especially in the developing world, the question of how to get by in the world without eyeglasses is still a very pressing, present-day issue.

Related Content:

The World’s Oldest Surviving Pair of Glasses (Circa 1475)

James Joyce, With His Eyesight Failing, Draws a Sketch of Leopold Bloom (1926)

Oliver Sacks Explains the Biology of Hallucinations: “We See with the Eyes, But with the Brain as Well”

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

by | Permalink | Make a Comment ( 1 ) |

Japanese Researcher Sleeps in the Same Location as Her Cat for 24 Consecutive Nights!

in Biology, Data, Design, Life | March 25th, 2022


Cross cat napping with bed hopping and you might end up having an “adventure in comfort” similar to the one that informs student Yuri Nakahashi‘s thesis for Tokyo’s Hosei University.

For 24 consecutive nights, Nakahashi forwent the comforts of her own bed in favor of a green sleeping bag, unfurled in whatever random location one of her five pet cats had chosen as its sleeping spot that evening.

(The choice of which cat would get the pleasure of dictating each night’s sleeping bag coordinates was also randomized.)

As the owner of five cats, Nakahashi presumably knew what she was signing up for…

 

Cats rack out atop sofa backs, on stairs, and under beds…and so did Nakahashi.

Her photos suggest she logged a lot of time on a bare wooden floor.

A FitBit monitored the duration and quality of time spent asleep, as well as the frequency with which she awakened during the night.

She documented the physical and psychological effects of this experiment in an interactive published by the Information Processing Society of Japan.




She reports that she eagerly awaited the revelation of each night’s coordinates, and that even when her sleep was disrupted by her pets’ middle of the night grooming routines, bunking next to them had a “relaxing effect.”

Meanwhile, our research suggests that the same experiment would awaken a vastly different response in a different human subject, one suffering from ailurophobia, say, or severe allergies to the proteins in feline saliva, urine, and dander.

What’s really surprising about Nakahashi’s itinerant, and apparently pleasure-filled undertaking is how little difference there is between her average sleep score during the experiment and her average sleep score from the 20 days preceding it.

At left, an average sleep score of 84.2 for the 20 days leading up to experiment. At right, an average sleep score 83.7 during the experiment.

Nakahashi’s entry for the YouFab Global Creative Awards, a prize for “work that attempts a dialogue that transcends the boundaries of species, space, and time” reflects the playful spirit she brought to her slightly off-kilter experiment:

 Is it possible to add diversity to the way we enjoy sleep? Let’s think about food. In addition to the taste and nutrition of the food, each meal is a special experience with diversity depending on the people you are eating with, the atmosphere of the restaurant, the weather, and many other factors. In order to bring this kind of enjoyment to sleep, we propose an “adventure in comfort” in which the cat decides where to sleep each night, away from the fixed bedroom and bed. This project is similar to going out to eat with a good friend at a restaurant, where the cat guides you to sleep.

She notes that traditional beds have an immobility owing to “their physical weight and cultural concepts such as direction.”

This suggests that her work could be of some benefit to humans in decidedly less fanciful, involuntary situations, whose lack of housing leads them to sleep in unpredictable, and inhospitable locations.

Nakahashi’s time in the green sleeping bag inspired her to create the below model of a more flexible bed, using a polypropylene bag, rice and nylon film.

We have created a prototype of a double-layered inflatable bed that has a pouch structure that inflates with air and a jamming structure that becomes hard when air is compressed. The pouch side softly receives the body when inflated. The jamming side becomes hard when the air is removed, and can be firmly fixed in an even space. The air is designed to move back and forth between the two layers, so that when not in use, the whole thing can be rolled up softly for storage. 

It’s hard to imagine the presence of a pussycat doing much to ameliorate the anxiety of those forced to flee their familiar beds with little warning, but we can see how Nakahashi’s design might bring a degree of physical relief when sleeping in subway stations, basement corners, and other harrowing locations.

Via Spoon & Tomago

– Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto.  Follow her @AyunHalliday.

