The Worlds of Hitchcock & Kubrick Collide in a Surreal Mashup, The Red Drum Getaway

If you read Open Cul­ture even casu­al­ly, you know we love Alfred Hitch­cock, Stan­ley Kubrick, and videos that make us see film in a new way. It only makes sense, then, that we’d jump right on Adrien Deza­lay, Emmanuel Delabaere, and Simon Philippe’s The Red Drum Get­away, which mash­es Hitch­cock and Kubrick up into a four-minute shot of dis­tilled cin­e­mat­ic col­li­sion. “Jim­my was hav­ing a rather beau­ti­ful day,” reads the video’s prepara­to­ry descrip­tion, “until he bumped into Jack and things got weird.”

“Jim­my” refers, of course, to Jim­my Stew­art as seen in the work of Alfred Hitch­cock. “Jack” refers to Jack Nichol­son seen in the work of Stan­ley Kubrick — which, of course, means Jack Nichol­son of The Shin­ing. Strange enough, you might think, that those two would ever encounter each oth­er, but what might hap­pen if the gang of droogs from A Clock­work Orange also turned up? Or if poor mild-man­nered Jim­my found him­self at the aris­to­crat­ic, NSFW fetish par­ty from Eyes Wide Shut?

When an auteur suc­cess­ful­ly taps into our sub­con­scious minds, as Hitch­cock and Kubrick so often did, we describe their work, in a com­pli­men­ta­ry sense, as “dream­like.” But art that feels like a dream can also feed mate­r­i­al to our night­mares, and as The Red Drum Get­away more close­ly inter­twines these two dis­parate cin­e­mat­ic worlds as it goes, it begins to resem­ble the most har­row­ing filmic freak­outs any of us have ever endured. It makes a per­fect set­ting for Jack, who, as we know, has already gone insane due to his own alco­holism and the goad­ing of the spir­its who haunt the Over­look Hotel. And as for Jim­my, sure­ly Ver­ti­go put him through enough of the sur­re­al to pre­pare him for the psy­che­del­ic end of 2001.

Relat­ed Con­tent:

The Two Gen­tle­men of Lebows­ki: What If The Bard Wrote The Big Lebows­ki?

Dark Side of the Rain­bow: Pink Floyd Meets The Wiz­ard of Oz in One of the Ear­li­est Mash-Ups

Watch Steven Soderbergh’s Cre­ative Mashup of Hitch­cock and Gus Van Sant’s Psy­cho Films

Dis­cov­er the Life & Work of Stan­ley Kubrick in a Sweep­ing Three-Hour Video Essay

Alfred Hitchcock’s Sev­en-Minute Edit­ing Mas­ter Class

Sal­vador Dalí Cre­ates a Dream Sequence for Spell­bound, Hitchcock’s Psy­cho­an­a­lyt­ic Thriller

Col­in Mar­shall writes else­where on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­maand the crowd­fund­ed jour­nal­ism project Where Is the City of the Future? Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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  • Jordan Leavitt says:

    Kubrick and Hitch­cock are two of my favorite film­mak­ers, so this is a great treat for me! See­ing Jack star­ing at Jim­my from the win­dow in the “Rear Win­dow” scene cracked me up! This is actu­al­ly a pret­ty unset­tling video though!

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