M.I.T. Computer Program Predicts in 1973 That Civilization Will End by 2040

In 1704, Isaac New­ton pre­dict­ed the end of the world some­time around (or after, “but not before”) the year 2060, using a strange series of math­e­mat­i­cal cal­cu­la­tions. Rather than study what he called the “book of nature,” he took as his source the sup­posed prophe­cies of the Book of Rev­e­la­tion. While such pre­dic­tions have always been cen­tral to Chris­tian­i­ty, it is star­tling for mod­ern peo­ple to look back and see the famed astronomer and physi­cist indulging them. For New­ton, how­ev­er, as Matthew Stan­ley writes at Sci­ence, “lay­ing the foun­da­tion of mod­ern physics and astron­o­my was a bit of a sideshow. He believed that his tru­ly impor­tant work was deci­pher­ing ancient scrip­tures and uncov­er­ing the nature of the Chris­t­ian reli­gion.”

Over three hun­dred years lat­er, we still have plen­ty of reli­gious doom­say­ers pre­dict­ing the end of the world with Bible codes. But in recent times, their ranks have seem­ing­ly been joined by sci­en­tists whose only pro­fessed aim is inter­pret­ing data from cli­mate research and sus­tain­abil­i­ty esti­mates giv­en pop­u­la­tion growth and dwin­dling resources. The sci­en­tif­ic pre­dic­tions do not draw on ancient texts or the­ol­o­gy, nor involve final bat­tles between good and evil. Though there may be plagues and oth­er hor­ri­ble reck­on­ings, these are pre­dictably causal out­comes of over-pro­duc­tion and con­sump­tion rather than divine wrath. Yet by some strange fluke, the sci­ence has arrived at the same apoc­a­lyp­tic date as New­ton, plus or minus a decade or two.

The “end of the world” in these sce­nar­ios means the end of mod­ern life as we know it: the col­lapse of indus­tri­al­ized soci­eties, large-scale agri­cul­tur­al pro­duc­tion, sup­ply chains, sta­ble cli­mates, nation states…. Since the late six­ties, an elite soci­ety of wealthy indus­tri­al­ists and sci­en­tists known as the Club of Rome (a fre­quent play­er in many con­spir­a­cy the­o­ries) has fore­seen these dis­as­ters in the ear­ly 21st cen­tu­ry. One of the sources of their vision is a com­put­er pro­gram devel­oped at MIT by com­put­ing pio­neer and sys­tems the­o­rist Jay For­rester, whose mod­el of glob­al sus­tain­abil­i­ty, one of the first of its kind, pre­dict­ed civ­i­liza­tion­al col­lapse in 2040. “What the com­put­er envi­sioned in the 1970s has by and large been com­ing true,” claims Paul Rat­ner at Big Think.

Those pre­dic­tions include pop­u­la­tion growth and pol­lu­tion lev­els, “wors­en­ing qual­i­ty of life,” and “dwin­dling nat­ur­al resources.” In the video at the top, see Aus­trali­a’s ABC explain the computer’s cal­cu­la­tions, “an elec­tron­ic guid­ed tour of our glob­al behav­ior since 1900, and where that behav­ior will lead us,” says the pre­sen­ter. The graph spans the years 1900 to 2060. “Qual­i­ty of life” begins to sharply decline after 1940, and by 2020, the mod­el pre­dicts, the met­ric con­tracts to turn-of-the-cen­tu­ry lev­els, meet­ing the sharp increase of the “Zed Curve” that charts pol­lu­tion lev­els. (ABC revis­it­ed this report­ing in 1999 with Club of Rome mem­ber Kei­th Suter.)

You can prob­a­bly guess the rest—or you can read all about it in the 1972 Club of Rome-pub­lished report Lim­its to Growth, which drew wide pop­u­lar atten­tion to Jay Forrester’s books Urban Dynam­ics (1969) and World Dynam­ics (1971). For­rester, a fig­ure of New­ton­ian stature in the worlds of com­put­er sci­ence and man­age­ment and sys­tems theory—though not, like New­ton, a Bib­li­cal prophe­cy enthusiast—more or less endorsed his con­clu­sions to the end of his life in 2016. In one of his last inter­views, at the age of 98, he told the MIT Tech­nol­o­gy Review, “I think the books stand all right.” But he also cau­tioned against act­ing with­out sys­tem­at­ic think­ing in the face of the glob­al­ly inter­re­lat­ed issues the Club of Rome omi­nous­ly calls “the prob­lem­at­ic”:

Time after time … you’ll find peo­ple are react­ing to a prob­lem, they think they know what to do, and they don’t real­ize that what they’re doing is mak­ing a prob­lem. This is a vicious [cycle], because as things get worse, there is more incen­tive to do things, and it gets worse and worse.