Related Content 

A 110-Year-Old Book Illustrated with Photos of Kittens & Cats Taught Kids How to Read

An Animated History of Cats: How Over 10,000 Years the Cat Went from Wild Predator to Sofa Sidekick

GPS Tracking Reveals the Secret Lives of Outdoor Cats

by | Permalink | Make a Comment ( 7 ) |

The New Herbal: A Masterpiece of Renaissance Botanical Illustrations Gets Republished in a Beautiful 900-Page Book by Taschen

in Art, Biology, Books, History | February 24th, 2022

We’ve all have heard of the fuchsia, a flower (or genus of flowering plant) native to Central and South America but now grown far and wide. Though even the least botanically literate among us know it, we may have occasional trouble spelling its name. The key is to remember who the fuchsia was named for: Leonhart Fuchs, a German physician and botanist of the sixteenth century. More than 450 years after his death, Fuchs is remembered as not just the namesake of a flower, but as the author of an enormous book detailing the varieties of plants and their medicinal uses. His was a landmark achievement in the form known as the herbal, examples of which we’ve featured here on Open Culture from ninth- and eighteenth-century England.

But De Historia Stirpium Commentarii Insignes, as this work was known upon its initial 1542 publication in Latin, has worn uncommonly well through the ages. Or rather, Fuchs’ personal, hand-colored original has, coming down to us in 2022 as the source for Taschen’s The New Herbal. “A masterpiece of Renaissance botany and publishing,” according to the publisher, the book includes “over 500 illustrations, including the first visual record of New World plant types such as maize, cactus, and tobacco.”




Buyers also have their choice of English, German, and French editions, each with its own translations of Fuchs’ “essays describing the plants’ features, origins, and medicinal powers.” (You can also read a Dutch version of the original online at Utrecht University Library Special Collections.)

Naturally, some of the information contained in these nearly five-century-old scientific writings will be a bit dated at this point, but the appeal of the illustrations has never dimmed. “Fuchs presented each plant with meticulous woodcut illustrations, refining the ability for swift species identification and setting new standards for accuracy and quality in botanical publications.” Over 500 of them go into the book: “Weighing more than 10 pounds,” writes Colossal’s Grace Ebert, “the nearly 900-page volume is an ode to Fuchs’ research and the field of Renaissance botany, detailing plants like the leafy garden balsam and root-covered mandrake.”

Taschen’s reproductions of these works of botanical art look to do justice to Leonhart Fuchs’ legacy, especially in the brilliance of their colors. It’s enough to reinforce the assumption that the man has received tribute not just through fuchsia the flower but fuchsia the color as well. But such a dual connection turns out to be in doubt: the color’s name derives from rosaniline hydrochloride, also known as fuchsine, originally a trade name applied by its manufacturer Renard frères et Franc. The name fuschine, in turn, derives from fuchs, the German translation of renard. The New Herbal is, of course, a work of botany rather than linguistics, but it should nevertheless stimulate in its beholders an awareness of the interconnection of knowledge that fired up the Renaissance mind.

via Colossal

Related content:

Two Million Wondrous Nature Illustrations Put Online by The Biodiversity Heritage Library

Discover Emily Dickinson’s Herbarium: A Beautiful Digital Edition of the Poet’s Collection of Pressed Plants & Flowers Is Now Online

A Beautiful 1897 Illustrated Book Shows How Flowers Become Art Nouveau Designs

Historic Manuscript Filled with Beautiful Illustrations of Cuban Flowers & Plants Is Now Online (1826)

A Curious Herbal: 500 Beautiful Illustrations of Medicinal Plants Drawn by Elizabeth Blackwell in 1737 (to Save Her Family from Financial Ruin)

1,000-Year-Old Illustrated Guide to the Medicinal Use of Plants Now Digitized & Put Online

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

by | Permalink | Make a Comment ( None ) |

More in this category... »
Quantcast
Open Culture was founded by Dan Colman.