Download 36 Dadaist Magazines from the The Digital Dada Archive (Plus Other Avant-Garde Books, Leaflets & Ephemera)

In searching for a treasure trove of publications springing from the avant-garde, deliberately irrational, early 20th-century European “anti-art” art movement known as Dada, where would you first look? Many corners of the world’s historic cultural capitals may come right to mind, but might we suggest the University of Iowa? Even if you don’t feel like traveling to the middle of the United States to plunge into an archive of highly purposeful nonsense, you can view their impressive collection of Dada periodicals (36 in total), books, leaflets, and ephemera online.

“Founded in 1979 as part of the Dada Archive and Research Center, the International Dada Archive is a scholarly resource for the study of the historic Dada movement,” says its front page. The collection contains “works by and about the Dadaists including books, articles, microfilmed manuscript collections, videorecordings, sound recordings, and online resources,” and in its digital form it “provides links to scanned images of original Dada-era publications in the International Dada Archive,” including the influential Dada and 291, as well as “many of the major periodicals of the Dada movement from Zurich, Berlin, Paris, and elsewhere, as well as books, exhibition catalogs, and broadsides by participants in the Dada movement.” (Note: if you click on magazines in the collection, you can download the various pages.)

The history of the archive, written by Timothy Shipe, also addresses an important question: “Why Iowa? One answer lies in a clear affinity between the Dada movement and this University. The internationalist, multilingual, multimedia nature of Dada makes Iowa, with its International Writers’ Program, its Writers’ Workshop, its Center for Global Studies, its Translation Workshop and Center, its dynamic programs in music, dance, art, theater, film, literature, and languages, an especially appropriate place to house the Dada Archive. A brief glance at the history of Dada will make this affinity clear.”

 

You can learn more about that history from the Dada material we’ve previously featured here on Open Culture: the video series The ABCs of Dada which explains the movement (or at least explains it as well as anyone can hope to); the material we gathered in celebration of its hundredth anniversary last year; and three essential Dadaist films by Hans Richter, Man Ray, and Marcel Duchamp. That will put into clearer context the 36 journals you can peruse in the University of Iowa’s Digital Dada Archive, some of which put out many issues, some of which stopped after the first, and all of which offer a glimpse of an artistic spirit, scattered across several different countries, which flared up briefly but brightly with anarchic energy, destructive creativity, a forward-looking aesthetic sense, and no small amount of humor.

Related Content:

Download All 8 Issues of Dada, the Arts Journal That Publicized the Avant-Garde Movement a Century Ago (1917-21)

Download Alfred Stieglitz’s Proto-Dada Art Journal, 291, The First Art Magazine That Was Itself a Work of Art (1916)

Dada Was Born 100 Years Ago: Celebrate the Avant-Garde Movement Launched by Hugo Ball on July 14, 1916

Three Essential Dadaist Films: Groundbreaking Works by Hans Richter, Man Ray & Marcel Duchamp

The ABCs of Dada Explains the Anarchic, Irrational “Anti-Art” Movement of Dadaism

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on the book The Stateless City: a Walk through 21st-Century Los Angeles, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books’ Korea Blog. Follow him on Twitter at @colinmarshall or on Facebook.


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Comments (8)
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  • Ziad Eldada says:

    It is interesting to see my name used for business, don’t worry I am not claiming royalty, if I have any. Just interested to know what made you use the name Dada.

  • Nick Graham says:

    Dada or Dadaism was a form of artistic anarchy born out of disgust for the social, political and cultural values of the time. It embraced elements of art, music, poetry, theatre, dance and politics. Dada was not so much a style of art like Cubism or Fauvism; it was more a protest movement with an anti-establishment manifesto.

  • mekhlla says:

    its sad that you do not know about The Dadaists !!! its History!! Ignorance definitely is not bliss !!

  • Richard Livermore says:

    Ask Tristan Tzara.

  • Daniel john says:

    I am interested in dada and surrealism

  • Dick van beusekom says:

    Could you give a pricelist of the dada magazins etc.?

  • Mike Mollett (aka LA DADA, ZTZU, LA Mudpeople says:

    I’m reading the new bio of Tristan Tzara by Marius Hentea,
    “The Real Life and Celestial Adventures of Tristan Tzara.
    Looking forward to seeing the dADa publications mentioned
    in the book on your site. Awesome.

  • Mark Grudzinski says:

    Did you actually read the article? It certainly doesn’t seem like it.

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