Where this vague warn­ing is sup­posed to leave us is uncer­tain. If the cur­rent course is dire, “unsys­tem­at­ic” solu­tions may be worse? This the­o­ry also seems to leave pow­er­ful­ly vest­ed human agents (like Exxon’s exec­u­tives) whol­ly unac­count­able for the com­ing col­lapse. Lim­its to Growth—scoffed at and dis­parag­ing­ly called “neo-Malthu­sian” by a host of lib­er­tar­i­an crit­ics—stands on far sur­er evi­den­tiary foot­ing than Newton’s weird pre­dic­tions, and its cli­mate fore­casts, notes Chris­t­ian Par­en­ti, “were alarm­ing­ly pre­scient.” But for all this doom and gloom it’s worth bear­ing in mind that mod­els of the future are not, in fact, the future. There are hard times ahead, but no the­o­ry, no mat­ter how sophis­ti­cat­ed, can account for every vari­able.

Note: An ear­li­er ver­sion of this post appeared on our site in 2018.

Relat­ed Con­tent:

In 1953, a Tele­phone-Com­pa­ny Exec­u­tive Pre­dicts the Rise of Mod­ern Smart­phones and Video Calls

In 1922, a Nov­el­ist Pre­dicts What the World Will Look Like in 2022: Wire­less Tele­phones, 8‑Hour Flights to Europe & More

In 1704, Isaac New­ton Pre­dicts the World Will End in 2060

It’s the End of the World as We Know It: The Apoc­a­lypse Gets Visu­al­ized in an Inven­tive Map from 1486

Watch the Destruc­tion of Pom­peii by Mount Vesu­vius, Re-Cre­at­ed with Com­put­er Ani­ma­tion (79 AD)

Josh Jones is a writer and musi­cian based in Durham, NC. 

The Forgotten Moment When Superman Fought Prejudice in America Instead of Villains (1950)

superman-all-american

It makes sense that Super­man would take a tol­er­ant view of immi­grants and oth­er minori­ties, giv­en that he him­self arrived on Earth as a refugee from the plan­et Kryp­ton.

The Man of Steel may strike you as an unlike­ly mouth­piece for pro­gres­sive ideals, but 1950 found him on a book cov­er, above, engaged in con­ver­sa­tion with a small crowd of most­ly white boys:

“…and remem­ber, boys and girls, your school – like our coun­try – is made up of Amer­i­cans of many dif­fer­ent races, reli­gions and nation­al ori­gins, so … If YOU hear any­body talk against a school­mate or any­one else because of his reli­gion, race or nation­al ori­gin – don’t wait: tell him THAT KIND OF TALK IS UN-AMERICAN. HELP KEEP YOUR SCHOOL ALL-AMERICAN!”

In oth­er words, cit­i­zens must steel them­selves to take action, because you can’t always count on a super­hero to show up and make things right.

The cheap paper jack­et, above, was dis­trib­uted to school chil­dren by the Insti­tute For Amer­i­can Democ­ra­cy, an off­shoot of the New York-based Anti-Defama­tion League.

Mean­while, a full col­or ver­sion of the 66-year-old illus­tra­tion has been mak­ing the rounds on social media. Let us con­sid­er it a place­hold­er. Even­tu­al­ly some­one will sure­ly take it back to the draw­ing board to add more girls, chil­dren with dis­abil­i­ties, and chil­dren of col­or.

superman-all-american-color

Note: An ear­li­er ver­sion of this post appeared on our site in 2017.

Relat­ed Con­tent:

1950s Bat­man Car­toon Tells Kids: “Don’t Believe Those Crack­pot Lies About Peo­ple Who Wor­ship Dif­fer­ent­ly”

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Dr. Seuss Draws Anti-Japan­ese Car­toons Dur­ing WWII, Then Atones with Hor­ton Hears a Who!

