Göbekli Tepe: The 12,000-Year-Old Ruins That Rewrite the Story of Civilization

We did­n’t have civ­i­liza­tion until we had cities, and we did­n’t have cities until we had agri­cul­ture. So, at least, goes a wide­ly accept­ed nar­ra­tive in “big his­to­ry” — a nar­ra­tive some­what trou­bled by the dis­cov­ery of ruins on Göbek­li Tepe, or “Pot­bel­ly Hill,” in south­east­ern Turkey. Appar­ent­ly inhab­it­ed from around 9500 to 8000 BC, the ancient set­tle­ment pre­dates the Pyra­mids of Giza by near­ly 8,000 years, and Stone­henge by about 6,000 years. Though it was once believed to be a site used for rit­u­al pur­pos­es only, lat­er research unearthed evi­dence that sug­gests it was host to a vari­ety of activ­i­ties we asso­ciate with urban civ­i­liza­tion, rather than what we usu­al­ly think of hunter-gath­er­er sites. Does it amount to rea­son enough to revise our very under­stand­ing of the his­to­ry of human­i­ty?

“Like Stone­henge, Göbek­li Tepe’s struc­ture includes cir­cles of T‑shaped lime­stone pil­lars, many of them fea­tur­ing etch­ings of ani­mals,” says YouTu­ber Joe Scott in the video above. These pil­lars are arranged into enclo­sures, which togeth­er con­sti­tute a site that “fea­tures archae­o­log­i­cal com­plex­i­ty that prob­a­bly would have been too advanced for hunter-gath­er­ers.”

Klaus Schmidt, the archae­ol­o­gist who led the exca­va­tions at Göbek­li Tepe between 1996 and 2014, believed that it was “a sanc­tu­ary and maybe a region­al pil­grim­age cen­ter where peo­ple gath­ered to per­form reli­gious rites.” But since his death, evi­dence of hous­es, a cis­tern, and grain-pro­cess­ing tools has turned up, indi­cat­ing “a ful­ly fledged set­tle­ment with per­ma­nent occu­pa­tion” well before the advent of farm­ing. This find­ing indi­cates that social and tech­no­log­i­cal inno­va­tions asso­ci­at­ed with ‘civ­i­liza­tion’ may have emerged long before the advent of agri­cul­ture, cities, or domes­ti­cat­ed ani­mals — under con­di­tions very dif­fer­ent from what his­to­ri­ans had pre­vi­ous­ly assumed. But as to the rea­son it was all built in the first place, this new infor­ma­tion has led to more ques­tions than answers.

One less than gen­er­al­ly accept­ed the­o­ry holds that Göbek­li Tepe was an astro­nom­i­cal obser­va­to­ry, and per­haps also a memo­r­i­al to a dev­as­tat­ing comet strike that occurred 13,000 years ago. Maybe it was “a last-ditch effort by a hunter-gath­er­er soci­ety to hang on to their van­ish­ing lifestyle as the world was tran­si­tion­ing to farm­ing.” That could have been the first large-scale tech­no­log­i­cal rev­o­lu­tion in human his­to­ry, but it cer­tain­ly would­n’t be the last, and as we here in the twen­ty-first cen­tu­ry con­sid­er the ruins of Göbek­li Tepe — most of which still have yet to be exca­vat­ed — we nat­u­ral­ly find our­selves think­ing about the long-term sur­vival prospects of our own civ­i­liza­tion. But the more recent dis­cov­ery else­where in Turkey of oth­er, even old­er ruins with a dis­tinct­ly urban struc­ture may also make us feel that our way of life isn’t quite as mod­ern as we’d imag­ined.

Relat­ed Con­tent:

Explore the Ruins of Tim­gad, the “African Pom­peii” Exca­vat­ed from the Sands of Alge­ria

Watch Ancient Ruins Get Restored to their Glo­ri­ous Orig­i­nal State with Ani­mat­ed GIFs: The Tem­ple of Jupiter, Lux­or Tem­ple & More

Pom­peii Rebuilt: A Tour of the Ancient City Before It Was Entombed by Mount Vesu­vius

How Civ­i­liza­tions Built on Top of Each Oth­er: Dis­cov­er What Lies Beneath Rome, Troy & Oth­er Cities

A Cul­tur­al Tour of Istan­bul, Where the Art and His­to­ry of Three Great Empires Come Togeth­er

