Nobody opens a Stephen King novÂel expectÂing to see a reflecÂtion of the real world. Then again, as those who get hooked on his books can attest, nevÂer is his work ever wholÂly detached from realÂiÂty. Time and time again, he delivÂers lurid visions of the macabre, grotesque, and bizarre, but they always work most powÂerÂfulÂly when he weaves them into the coarse fabÂric of ordiÂnary, makeshift, down-at-the-heels AmerÂiÂca. Though long rich and famous, King hasÂn’t lost his underÂstandÂing of a cerÂtain downÂtrodÂden straÂtum of sociÂety, or at least one that regards itself as downÂtrodÂden — the very demoÂgraphÂic, in othÂer words, often blamed for the rise of DonÂald Trump.
“I startÂed thinkÂing DonÂald Trump might win the presÂiÂdenÂcy in SepÂtemÂber of 2016,” King writes in a Guardian piece from Trump’s first presÂiÂdenÂtial term. “By the end of OctoÂber, I was almost sure.” For most of that year, he’d sensed “a feelÂing that peoÂple were both frightÂened of the staÂtus quo and sick of it. VotÂers saw a vast and overÂloaded apple cart lumÂberÂing past them. They wantÂed to upset the mothÂerÂfuckÂer, and would worÂry about pickÂing up those spilled apples latÂer. Or just leave them to rot.” They “didn’t just want change; they wantÂed a man on horseÂback. Trump filled the bill. I had writÂten about such men before.”
King’s most preÂscientÂly craftÂed Trump-like charÂacÂter appears in his 1979 novÂel The Dead Zone. “Greg StillÂson is a door-to-door Bible salesÂman with a gift of gab, a ready wit and the comÂmon touch. He is laughed at when he runs for mayÂor in his small New EngÂland town, but he wins,” a sequence of events that repeats itself when he runs for the House of RepÂreÂsenÂtaÂtives and then for the presÂiÂdenÂcy — a rise foreÂseen by the stoÂry’s hero JohnÂny Smith, grantÂed clairÂvoyÂant powÂers by a car wreck. “He realÂizes that some day StillÂson is going to laugh and joke his way into the White House, where he will start world war three.”
FurÂther StillÂson-Trump parÂalÂlels are examÂined in the NowThis interÂview clip at the top of the post. “I was sort of conÂvinced that it was posÂsiÂble that a politiÂcian would arise who was so outÂside the mainÂstream and so willÂing to say anyÂthing that he would capÂture the imagÂiÂnaÂtions of the AmerÂiÂcan peoÂple.” Read now, StillÂson’s demÂaÂgogÂiÂcal rhetoric — describÂing himÂself as “a real mover and shakÂer,” promisÂing to “throw the bums out” of WashÂingÂton — sounds rather mild comÂpared to what Trump says at his own ralÂlies. PerÂhaps King himÂself does have a touch of JohnÂny Smith-like preÂscience. Or perÂhaps he susÂpects, on some levÂel, that Trump isn’t so much the disÂease as the sympÂtom, a manÂiÂfesÂtaÂtion of a much deepÂer and longer-fesÂterÂing conÂdiÂtion of the AmerÂiÂcan soul. Now there’s a frightÂenÂing notion.
RelatÂed conÂtent:
Stephen King’s 20 Rules for WritÂers
Noam ChomÂsky on Whether the Rise of Trump ResemÂbles the Rise of FasÂcism in 1930s GerÂmany
R Crumb, the Father of UnderÂground Comix, Takes Down DonÂald Trump in a NSFW 1989 CarÂtoon
Stephen King Names His Five Favorite Works by Stephen King
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.