The Worlds of Hitchcock & Kubrick Collide in a Surreal Mashup, The Red Drum Getaway

If you read Open Culture even casually, you know we love Alfred Hitchcock, Stanley Kubrick, and videos that make us see film in a new way. It only makes sense, then, that we’d jump right on Adrien Dezalay, Emmanuel Delabaere, and Simon Philippe’s The Red Drum Getaway, which mashes Hitchcock and Kubrick up into a four-minute shot of distilled cinematic collision. “Jimmy was having a rather beautiful day,” reads the video’s preparatory description, “until he bumped into Jack and things got weird.”

“Jimmy” refers, of course, to Jimmy Stewart as seen in the work of Alfred Hitchcock. “Jack” refers to Jack Nicholson seen in the work of Stanley Kubrick — which, of course, means Jack Nicholson of The Shining. Strange enough, you might think, that those two would ever encounter each other, but what might happen if the gang of droogs from A Clockwork Orange also turned up? Or if poor mild-mannered Jimmy found himself at the aristocratic, NSFW fetish party from Eyes Wide Shut?

When an auteur successfully taps into our subconscious minds, as Hitchcock and Kubrick so often did, we describe their work, in a complimentary sense, as “dreamlike.” But art that feels like a dream can also feed material to our nightmares, and as The Red Drum Getaway more closely intertwines these two disparate cinematic worlds as it goes, it begins to resemble the most harrowing filmic freakouts any of us have ever endured. It makes a perfect setting for Jack, who, as we know, has already gone insane due to his own alcoholism and the goading of the spirits who haunt the Overlook Hotel. And as for Jimmy, surely Vertigo put him through enough of the surreal to prepare him for the psychedelic end of 2001.

Related Content:

The Two Gentlemen of Lebowski: What If The Bard Wrote The Big Lebowski?

Dark Side of the Rainbow: Pink Floyd Meets The Wizard of Oz in One of the Earliest Mash-Ups

Watch Steven Soderbergh’s Creative Mashup of Hitchcock and Gus Van Sant’s Psycho Films

Discover the Life & Work of Stanley Kubrick in a Sweeping Three-Hour Video Essay

Alfred Hitchcock’s Seven-Minute Editing Master Class

Salvador Dalí Creates a Dream Sequence for Spellbound, Hitchcock’s Psychoanalytic Thriller

Colin Marshall writes elsewhere on cities, language, Asia, and men’s style. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinemaand the crowdfunded journalism project Where Is the City of the Future? Follow him on Twitter at @colinmarshall or on Facebook.

by | Permalink | Comments (1) |

Support Open Culture

We’re hoping to rely on our loyal readers rather than erratic ads. To support Open Culture’s educational mission, please consider making a donation. We accept PayPal, Venmo (@openculture), Patreon and Crypto! Please find all options here. We thank you!

Comments (1)
You can skip to the end and leave a response. Pinging is currently not allowed.
  • Jordan Leavitt says:

    Kubrick and Hitchcock are two of my favorite filmmakers, so this is a great treat for me! Seeing Jack staring at Jimmy from the window in the “Rear Window” scene cracked me up! This is actually a pretty unsettling video though!

Leave a Reply

Open Culture was founded by Dan Colman.