Archae­ol­o­gists Dis­cov­er a 2,400-Year-Old Skele­ton Mosa­ic That Urges Peo­ple to “Be Cheer­ful and Live Your Life”

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Earliest Known Customer Complaint Was Made 3,800 Years Ago: Read the Rant on an Ancient Babylonian Tablet

Image via Wiki­me­dia Com­mons

The site Fast Com­pa­ny pub­lished an arti­cle that describes the “Com­plaint Restraint project,” an ini­tia­tive that aims to cre­ate a “pos­i­tive life by elim­i­nat­ing neg­a­tive state­ments.” It’s an admirable goal. Though most of us have a per­verse love of wal­low­ing in our misery—a human trait ampli­fied a thou­sand­fold by the internet—complaining rarely makes things any bet­ter. As in the Buddha’s para­ble of the “sec­ond arrow,” our grip­ing can make our suf­fer­ings dou­bly painful; as in the para­ble of the “poi­soned arrow,” it can post­pone or sub­sti­tute for the con­struc­tive actions we need to take in order to heal or improve our con­di­tion.

But it would be a mis­take to think that com­plain­ing is some­how a recent phe­nom­e­non, though we may hear more of it every day, all the time, from every quar­ter of the globe. The Bud­dhist arrow sto­ries are, after all, at least a cou­ple thou­sand years old; lamen­ta­tion more or less con­sti­tutes its own genre in Bib­li­cal lit­er­a­ture.

Even old­er still than these reli­gious sources is the first doc­u­ment­ed cus­tomer ser­vice com­plaint, a spe­cif­ic vari­ety of com­plain­ing that we might be for­giv­en for asso­ci­at­ing main­ly with a mod­ern, con­sumerist age—and one of the few kinds of com­plaints that can gen­er­ate pos­i­tive results.

Absent a Yelp app, the ancient Baby­lon­ian con­sumer in this case inscribed his com­plaint on a clay tablet—which now resides at the British Muse­um—some­time around 1750 B.C. The irate pur­chas­er here, Nan­ni, writ­ing to some­one named Ea-nasir, received a ship­ment of cop­per ore of an infe­ri­or grade, after some annoy­ing delay and in a dam­aged con­di­tion. In the trans­la­tion below from Assyri­ol­o­gist A. Leo Oppen­heim, Nan­ni vents his spleen.

Tell Ea-nasir: Nan­ni sends the fol­low­ing mes­sage:

When you came, you said to me as fol­lows : “I will give Gim­il-Sin (when he comes) fine qual­i­ty cop­per ingots.” You left then but you did not do what you promised me. You put ingots which were not good before my mes­sen­ger (Sit-Sin) and said: “If you want to take them, take them; if you do not want to take them, go away!”

What do you take me for, that you treat some­body like me with such con­tempt? I have sent as mes­sen­gers gen­tle­men like our­selves to col­lect the bag with my mon­ey (deposit­ed with you) but you have treat­ed me with con­tempt by send­ing them back to me emp­ty-hand­ed sev­er­al times, and that through ene­my ter­ri­to­ry. Is there any­one among the mer­chants who trade with Tel­mun who has treat­ed me in this way? You alone treat my mes­sen­ger with con­tempt! On account of that one (tri­fling) mina of sil­ver which I owe(?) you, you feel free to speak in such a way, while I have giv­en to the palace on your behalf 1,080 pounds of cop­per, and umi-abum has like­wise giv­en 1,080 pounds of cop­per, apart from what we both have had writ­ten on a sealed tablet to be kept in the tem­ple of Samas.

How have you treat­ed me for that cop­per? You have with­held my mon­ey bag from me in ene­my ter­ri­to­ry; it is now up to you to restore (my mon­ey) to me in full.

Take cog­nizance that (from now on) I will not accept here any cop­per from you that is not of fine qual­i­ty. I shall (from now on) select and take the ingots indi­vid­u­al­ly in my own yard, and I shall exer­cise against you my right of rejec­tion because you have treat­ed me with con­tempt.

It does seem that Nan­ni maybe took this poor ser­vice a lit­tle too per­son­al­ly. In any case, let’s hope he received some sat­is­fac­tion for the trou­ble it must have tak­en to inscribe this angry mes­sage.

Note: An ear­li­er ver­sion of this post appeared on our site in 2015.