The Orig­i­nal 1940s Super­man Car­toon: Watch 17 Clas­sic Episodes Free Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er in NYC.

You Can Have Your Ashes Turned Into a Playable Vinyl Record, When Your Day Comes

Even in death we are only lim­it­ed by our imag­i­na­tion in how we want to go out. There are now ways to turn our corpse into a tree, or have our ash­es shot into space, or press our ash­es into dia­monds–I believe Super­man is involved in that last one. And now for the music lover, a com­pa­ny called And Viny­ly will press your ash­es into a playable vinyl record.

You like that pun­ny com­pa­ny name? There’s more: the busi­ness lets the dear depart­ed “Live on from beyond the groove.” Hear that groan? That’s the deceased lit­er­al­ly spin­ning in their grave…on a turntable.

The UK-based com­pa­ny has been around since 2009, when Jason Leach launched it “just for fun” at first. But a lot of peo­ple liked the idea and have kept him in busi­ness.

It will cost, how­ev­er. The basic ser­vice gen­er­al­ly costs between £1000 and £3000 GBP, and it part­ly depends on how many vinyl records you pro­duce. From what we can tell, you can­not use copy­right-pro­tect­ed music to fill up the 18–22 min­utes per side. So no “Free Bird” or “We Are the Cham­pi­ons,” unfor­tu­nate­ly. But you can put any­thing else: a voice record­ing, or the sounds of nature, or com­plete silence. Get more infor­ma­tion over at the com­pa­ny’s FAQ.

No doubt, the ser­vice can pro­vide com­fort and a mem­o­ry trig­ger for those left behind. The above video, “Hear­ing Madge,” is a short doc about a son who took record­ings of his moth­er and used And Viny­ly to make a record out of them. It’s sweet.

“I’m sure a lot of peo­ple think that it’s creepy, a lot of peo­ple think it’s sac­ri­le­gious,” the man says. “But I know my moth­er wouldn’t have. She would’ve thought it was a hoot.”

Jason Leach, a musi­cian and vinyl col­lec­tor him­self, talks of the imme­di­a­cy of sound and what it means to many.

“Sound is vibrat­ing you, the room, and it’s actu­al­ly mov­ing the air around you,” he says. “And that’s what’s so pow­er­ful about hear­ing someone’s voice on a record. They’re actu­al­ly mov­ing the air and for me that’s pow­er­ful.”

Note: An ear­li­er ver­sion of this post appeared on our site in 2017.

Relat­ed Con­tent:

John Cleese’s Eulo­gy for Gra­ham Chap­man: ‘Good Rid­dance, the Free-Load­ing Bas­tard, I Hope He Fries’

Bronze Age Britons Turned Bones of Dead Rel­a­tives into Musi­cal Instru­ments & Orna­ments

Watch Carl Sagan’s “A Glo­ri­ous Dawn” Become the First Vinyl Record Played in Space, Cour­tesy of Jack White

Death: A Free Online Phi­los­o­phy Course from Yale Helps You Grap­ple with the Inescapable

Ted Mills is a free­lance writer on the arts.

The Psychology Behind Why Some Homes Feel Good But Most Don’t: Interior Design Principles Explained

Though it may have enjoyed occa­sion­al waves of pop-cul­tur­al pres­tige over the years, inte­ri­or design remains an over­looked art. That is to say, few both­er to appre­ci­ate, or even to notice, its sim­i­lar­i­ties with oth­er, more “seri­ous” forms of human endeav­or. Watch the recent Five by Nine video above, and even if you’ve felt rea­son­ably con­tent with wher­ev­er your own couch, chairs, and tables have come to rest up until now, you’ll soon find your­self con­sid­er­ing which prin­ci­ples of inte­ri­or design you’ve always been unknow­ing­ly vio­lat­ing. For our eyes “read” a room just as it would a para­graph, or even a paint­ing, and they sense instinc­tive­ly if some­thing’s wrong — or, worse, if too much is right.

