Why Collect? A Conversation about Collectibles from Pretty Much Pop: A Culture Podcast (#92)

What drives someone to collect Star Wars figures or Transformers or LEGOs or whatever else? Your Pretty Much Pop hosts Mark Linsenmayer, Erica Spyres, and Brian Hirt are joined by guest Matt Young of the Hello from the Magic Tavern and Improvised Star Trek podcasts to talk about this potentially expensive and life-eating habit. No kidulting required.

For a little extra information on this topic, you may want to look at Wikipedia on the Psychology of Collecting, this incomplete list of nostalgic collectible IPs (that’s “intellectual property”), or this weird list of collections that includes erasers, confetti, traffic cones and sugar packets.

Most of the literature we found in researching this episode was either about what collections might present a future investment opportunity or other tips for doing this as a financial activity (please don’t try to do this) and surprise that adults buy toys.

After the episode, Matt remained on the line for our Aftertalk, which is typically only available for supporters via patreon.com/prettymuchpop, but this this case we’ve unleashed it to the public:

Hear more of this podcast at prettymuchpop.com. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Diagnosing America’s Relationship with Pets — Pretty Much Pop: A Culture Podcast #91 w/ Trainer Hannah Branigan

What is with the weird relationship we Americans have with our pets? Many of us treat them as our babies, yet of course they’re our captives. Dog trainer Hannah Branigan joins your hosts Mark Linsenmayer, Erica Spyres, and Brian Hirt to talk about pets as entertainment, as hobby, and as pandemic companions. How can we make this relationship as beneficial as possible for all involved, and how can learning to be a better pet owner inform our treatment of other people? Plus, what do we want out of TV talking animals, dog training TV, and the abomination that is Pooch Perfect.

Hannah’s podcast is Drinking from the Toilet, and you can learn more about her book and training program at hannahbranigan.dog. A couple of her podcast episodes that we refer to are #129 Treat Everyone Like a Dog, #114 Accidental Behavior, and #80 I Wrote a Book.

And a few article links as usual:

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Has TV Rotted Our Minds? On Neil Postman’s Amusing Ourselves to Death (A Pretty Much Pop Culture Podcast/Partially Examined Life Philosophy Podcast Crossover)

Marshall McLuhan famously said “The medium is the message,” by which he meant that when we receive information, its effect on us is determined as much by the form of that information as by the actual content.

Neil Postman, in his 1985 book Amusing Ourselves to Death: Public Discourse in the Age of Show Business, ran with this idea, arguing that TV has conditioned us to expect that everything must be entertaining, and that this has had a disastrous effect on news, politics, education, and thinking in general.

In this discussion, your Pretty Much Pop hosts Mark Linsenmayer and Brian Hirt join with the rest of the Partially Examined Life crew: Seth Paskin, Dylan Casey and Wes Alwan.

The result is much more philosophical context than you’d get in a typical Pretty Much Pop discussion. Plato, for example, argued (through the character of Socrates) in the Phaedrus against writing, which he said amounts to off-loading thought to this inert thing, when it should be lively in our minds and our direct conversations. Postman’s book describes the Age of Print as highly congenial toward lengthy, abstract reasoning. High literacy rates, particularly in America, conditioned people to expect that this is how information is to be received, and as such they were, for instance, prepared to listen raptly to the Lincoln-Douglas debates in which the speakers provided lawyerly speeches that might span multiple hours.

Postman, an educational theorist, described television as not just providing a no-context experience whose high level of visual and auditory stimulation beats its spectators into thoughtless passivity, but that its popularity positively infects all the other communication channels available. Of course there is still in-person teaching, but television shortens attention spans such that teachers now feel the need to constantly entertain instead of forcing students to make the effort required to attend carefully to what they have to teach. Of course there are still books, but they are less read, and the competition of television for our time has changed the presentation within books so that they must be as immediately and consistently appealing as television.

McLuhan described television as a “hot” medium due to its high level of stimulation, where a “cool” one like a textbook requires more active participation of the recipient. We discuss how Postman’s critique fares in the Age of the Internet, which interestingly mixes things up, with more interactivity (in that sense cooler) yet even more possibility for sensory distraction (in that perhaps more important sense hotter). To supplement Postman, we also consulted a widely read article from The Atlantic written by Nicholas Carr in 2008 called “Is Google Making Us Stupid.”

For more philosophical touchpoints, see the post for this discussion at partiallyexaminedlife.com.

Hear more Pretty Much Pop at prettymuchpop.com. This episode includes an equally long second part that you can access by supporting Pretty Much Pop at patreon.com/prettymuchpop or by supporting The Partially Examined Life at partiallyexaminedlife.com/support. Listen to a preview of part two.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Godzilla, Kong, et al: Stupid Fun or Channeling Deep Fears? Pretty Much Pop: A Culture Podcast #90

What’s the meaning behind the continued international popularity of kaiju media in which giant creatures stomp on cities and beat each other up? Is this just pro wrestling drama with special effects, or does it relate to deep-seated feelings of helplessness in the face of natural disasters? Perhaps both?