Relat­ed Con­tent:

Mark Twain Drafts the Ulti­mate Let­ter of Com­plaint (1905)

Hunter S. Thomp­son Calls Tech Sup­port, Unleash­es a Tirade Full of Fear and Loathing (NSFW)

Behold the Old­est Writ­ten Text in the World: The Kish Tablet, Cir­ca 3500 BC

Hear the Old­est Song in the World: A Sumer­ian Hymn Writ­ten 3,400 Years Ago

How to Write in Cuneiform, the Old­est Writ­ing Sys­tem in the World: A Short Intro­duc­tion

Hear the Ear­li­est Record­ed Cus­tomer Com­plaint Let­ter: From Ancient Sume­ria 1750 BC

Josh Jones is a writer and musi­cian based in Durham, NC. 

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Was the Baghdad Battery Actually a Battery?: An Archaeologist Demystifies the 2,000-Year-Old Artifact

Image by Ironie, via Wiki­me­dia Com­mons

The aver­age Open Cul­ture read­er may well be aware that there is such a thing as Archae­ol­o­gy YouTube. What could come as more of a sur­prise is how much back-and-forth there is with­in that world. Below, we have a video from the chan­nel Arti­fac­tu­al­ly Speak­ing in which Brad Haf­ford, a Uni­ver­si­ty of Penn­syl­va­nia archae­ol­o­gist, gives his take on the so-called Bagh­dad Bat­tery, an ancient arti­fact dis­cov­ered in mod­ern-day Iraq. He does so in the form of a response to an ear­li­er video on the Bagh­dad Bat­tery from anoth­er chan­nel host­ed by a young archae­ol­o­gy edu­ca­tor called Milo Rossi. At some points Haf­ford agrees, and at oth­ers he has cor­rec­tions to make, but sure­ly both YouTu­bers can agree on the fas­ci­na­tion of the object in ques­tion. After all: an ancient bat­tery?

Even those of us with­out any par­tic­u­lar invest­ment in archae­ol­o­gy may find our curios­i­ty piqued by the notion that some long-van­ished civ­i­liza­tion had man­aged to har­ness elec­tric­i­ty. The name Bagh­dad Bat­tery was grant­ed in the first place by Wil­helm König, who was the direc­tor of the lab­o­ra­to­ry of the Nation­al Muse­um of Iraq in the nine­teen-thir­ties, when the object was orig­i­nal­ly dis­cov­ered.

Giv­en that it con­sist­ed of not just a ceram­ic pot but also a cop­per tube and an iron rod, all attached to one anoth­er with bitu­men (a sub­stance present in crude oil used today in asphalt), the idea of its being used for pow­er stor­age was log­i­cal, in its way, if also fan­tas­ti­cal­ly anachro­nis­tic. Not that König sug­gest­ed the Bagh­dad Bat­tery was used to pow­er, say, a grid of street­lights; rather, he sup­posed that it could have been involved in some kind of elec­tro­plat­ing sys­tem.

Unfor­tu­nate­ly for König’s hypoth­e­sis, none of the oth­er gild­ed arti­facts recov­ered from ancient Iraq, no mat­ter how fine their craft, were actu­al­ly elec­tro­plat­ed. More prac­ti­cal­ly speak­ing, the Bagh­dad Bat­tery has no means of con­nec­tion to a cir­cuit, a neces­si­ty to charge it up in the first place. As of now, the pro­fes­sion­al con­sen­sus holds that it must have been cer­e­mo­ni­al: a default, as Rossi frames it, when­ev­er archae­ol­o­gists throw up their hands at a lack of dis­pos­i­tive evi­dence about an arti­fac­t’s orig­i­nal pur­pose. Though Haf­ford acknowl­edges that ten­den­cy, he also lays out the rea­sons he believes the mys­ter­ies don’t go quite as deep as pop­u­lar­iz­ers tend to assume. Like any good YouTu­ber, archae­o­log­i­cal or oth­er­wise, Rossi respond­ed with anoth­er video of his own, in which he address­es Haf­ford’s crit­i­cisms, and also keeps the Bagh­dad Bat­tery — as well as its new­ly cre­at­ed name­sake cock­tail — fir­ing up our imag­i­na­tions a lit­tle longer.