One com­mon ama­teur mis­take is to arrange rooms so that “every­thing lives on one sin­gle hor­i­zon­tal band that starts at the floor and ends around two and a half feet up.” With all the fur­ni­ture on more or less a sin­gle lev­el, your eye “has no rea­son to trav­el upward or into the cor­ners,” and thus per­ceives a strange­ly flat­tened space.

“Plac­ing visu­al inter­est at vary­ing alti­tudes” cre­ates a more com­plex visu­al path, which con­vinces the brain it’s in a more expan­sive (or indeed expen­sive) space. Mount­ing cur­tain rods well above the win­dow frame also goes a long way toward cre­at­ing this same over­all effect. The use of ver­ti­cal lines in gen­er­al, in the form of book­cas­es, wall tex­tures, or any­thing else, cre­ates more “visu­al run­ways for your eyes.”

On the hor­i­zon­tal plane, few mis­takes could be as wide­ly com­mit­ted as push­ing a sofa up against the wall. Pro­fes­sion­al design­ers pre­fer to “float” their fur­ni­ture, leav­ing “a gap that hints at hid­den depth.” To bet­ter under­stand this phe­nom­e­non, con­sid­er how land­scape painters tend clear­ly to sep­a­rate the fore­ground, the mid­dle ground, and the back­ground: with the mid­dle ground of the sofa flush against the back­ground of the wall, “the brain learns to read them as a sin­gle flat plane.” Sep­a­ra­tion intro­duces defin­ing shad­ows, a medi­um that can yield much greater results if manip­u­lat­ed with lamps and oth­er forms of direc­tion­al light­ing, as opposed to over­head fix­tures that flood the space with uni­form light. Giv­en the near-uni­ver­sal­i­ty of against-the-wall sofas and flu­o­res­cent light­ing cranked up to the max in Seoul, where I live, a Kore­an ver­sion of this video could­n’t come out too soon.

Relat­ed Con­tent:

Frank Gehry Designed His Own Home, and What It Teach­es About Cre­ative Risk

Nev­er Too Small: Archi­tects Give Tours of Tiny Homes in Paris, Mel­bourne, Milan, Hong Kong & Beyond

Vis­it the Homes That Great Archi­tects Designed for Them­selves: Frank Lloyd Wright, Le Cor­busier, Wal­ter Gropius & Frank Gehry

The Tiny Trans­form­ing Apart­ment: 8 Rooms in 420 Square Feet

Edgar Allan Poe Offers Inte­ri­or Design Advice and Blasts Amer­i­can Aris­to­crats in “The Phi­los­o­phy of Fur­ni­ture” (1840)

After a Tour of Slavoj Žižek’s Pad, You’ll Nev­er See Inte­ri­or Design in the Same Way

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Discover the Retirement Home for Elderly Musicians Created by Giuseppe Verdi: Created in 1899, It Still Lives On Today

Among my works, the one I like best is the Home that I have had built in Milan for accom­mo­dat­ing old singers not favored by for­tune, or who, when they were young did not pos­sess the virtue of sav­ing. Poor and dear com­pan­ions of my life! 

Giuseppe Ver­di

Is there a rem­e­dy for the iso­la­tion of old age?

What about the jol­ly fra­ter­ni­ty and com­pet­i­tive­ness of an art col­lege dorm, as envi­sioned by opera com­pos­er Giuseppe Ver­di?

Short­ly before his death, the com­pos­er donat­ed all roy­al­ties from his operas to the con­struc­tion and admin­is­tra­tion of a lux­u­ri­ous retreat for retired musi­cians, designed by his librettist’s broth­er, archi­tect Camil­lo Boito.

Com­plet­ed in 1899, Casa Ver­di still serves elder­ly musi­cians today—up to 60 at a time. Res­i­dents of Casa Ver­di include alum­nae of the Met­ro­pol­i­tan Opera and the Roy­al Opera House. Guests have worked along­side such nota­bles as Chet Bak­er and Maria Callas.

Com­pe­ti­tion for res­i­den­tial slots is stiff. To qual­i­fy, one must have been a pro­fes­sion­al musi­cian or music teacher. Those select­ed enjoy room, board, and med­ical treat­ment in addi­tion to, writes The New York Times, “access to con­certs, music rooms, 15 pianos, a large organ, harps, drum sets and the com­pa­ny of their peers.” Musi­cal pro­gram­ming is as con­stant as the fine view of Verdi’s grave.

