The Powerful Messages That Woody Guthrie & Pete Seeger Inscribed on Their Guitar & Banjo: “This Machine Kills Fascists” and “This Machine Surrounds Hate and Forces it to Surrender”

Photo by Al Aumuller, via Wikimedia Commons

Like another famous Okie from Muskogee, Woody Guthrie came from a part of Oklahoma that the U.S. government sold during the 1889 land rush away from the Quapaw and Osage nations, as well as the Muscogee, a people who had been forcibly relocated from the Southeast under Andrew Jackson’s Indian Removal Act. By the time of Guthrie’s birth in 1912 in Okfuskee County, next to Muskogee, the region was in the hands of conservative Democrats like Guthrie’s father Charles, a landowner and member of the revived KKK who participated in a brutal lynching the year before Guthrie was born.

Guthrie was named after president Woodrow Wilson, who was highly sympathetic to Jim Crow (but perhaps not, as has been alleged, an admirer of the Klan). While he inherited many of his father’s attitudes, he reconsidered them to such a degree later in life that he wrote a song denouncing the notoriously racist New York landlord Fred Trump, father of the current president. “By the time he moved into his new apartment” in Brooklyn in 1950, writes Will Kaufman at The Guardian, Guthrie “had traveled a long road from the casual racism of his Oklahoma youth.”

Guthrie was deeply embedded in the formative racial politics of the country. While some people may convince themselves that a time in the U.S. past was “great”—unmarred by class conflict and racist violence and exploitation, secure in the hands of a benevolent white majority, Guthrie’s life tells a much more complex story. Many Indigenous people feel with good reason that Guthrie’s most famous song, “The Land is Your Land,” has contributed to nationalist mythology. Others have viewed the song as a Marxist anthem. Like much else about Guthrie, and the country, it’s complicated.

Considered by many, Stephen Petrus writes, “to be the alternative national anthem,” the song “to many people… represents America’s best progressive and democratic traditions.” Guthrie turned the song into a hymn for the struggle against fascism and for the nascent Civil Rights movement. Written in New York in 1940 and first recorded for Moe Asch’s Folkways Records in 1944, “This Land is Your Land” evolved over time, dropping verses protesting private property and poverty after the war in favor of a far more patriotic tone. It was a long evolution from embittered parody of “God Bless America” to “This land was made for you and me.”

But whether socialist or populist in nature, Guthrie’s patriotism was always subversive. “By 1940,” writes John Pietaro, he had “joined forces with Pete Seeger in the Almanac Singers,” who “as a group, joined the Communist Party. Woody’s guitar had, by then, been adorned with the hand-painted epitaph, THIS MACHINE KILLS FASCISTS.” (Guthrie had at least two guitars with the slogan scrawled on them, one on a sticker and one with ragged hand-lettering.) The phrase, claims music critic Jonny Whiteside, was originally “a morale-boosting WWII government slogan printed on stickers that were handed out to defense plant workers.” Guthrie reclaimed the propaganda for folk music’s role in the culture. As Pietaro tells it:

In this time he also founded an inter-racial quartet with Leadbelly, Sonny Terry and Cisco Houston, a veritable super-group he named the Headline Singers. This group, sadly, never recorded. The material must have stood as the height of protest song—he’d named it in opposition to a producer who advised Woody to “stop trying to sing the headlines.” Woody told us that all you can write is what you see.

You can hear The Headline Singers above, minus Lead Belly and featuring Pete Seeger, in the early 1940’s radio broadcast of “All You Fascists Bound to Lose.” “I’m gonna tell you fascists,” sings Woody, “you may be surprised, people in this world are getting organized.” Upon joining the Merchant Marines, Guthrie fought against segregation in the military. After the war, he “stood shoulder to shoulder with Paul Robeson, Howard Fast, and Pete Seeger” against violent racist mobs in Peekskill, New York. Both of Guthrie’s anti-fascist guitars have seemingly disappeared. As Robert Santelli writes, “Guthrie didn’t care for his instruments with much love.” But during the decade of the 1940’s he was never seen without the slogan on his primary instrument.

“This Machine Kills Fascists” has since, writes Motherboard, become Guthrie’s “trademark slogan… still referenced in pop culture and beyond” and providing an important point of reference for the anti-fascist punk movement. You can see another of Guthrie’s anti-fascist slogans above, which he scrawled on a collection of his sheet music: “Fascism fought indoors and out, good & bad weather.” Guthrie’s long-lived brother-in-arms Pete Seeger, carried on in the tradition of anti-fascism and anti-racism after Woody succumbed in the last two decades of his life to Huntington’s disease. Like Guthrie, Seeger painted a slogan around the rim of his instrument of choice, the banjo, a message both playful and militant: “This machine surrounds hate and forces it to surrender.”