Relat­ed Con­tent:

Behold the Old­est Writ­ten Text in the World: The Kish Tablet, Cir­ca 3500 BC

20 New Lines from The Epic of Gil­gamesh Dis­cov­ered in Iraq, Adding New Details to the Sto­ry

How the Ancient Greeks Invent­ed the First Com­put­er: An Intro­duc­tion to the Antikythera Mech­a­nism (Cir­ca 87 BC)

The Advanced Tech­nol­o­gy of Ancient Rome: Auto­mat­ic Doors, Water Clocks, Vend­ing Machines & More

A Visu­al­iza­tion of the His­to­ry of Tech­nol­o­gy: 1,889 Inno­va­tions Across Three Mil­lion Years

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Oldest Known Depiction of Human Sexuality: The Turin Papyrus (Circa 1150 B.C.E.)

Image via Wiki­me­dia Com­mons

With the old joke about every gen­er­a­tion think­ing they invent­ed sex, List­verse brings us the papyrus above, the old­est depic­tion of sex on record. Paint­ed some­time in the Rames­side Peri­od (1292–1075 B.C.E.), the frag­ments above—called the “Turin Erot­ic Papyrus” because of their “dis­cov­ery” in the Egypt­ian Muse­um of Turin, Italy—only hint at the frank ver­sions of ancient sex they depict (see a graph­ic par­tial recon­struc­tion at the bot­tom of the post—probably NSFW). The num­ber of sex­u­al posi­tions the papyrus illustrates—twelve in all—“fall some­where between impres­sive­ly acro­bat­ic and unnerv­ing­ly ambi­tious,” one even involv­ing a char­i­ot. Apart from its obvi­ous fer­til­i­ty sym­bols, writes archae­ol­o­gy blog Ancient Peo­ples, the papyrus also has a “humor­ous and/or satir­i­cal” pur­pose, and prob­a­bly a male audience—evidenced, per­haps, by its resem­blance to 70’s porn: “the men are most­ly unkempt, unshaven, and bald­ing […], where­as the women are the ide­al of beau­ty in Egypt.”

In fact the erot­ic por­tion of the papyrus was only made pub­lic in the 1970s. Egyp­tol­o­gists have known of the larg­er scroll, tech­ni­cal­ly called “Papyrus Turin 55001” since the 1820s. On the right side of the papyrus (above) ani­mals per­form var­i­ous human tasks as musi­cians, sol­diers, and arti­sans. The artist meant this piece too as satire, Ancient Peo­ples alleges. Like ancient Roman and Greek satir­i­cal art, the ani­mals may rep­re­sent sup­posed arche­typ­al aspects of the artists and trades­men shown here. All very inter­est­ing, but of course the real inter­est in Papyrus Turin 55001 is of the pruri­ent vari­ety.

Egyp­tol­ogy stu­dent Car­o­line Sea­wright points us toward the rather lurid His­to­ry Chan­nel seg­ment on the erot­ic papyrus, which calls the pic­tures “one of the most shock­ing sets of images in the whole of antiq­ui­ty.” Against a per­cep­tion of ancient Egyp­tians as “but­toned-up and repressed,” the video, and Sea­wright, detail the ways in which the cul­ture rev­eled in a styl­ized rit­u­al sex­u­al­i­ty quite dif­fer­ent from our own lim­it­ed mores.

Sacred tem­ple pros­ti­tutes held a priv­i­leged posi­tion and mytho­log­i­cal nar­ra­tives incor­po­rat­ed unbi­ased descrip­tions of homo­sex­u­al­i­ty and trans­gen­derism. Ancient Egyp­tians even expect­ed to have sex after death, attach­ing fab­ri­cat­ed organs to their mum­mies. The above applies main­ly to a cer­tain class of Egypt­ian. As archae­ol­o­gist David O’Connor points out, the Turin Erot­ic Papyrus’ high “artis­tic mer­it” marks it as with­in the prove­nance of “an elite own­er and audi­ence.” You can find more detailed images from a dif­fer­ent recon­struc­tion of the erot­ic papyrus here.

Turin Reconstruction

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

Relat­ed Con­tent:

An Ancient Egypt­ian Home­work Assign­ment from 1800 Years Ago: Some Things Are Tru­ly Time­less

3,200-Year-Old Egypt­ian Tablet Records Excus­es for Why Peo­ple Missed Work: “The Scor­pi­on Bit Him,” “Brew­ing Beer” & More

Sex and Alco­hol in Medieval Times: A Look into the Plea­sures of the Mid­dle Ages

Sci­en­tists Dis­cov­er that Ancient Egyp­tians Drank Hal­lu­cino­genic Cock­tails from 2,300 Year-Old Mug

Josh Jones is a writer and musi­cian based in Durham, NC. 