Din­ing tables are named in hon­or of Verdi’s works. Those inclined to wor­ship do so in a chapel named for San­ta Cecil­ia, the patron saint of musi­cians.

Prac­tice rooms are alive with the sound of music and crit­i­cism. As Casa Verdi’s music ther­a­pist told the Finan­cial Times, “They are very com­pet­i­tive: they are all pri­ma don­nas.”

When mem­o­ry fails, res­i­dents can tune in to such doc­u­men­taries as actor Dustin Hoffman’s Tosca’s Kiss, below

Get a peek inside Verdi’s retire­ment home for artists, com­pli­ments of Urban Sketch­ers here.

Note: An ear­li­er ver­sion of this post appeared on our site in 2018.

Relat­ed Con­tent:

How a Dutch “Demen­tia Vil­lage” Improves Qual­i­ty of Life with Inten­tion­al Design

Meet Nadia Boulanger, “The Most Influ­en­tial Teacher Since Socrates,” Who Men­tored Philip Glass, Leonard Bern­stein, Aaron Cop­land, Quin­cy Jones & Oth­er Leg­ends

How Music Can Awak­en Patients with Alzheimer’s and Demen­tia

Ayun Hal­l­i­day is an author, illus­tra­tor, and the­ater mak­er in NYC.

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Why Smart People Feel Like Frauds: The Psychology of Impostor Syndrome and Its Hidden Benefits

Incom­pe­tent peo­ple tend to see them­selves as not just com­pe­tent, but high­ly com­pe­tent. So, at any rate, holds the the­o­ry of the “Dun­ning-Kruger effect,” pre­vi­ous­ly fea­tured here on Open Cul­ture. But does the con­verse also hold: do high­ly com­pe­tent peo­ple tend to see them­selves as incom­pe­tent? That would seem to be an impli­ca­tion of what’s been called “impos­tor syn­drome,” a per­sis­tent sense of inad­e­qua­cy rel­a­tive to one’s sta­tus or posi­tion, unsup­port­ed by any objec­tive evi­dence. If you your­self have been afflict­ed with that con­di­tion, it may be a tad hasty to take it as a sign of your own effec­tive­ness, but as the Har­vard Busi­ness School’s Arthur C. Brooks explains in the clip above, it may nonethe­less ben­e­fit you to lean into it.

“What all strivers I’ve ever met have in com­mon is that, the high­er they climb and the more suc­cess they have, the more inse­cure they feel in their own suc­cess because they’re not quite sure that they’ve earned it or deserve it,” Brooks says. Iron­i­cal­ly, in his expe­ri­ence, “peo­ple who deserve suc­cess through hard work and mer­it and per­son­al respon­si­bil­i­ty are not quite sure they deserve it, and the peo­ple who don’t deserve it are often the peo­ple who are actu­al­ly most sure that they do.”

In that last group are pos­ses­sors of the so-called “dark tri­ad” traits: nar­cis­sism, Machi­avel­lian­ism, and psy­chopa­thy. A “good, nor­mal, healthy per­son,” by con­trast, will nat­u­ral­ly won­der if they real­ly mer­it the pro­mo­tions, rewards, and acco­lades they receive, and if they’re tru­ly up to each task ahead.

To com­bat impos­tor syn­drome, Brooks rec­om­mends you “under­stand it, keep up to date with it, and keep try­ing to get bet­ter at the things you’re not good at yet.” Human­i­ty’s gen­er­al neg­a­tiv­i­ty bias may keep most of us sus­pect­ing that we’ve been over­es­ti­mat­ed, but that does­n’t mean we should ignore the oppor­tu­ni­ties for gen­uine self-improve­ment that such feel­ings present. “The truth is, if things are real­ly, real­ly rough for you, you’re not all weak­ness­es, and if things are going real­ly well for you, you’re not all strengths.” It just hap­pens that at some times, every­one focus­es on the for­mer, and at oth­er times, the lat­ter, and what’s impor­tant is not to let your­self be too heav­i­ly influ­enced in either case. Per­haps you can stay ground­ed by bear­ing in mind a cou­ple of trusty old adages: that nobody’s per­fect, and that you do, some­times, have to fake it ’til you make it.