Your Pretty Much Pop hosts Mark Linsenmayer, Erica Spyres, and Brian Hirt reflect on the MonsterVerse films: Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and chiefly Godzilla vs. Kong (2021). We also go into the history of Godzilla in Japan from the 1954 original to 2016’s award-winning Shin Godzilla. Do we care at all about the humans in these films? Are King Kong films too sad? Is there any legitimate sci-fi or political commentary in this genre? We touch on Pacific Rim, The Host, Cloverfield, Colossal, When a Monster Calls, Rampage, giant video game bosses, and more.

Some sources we used to prepare:

Plus, here’s more on The Great Buddha Arrival and Wolfman vs. Godzilla.

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

The Trial of the Chicago 7 and the Oeuvre of Aaron Sorkin: An Assessment by Pretty Much Pop: A Culture Podcast (#89)

In lieu of an Oscars episode, the Pretty Much Pop podcast this week considers one of the nominated films, The Trial of the Chicago 7, and the career of its writer/director, Aaron Sorkin, which started with A Few Good Men through four TV series (most notably The West Wing), and films like The Social Network, Steve Jobs, and Molly’s Game.

Your hosts Brian Hirt, Erica Spyres, and Mark Linsenmayer consider Sorkin’s stock recurring characters and their political diatribes, plots often based on true events, and how his writing creates drama. Do we feel uplifted or vaguely dirty after a Sorkin bath? It’s great to have characters that aren’t stupid, but are they actually smart or just designed to seem that way? Are the deviations from fact just good use of dramatic license or positively harmful? We touch on virtually all of Sorkin’s productions (well, except for the plays; he actually considers himself natively a playwright) and still have energy for a few Oscars musings and reflections about including real locations or news events in fiction.

Here are some articles we used to prepare ourselves:

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

Indie Animation in a Corporate World: A Conversation with Animator Benjamin Goldman on Pretty Much Pop: A Culture Podcast #88

In the perennial conflict between art and our corporate entertainment machine, animation seems designed to be mechanized, given how labor-intensive it is, and yes, most of our animation comes aimed at children (or naughty adults) from a few behemoths (like, say, Disney).

Your hosts Mark Linsenmayer, Erica Spyres, and Brian Hirt are joined by Benjamin Goldman to discuss doing animation on your own, with only faint hope of “the cavalry” (e.g. Netfilx money or the Pixar fleet of animators) coming to help you realize (and distribute and generate revenue from) your vision. As an adult viewer, what are we looking for from this medium?

We talk about what exactly constitutes “indie,” shorts vs. features, how the image relates to the narration, realism or its avoidance, and more. Watch Benjamin’s film with Daniel Gamburg, “Eight Nights.”

Some of our other examples include Jérémy Clapin’s I Lost My Body and Skhizein, World of Tomorrow, If Anything Happens I Love You, The Opposites Game, Windup, Fritz the Cat, Spike & Mike’s Sick and Twisted Festival of Animation, and Image Union.

Hear a few lists and comments about this independent animation:

Follow Benjamin on Instagram @bgpictures. Here’s something he did for a major film studio that you might recognize, from the film version of A Series of Unfortunate Events:

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

On “Barb and Star Go to Vista Del Mar” and the Female Buddy Comedy–Pretty Much Pop: A Culture Podcast #87

The buddy comedy is a staple of American film, but using this to explore female friendship is still fresh ground. Erica, Mark, Brian, and Erica’s long-time friend Micah Greene (actor and nurse) discuss tropes and dynamics within this kind of film, focusing primarily on Barb and Star Go to Vista Del Mar, the 2021 release written and starring Kristin Wiig and Annie Mumolo as a couple of middle aged near-twin oddballs expanding their horizons in a surrealistic, gag-filled tropical venue.

While male pairings of this sort (Cheech and Chong, Bob and Doug McKenzie, Beavis and Butthead et al) stick to silly jokes, Barb and Star base their antics around their evolving relationship toward each other. As with the 2019 film Booksmart and many TV shows including Dead to Me, PEN15, and Grace and Frankie, the trend is toward dramedy as the dynamics of friendship are taken seriously. We also touch on Bridesmaids, Sisters, The Heat, BAPS, I Love You Man, and more.

A few relevant articles:

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

What “Irish” Means: A Discussion with Author and Black 47 Front Man Larry Kirwan (Pretty Much Pop: A Culture Podcast #86)

Another St. Patrick’s Day has passed, and this one probably without a lot of green-beer-at-the-pub-action. Let’s talk about what sort of representation of Ireland we were supposed to get out of all that merriment, as it’s certainly not akin to the stern, very religious ceremonies that we the growing-up experience of our guest Larry, who’s written books, plays and many songs emanating from and often about his Irish heritage.

He joins Mark, Erica, and Brian to discuss the appeal in the U.S. of Irish culture and how it relates to history, who gets to define what’s authentically Irish, slurs and stereotypes, the range of Irish music, the character of Irish humor, Larry’s journey as front man for Black 47, and his new novel about Irish cops on 9/11: Rockaway Blue (enter 09FLYER at checkout on the Cornell Press site for a discount).

Watch one of Black 47’s old videos. Wikipedia lies about Tim. What is Ireland’s REAL national color?

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.
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