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Archaeologists Discover a 2,400-Year-Old Skeleton Mosaic That Urges People to “Be Cheerful and Live Your Life”

Image by Dosse­man, via Wiki­me­dia Com­mons

In 2012, archae­ol­o­gists dis­cov­ered in South­ern Turkey a well-pre­served mosa­ic fea­tur­ing a skele­ton savor­ing a loaf of bread and a pitch­er of wine, sur­round­ed by the Greek words “Be cheer­ful and live your life.” Dat­ing back to the 3rd cen­tu­ry BCE, the mosa­ic like­ly adorned the din­ing room of a wealthy vil­la in the ancient Gre­co-Roman city of Anti­och. It’s a kind of memen­to mori, a reminder that life is short and you should enjoy it while you can. Or so that’s how many have inter­pret­ed the mes­sage of the mosa­ic.

If you would like to delve deep­er, it’s worth read­ing the analy­sis and back­ground infor­ma­tion pro­vid­ed by The His­to­ry Blog. Mean­while, this sep­a­rate post on Tum­blr high­lights oth­er trans­la­tions and inter­pre­ta­tions of the mosaic’s key inscrip­tion.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Red­dit

Relat­ed Con­tent 

19th-Cen­tu­ry Skele­ton Alarm Clock Remind­ed Peo­ple Dai­ly of the Short­ness of Life: An Intro­duc­tion to the Memen­to Mori

A Rab­bit Rides a Char­i­ot Pulled by Geese in an Ancient Roman Mosa­ic (2nd cen­tu­ry AD)

How a Mosa­ic from Caligula’s Par­ty Boat Became a Cof­fee Table in a New York City Apart­ment 50 Years Ago

How to Make the 2000-Year-Old “Piz­za” Dis­cov­ered on a Pom­peii Fres­co

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Behold the Oldest Written Text in the World: The Kish Tablet, Circa 3500 BC

Image by José-Manuel Ben­i­to, via Wiki­me­dia Com­mons

Some refer to the writ­ten Chi­nese lan­guage as ideo­graph­ic: that is, struc­tured accord­ing to a sys­tem in which each sym­bol rep­re­sents a par­tic­u­lar idea or con­cept, whether abstract or con­crete. That’s true of cer­tain Chi­nese char­ac­ters, but only a small minor­i­ty. Most of them are actu­al­ly logographs, each of which rep­re­sents a word or part of a word. But if you dig deep enough into their his­to­ry — and the his­to­ry of oth­er Asian lan­guages that use Chi­nese-derived vocab­u­lary — you’ll find that some start­ed out long ago as pic­tographs, designed visu­al­ly to rep­re­sent the thing to which they referred.

That does­n’t hold true for Chi­nese alone: it appears, in fact, that all writ­ten lan­guages began as forms of pic­to­graph­ic “pro­to-writ­ing,” at least judg­ing by the ear­li­est texts cur­rent­ly known to man. If we look at the old­est of them all, the lime­stone “Kish tablet” unearthed from the site of the epony­mous ancient Sumer­ian city in mod­ern-day Iraq, we can in some sense “read” sev­er­al of the sym­bols in its text, even five and a half mil­len­nia after it was writ­ten. “The writ­ing on its sur­face is pure­ly pic­to­graph­ic,” says the nar­ra­tor of the brief IFLScience video below, “and rep­re­sents a mid­point between pro­to-writ­ing and the more sophis­ti­cat­ed writ­ing of the cuneiform.”

Cuneiform, pre­vi­ous­ly fea­tured here on Open Cul­ture, was used by the ancient Baby­lo­ni­ans to label maps and record stew recipes, among oth­er impor­tant tasks. “First devel­oped around 3200 B.C. by Sumer­ian scribes in the ancient city-state of Uruk, in present-day Iraq, as a means of record­ing trans­ac­tions, cuneiform writ­ing was cre­at­ed by using a reed sty­lus to make wedge-shaped inden­ta­tions in clay tablets,” says Archae­ol­o­gy mag­a­zine. Over 3,000 years, this ear­li­est prop­er script “was used by scribes of mul­ti­ple cul­tures over that time to write a num­ber of lan­guages oth­er than Sumer­ian, most notably Akka­di­an, a Semit­ic lan­guage that was the lin­gua fran­ca of the Assyr­i­an and Baby­lon­ian Empires.”