Relat­ed con­tent:

24 Com­mon Cog­ni­tive Bias­es: A Visu­al List of the Psy­cho­log­i­cal Sys­tems Errors That Keep Us From Think­ing Ratio­nal­ly

Why Incom­pe­tent Peo­ple Think They’re Com­pe­tent: The Dun­ning-Kruger Effect, Explained

Why Over­con­fi­dence Is Our Most Dan­ger­ous Cog­ni­tive Bias

John Cleese on How “Stu­pid Peo­ple Have No Idea How Stu­pid They Are” (Oth­er­wise Known as the Dun­ning-Kruger Effect)

There Are Eight Forms of Intel­li­gence, Not Just One: Which Apply to You?

The Sur­pris­ing Pow­er of Bore­dom: It Lets You Con­front Big Ques­tions & Give Life Mean­ing

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

How Quentin Tarantino’s One-Night “Detest Fest” Changed His Life & Set Him on the Path to Pulp Fiction

Just days ago, a game came out whose unlike­ly premise has already drawn a good deal of atten­tion. “Man­age your very own video store in the ear­ly 90s!” exclaims the descrip­tion of Retro Rewind. “Rent, sell, dec­o­rate and expand your busi­ness from the ground up and relive the gold­en ages of video rentals!” Those of us old enough to have relied on such estab­lish­ments for our ear­ly cin­e­mat­ic edu­ca­tion can all too eas­i­ly remem­ber how frus­trat­ing they could be, what with their phys­i­cal­ly lim­it­ed selec­tions, sel­dom-rewound tapes, and puni­tive late fees. Even so, younger gen­er­a­tions aren’t wrong to imag­ine that some were spe­cial places where it felt like a cinephile’s dreams could come true. Just ask Quentin Taran­ti­no.

The clip above comes from Joe Rogan’s inter­view with Taran­ti­no and Roger Avary, who worked togeth­er at Man­hat­tan Beach’s Video Archives before they co-wrote Pulp Fic­tion. “Work­ing at that store, I just got caught up in the lit­tle life there,” Taran­ti­no says. Yet he also remem­bers him­self think­ing, “Well, this isn’t my dream. This isn’t what I want­ed to do work­ing at a video store for years. I want­ed to actu­al­ly make movies. It’s not my dream, what I’m doing — but it’s dream-adja­cent!” It turned out that get­ting paid to watch movies all day long (to say noth­ing of becom­ing local­ly famous for sheer cinephil­ia) with­out putting in any seri­ous man­u­al labor “put my ambi­tions to sleep a lit­tle bit.”

Taran­ti­no explains that his awak­en­ing from this retail rever­ie began with wit­ness­ing the sud­den embit­ter­ment of fel­low clerks who passed the age of thir­ty doing the same “cool” jobs they always had. This set him on the path to under­go­ing a series of dark nights of the soul he called “Quentin detest fests,” dur­ing which he would make a no-excus­es account­ing of all the mis­takes he was active­ly or pas­sive­ly mak­ing. “I would spend all night lay­ing out every­thing I’m doing that’s wrong, and then I would spend the last two hours fig­ur­ing out how I could change it. And as opposed to just doing it and then going to get some sleep, and then you for­get about it and fall back into your rou­tine, I decid­ed to change my life.”

Attach­ment to his job was a big part of the prob­lem. “I’ve got to just move to Hol­ly­wood, I’ve got to get involved there, I’ve got to meet oth­er peo­ple that are in the busi­ness,” he real­ized. “I should­n’t be mak­ing mon­ey until I’m mak­ing mon­ey doing what I want to do.” Not long after relo­cat­ing from the South Bay to Kore­atown — still well south of Hol­ly­wood, but close enough — he start­ed mak­ing con­nec­tions in the low-bud­get hor­ror world. “Well, if these guys can do it, I can do it,” he came to believe, and with­in a year and a half he was mak­ing a liv­ing as a screen­writer. The video rental indus­try has long since col­lapsed, but Quentin Taran­ti­no is still going strong as a film­mak­er. If he takes a break from work­ing on what may be his last pic­ture to play Retro Rewind, we’d sure­ly all be inter­est­ed in hear­ing what mem­o­ries it brings back. Maybe he and Avary can dis­cuss it on their Video Archives Pod­cast.

