How Doors Open onto Philosophical Mysteries in Robert Bresson’s Films: A Short Video Essay by Kogonada

FYI: Last Fri­day, Col­in Mar­shall high­light­ed for you the new fea­ture film by kog­o­na­da, whose many video essays–on Ozu, Lin­klater, Mal­ick, Ander­son, etc.–we’ve shown you here before. Rather by coin­ci­dence, The Cri­te­ri­on Col­lec­tion just post­ed kog­o­nada’s lat­est video essay, this one exam­in­ing how “doors open onto philo­soph­i­cal mys­ter­ies in the films of French mas­ter Robert Bres­son.” Watch “Once There Was Every­thing” above, and pair it with his oth­er Bres­son essay (“Hands of Bres­son”) from three years ago. It appears right below.

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Relat­ed Con­tent:

Video Essay­ist Kog­o­na­da Makes His Own Acclaimed Fea­ture Film: Watch His Trib­utes to Its Inspi­ra­tions Like Ozu, Lin­klater & Mal­ick

The Per­fect Sym­me­try of Wes Anderson’s Movies

“Auteur in Space”: A Video Essay on How Andrei Tarkovsky’s Solaris Tran­scends Sci­ence Fic­tion

The Eyes of Hitch­cock: A Mes­mer­iz­ing Video Essay on the Expres­sive Pow­er of Eyes in Hitchcock’s Films

Cin­e­mat­ic Exper­i­ment: What Hap­pens When The Bicy­cle Thief’s Direc­tor and Gone With the Wind’s Pro­duc­er Edit the Same Film

How Richard Lin­klater (Slack­er, Dazed and Con­fused, Boy­hood) Tells Sto­ries with Time: Six Video Essays

Sig­na­ture Shots from the Films of Stan­ley Kubrick: One-Point Per­spec­tive