Cuneiform was also used to write the Scheil dynas­tic tablet, which dates from the ear­ly sec­ond mil­len­ni­um BC. That means we can read it, and thus know that it com­pris­es a lit­er­ary-his­tor­i­cal text that lists off the reigns of var­i­ous rulers of Sumer­ian cities. We should note that the Scheil dynas­tic tablet is also, some­times, referred to as the “Kish tablet,” which sure­ly caus­es some con­fu­sion. But for the anony­mous writer of the ear­li­er Kish tablet, who would have lived about two mil­len­nia ear­li­er, the emer­gence of cuneiform and all the civ­i­liza­tion­al devel­op­ments it would make pos­si­ble lay far in the future. His pic­to­graph­ic text may nev­er be deci­phered prop­er­ly or mapped to a his­tor­i­cal­ly doc­u­ment­ed lan­guage, but at least we can tell that he must sure­ly have had hands and feet more or less like our own.

Relat­ed con­tent:

The Old­est Known Sen­tence Writ­ten in an Alpha­bet Has Been Found on a Head-Lice Comb (Cir­ca 1700 BC)

How to Write in Cuneiform, the Old­est Writ­ing Sys­tem in the World: A Short, Charm­ing Intro­duc­tion

Dic­tio­nary of the Old­est Writ­ten Lan­guage – It Took 90 Years to Com­plete, and It’s Now Free Online

How Writ­ing Has Spread Across the World, from 3000 BC to This Year: An Ani­mat­ed Map

40,000-Year-Old Sym­bols Found in Caves World­wide May Be the Ear­li­est Writ­ten Lan­guage

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Beautifully-Preserved Frescoes with Figures from the Trojan War Discovered in a Lavish Pompeii Home

Image via  Pom­peii Archae­o­log­i­cal Park

Imag­ine vis­it­ing the home of a promi­nent, wealthy fig­ure, and at the evening’s end find­ing your­self in a room ded­i­cat­ed to late-night enter­tain­ing, paint­ed entire­ly black except for a few scenes from antiq­ui­ty. Per­haps this would­n’t sound entire­ly implau­si­ble in, say, twen­ty-first cen­tu­ry Sil­i­con Val­ley. But such places also exist­ed in antiq­ui­ty itself: or at least one of them did, as recent­ly dis­cov­ered in Pom­peii. Pre­served for near­ly two mil­len­nia now by the ash of Mount Vesu­vius, the ruins of that city give us the clear­est and most detailed archae­o­log­i­cal insights we have into life at the height of the Roman Empire — but even today, a third of the site has yet to be exca­vat­ed.

That archae­o­log­i­cal dig con­tin­ues apace, and its lat­est dis­cov­ery — more recent than the Pom­pei­ian “snack bar” and “piz­za” pre­vi­ous­ly fea­tured here on Open Cul­ture — is “a spec­tac­u­lar ban­quet­ing room with ele­gant black walls, dec­o­rat­ed with mytho­log­i­cal char­ac­ters and sub­jects inspired by the Tro­jan War,” includ­ing such mytho­log­i­cal char­ac­ters as Helen, Paris, Cas­san­dra, and Apol­lo.

“It pro­vid­ed a refined set­ting for enter­tain­ment dur­ing con­vivial moments, whether ban­quets or con­ver­sa­tions, with the clear aim of pur­su­ing an ele­gant lifestyle, reflect­ed by the size of the space, the pres­ence of fres­coes and mosaics dat­ing to the Third Style.”

Fres­coes in that Roman Third Style, explains Hyper­al­ler­gic’s Rhea Nay­yar, fea­ture “small, fine­ly paint­ed fig­ures and sub­jects that seem to float with­in mono­chro­mat­ic fields,” designed “to mim­ic framed works of art or altars through illu­sions resem­bling carved beams, shad­ed pil­lars, and shin­ing can­de­labras — all of which were paint­ed on flat walls.”