Relat­ed Con­tent:

The Sto­ry of How Quentin Taran­ti­no Became a Film­mak­er and Cre­at­ed Pulp Fic­tion, as Told by Quentin Taran­ti­no

My Best Friend’s Birth­day, Quentin Tarantino’s 1987 Debut Film

Quentin Taran­ti­no Explains How to Write & Direct Movies

Quentin Taran­ti­no Gives a Tour of Video Archives, the Store Where He Worked Before Becom­ing a Film­mak­er

Quentin Taran­ti­no & Roger Avary Rewatch Cult-Clas­sic Movies on Their New Video Archives Pod­cast

What Is a Life-Chang­ing Real­iza­tion You Wish You’d Had Soon­er in Life?

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

In Her Final Reflections, Jane Goodall Issues a Warning: “Without Hope, We Fall Into Apathy”

For many of us, Jane Goodall was one of those cul­tur­al fig­ures who seemed always to have been around, and on some lev­el, made us feel like she always would be. But of course, no human being lives for­ev­er, no mat­ter how wide­ly admired. Goodall made her own depar­ture last fall, in the mid­dle of an Amer­i­can speak­ing tour, at the age of 91. Just two days there­after, she appeared as the guest on the pre­miere of Net­flix’s Famous Last Words, a pro­gram con­sist­ing of inter­views con­duct­ed express­ly to air only after the inter­vie­wee’s death. In the clip above, the show’s host, TV writer-direc­tor-pro­duc­er Brad Falchuk, asks her an out­ward­ly sim­ple ques­tion: “Who would you say you were?”

Goodall describes her­self as “some­body sent to this world to try to give peo­ple hope in dark times, because with­out hope, we fall into apa­thy and do noth­ing, and in the dark times that we are liv­ing in now, if peo­ple don’t have hope, we’re doomed. How can we bring lit­tle chil­dren into this dark world we’ve cre­at­ed and let them be sur­round­ed by peo­ple who’ve giv­en up? So even if this is the end of human­i­ty as we know it, let’s fight to the very end. Let’s let the chil­dren know that there is hope, if they get togeth­er. And even if it becomes impos­si­ble for any­body, it’s bet­ter to go on fight­ing to the end than just to give up and say, ‘Okay.’ ” These are fine words, though it may sur­prise some of us that they make no men­tion of chimps.

Though she became famous as a pri­ma­tol­o­gist, and specif­i­cal­ly as an expert on chim­panzees, Goodall devot­ed much ener­gy in her lat­er decades to tak­ing action on broad­er caus­es. These includ­ed envi­ron­men­tal con­ser­va­tion and the secu­ri­ty of life on Earth itself, which she saw as imper­iled by the actions of cer­tain gov­ern­ments and polit­i­cal actors. When Falchuk asks who she does­n’t like, she express­es her desire to send per­ma­nent­ly into space Elon Musk, Don­ald Trump and “some of his real sup­port­ers,” Vladimir Putin, Xi Jin­ping, Ben­jamin Netanyahu and “his far-right gov­ern­ment.” That answer may get us won­der­ing whether the result­ing pow­er vac­u­ums would be filled by more or less savory char­ac­ters. The entire inter­view will leave us with anoth­er, per­haps more trou­bling ques­tion: who, today, could be suit­ed to assume the place in pub­lic life left behind by Jane Goodall?

Relat­ed Con­tent:

Remem­ber­ing Jane Goodall (RIP): Watch Jane, the Acclaimed Nation­al Geo­graph­ic Doc­u­men­tary

Ani­mat­ed: The Inspi­ra­tional Sto­ry of Jane Goodall, and Why She Believes in Big­foot

Google Street View Lets You Walk in Jane Goodall’s Foot­steps and Vis­it the Chim­panzees of Tan­za­nia

The Last Inter­view Book Series Fea­tures the Final Words of Cul­tur­al Icons: Borges to Bowie, Philip K. Dick to Fri­da Kahlo

The Celebri­ty Encoun­ters of Koko the Goril­la. For Her 43rd Birth­day Today

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

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