The col­or of those walls, in this case, seems to have been cho­sen to hide the car­bon deposits left by oil lamps burn­ing all night long. As report­ed by BBC Sci­ence News, the com­mis­sion­er of this room, and indeed of the lav­ish house in which it’s locat­ed, may have been Aulus Rustius Verus, a “super-rich” local politi­cian who — assum­ing deci­sive archae­o­log­i­cal evi­dence emerges in his favor — also knew how to par­ty.

via Hyper­al­ler­gic

Relat­ed con­tent:

A New­ly-Dis­cov­ered Fres­co in Pom­peii Reveals a Pre­cur­sor to Piz­za

Take a High Def, Guid­ed Tour of Pom­peii

Archae­ol­o­gists Dis­cov­er an Ancient Roman Snack Bar in the Ruins of Pom­peii

Behold 3D Recre­ations of Pompeii’s Lav­ish Homes — as They Exist­ed Before the Erup­tion of Mount Vesu­vius

Watch the Destruc­tion of Pom­peii by Mount Vesu­vius, Re-Cre­at­ed with Com­put­er Ani­ma­tion (79 AD)

Pom­peii Rebuilt: A Tour of the Ancient City Before It Was Entombed by Mount Vesu­vius

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Take a High Def, Guided Tour of Pompeii

“If you want to under­stand ancient Rome, its archi­tec­ture, its his­to­ry, the sprawl of the Roman Empire, you’ve got to go Rome.” So says archae­ol­o­gist Dar­ius Arya in the video above, mak­ing a fair, if obvi­ous, point. “But you also have to go to the Vesu­vian cities”: that is, the set­tle­ments locat­ed near the vol­cano Mount Vesu­vius on the Gulf of Naples. “You have to go to Her­cu­la­neum. You must go to Pom­peii. Not just because they’re famous, but because of the lev­el of preser­va­tion.” This preser­va­tion was a side effect of the explo­sion of Vesu­vius in 79 AD, which destroyed all life in Her­cu­la­neum and Pom­peii, but also kept the basic struc­tures of both cities intact; vis­it­ing either one today allows us to “get immersed in the world of the Romans.”

It is in Pom­peii that the video’s cre­ator Manuel Bra­vo (pre­vi­ous­ly fea­tured here on Open Cul­ture for his expla­na­tions of the Great Pyra­mids of Giza and Fil­ip­po Brunelleschi’s dome in Flo­rence) immers­es not just him­self but also us in that world.

He does so with high-res­o­lu­tion trav­el footage, but also with his expla­na­tions of the city’s archi­tec­ture and urban plan­ning, break­ing down the details of every­thing from its grand Forum (“antic­i­pat­ing mod­ern prac­tice by almost 2,000 years” as a “pedes­tri­an-only precinct”) to its com­plex­es of baths, to its ther­mopo­lia (“essen­tial­ly ancient fast-food restau­rants”). Even more reveal­ing are its hum­bler fea­tures, such as the step­ping-stones across streets that allowed cit­i­zens to avoid “the rain­wa­ter, sewage, and ani­mal waste that would accu­mu­late there.”

“Almost every build­ing in Pom­peii has inte­ri­or wall paint­ings, from pri­vate res­i­dences to pub­lic spaces such as baths and mar­kets,” says Bra­vo, and these omnipresent works of art “offer valu­able insights into the every­day life and cul­tur­al val­ues of ancient Roman soci­ety.” (And indeed, they’re still offer­ing new ones: just last month, a redis­cov­ered Pom­pei­ian fres­co showed the world an ancient pre­cur­sor to piz­za.) They also evi­dence the sur­pris­ing pop­u­lar­i­ty of trompe-l’œil, where artists cre­ate the illu­sion of walls con­struct­ed from sol­id mar­ble, or even lush out­door spaces. Even the already-grand Domus Romana, the form of hous­ing of choice for afflu­ent Pom­pei­ians, incor­po­rat­ed paint­ings to look grander still. Even once you make it, as the ancients clear­ly knew, you’ve still got to fake it.

Relat­ed con­tent:

Pom­peii Rebuilt: A Tour of the Ancient City Before It Was Entombed by Mount Vesu­vius

A Drone’s Eye View of the Ruins of Pom­peii

Behold 3D Recre­ations of Pompeii’s Lav­ish Homes — As They Exist­ed Before the Erup­tion of Mount Vesu­vius

Watch the Destruc­tion of Pom­peii by Mount Vesu­vius, Re-Cre­at­ed with Com­put­er Ani­ma­tion (79 AD)

The Last Morn­ing in Pom­peii & The Night Pom­peii Died: A New Video Series Explores the End of the Doomed Roman City

A New­ly Dis­cov­ered Fres­co in Pom­peii Reveals a Pre­cur­sor to Piz­za

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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