Photo by “Jim, the Photographer

Seeger carried the message from his days playing and singing with Guthrie, to his Civil Rights and anti-war organizing and protest in the 50s and 60s, and all the way into the 21st century at Occupy Wall Street in Manhattan in 2011. At the 2009 inauguration of Barack Obama, Seeger sang “This Land is Your Land” onstage with Bruce Springsteen and his son, Tao-Rodriquez Singer. In rehearsals, he insisted on singing the two verses Guthrie had omitted from the song after the war. “So it was,” writes John Nichols at The Nation, “that the newly elected president of the United States began his inaugural celebration by singing and clapping along with an old lefty who remembered the Depression-era references of a song that took a class-conscious swipe at those whose ‘Private Property’ signs turned away union organizers, hobos and banjo pickers.”

Both Guthrie and Seeger drew direct connections between the fascism and racism they fought and capitalism’s outsized, destructive obsession with land and money. They felt so strongly about the battle that they wore their messages figuratively on their sleeves and literally on their instruments. Pete Seeger’s famous banjo has outlived its owner, and the colorful legend around it has been mass-produced by Deering Banjos. Where Guthrie’s anti-fascist guitars went off to is anyone’s guess, but if one of them were ever discovered, Robert Santelli writes, “it surely would become one of America’s most valued folk instruments.” Or one of its most valued instruments in general.

Photo by “Jim, the Photographer

Related Content:

Woody Guthrie at 100: Celebrate His Amazing Life with a BBC Film

Hear Two Legends, Lead Belly & Woody Guthrie, Performing on the Same Radio Show (1940)

Pete Seeger Dies at 94: Remember the American Folk Legend with a Priceless Film from 1947

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

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Comments (12)
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  • Tony says:

    I’m sure, if he were here today, he would add “and the Antifa”.

  • Josh Jones says:

    Yes, I’m sure an anti-fascist who wrote “Fascism fought, indoors and out,” would oppose anti-fascists who fight fascism indoors and out. That’s completely logical.

  • eric says:

    I’ve studied Woody and in my opinion he’d have nothing to do with either of these fringe groups.

    • Josh Jones says:

      If you haven’t already, I would encourage you to read Will Kaufman’s biography or Scott Borchert’s article at Monthly Review. Guthrie was a radical socialist who worked with the Communist party and other “fringe groups” and wrote for Communist publications. I don’t claim to know what he would have done in 2017, but it’s no great mystery what his politics were during most of his lifetime.

  • Kathy Shaidle says:

    Right. Guitars. Banjos. While millions of American men killed actual fascists, with guns, in WW2. Typical leftist self-aggrandizing b.s.

    And Seeger remained an unrepentant Stalinist for most of his life. Not that you’ll read these:

    “I first heard Pete Seeger perform when I was five or six, when I was a red-diaper baby and he was blacklisted and drunk.” (…) “There is no such thing as an American “folk.” We are a people summoned to these shores by an idea, not common ties of blood and culture. There is folk music in America where pockets of ethnicity resisted assimilation: African-American blues, for example, or the English songs frozen in amber in white Appalachia. That is why the best American popular music always came from black sources, performed either by black musicians or white emulators from George Gershwin on down.

    “Seeger’s (and Guthrie’s) notion of folk music had less to do with actual American sources than with a Communist-inspired Yankee version of Proletkult. The highly personalized style of a Robert Johnson and other Delta bluesmen didn’t belong in the organizing handbook of the “folk” exponents who grew up in the Communist Party’s failed efforts to control the trade union movement of the 1940s. The music of the American people grew out of their churches. Their instrument was the piano, not the guitar, and their style was harmonized singing of religious texts rather than the nasal wailing that Guthrie made famous. Seeger, the son of an academic musicologist and a classical violinist, was no mountain primitive, but a slick commercializer of “folk” themes with a nasty political agenda. His capacity to apologize for the brutalities of Communist regimes — including their repression of their own “folksingers” — remained undiminished with age, as David Graham reported in the Atlantic..”

    Wait: You guys really think “Antifa” are anti-fascists just because it’s in their name? You’re talking about the masked thugs who attack Americans exercising their rights to free speech, association and peaceable assembly?

  • Barry says:

    “anti-fascists who fight fascism indoors and out. That’s completely logical.” Fighting “fascism” (which also includes liberals who disagree with them) by using fascist tactics. That’s completely logical. ;)

  • eric says:

    Thanks. I read every word of MR’s article. The poor and working poor and common man was his passion early on. I believe he would have done anything for these people. He’d go to radical extremes for the poor. He was radical. I don’t see how today’s fringe groups (the groups on my TV) represent the poor. In my own personal bias (and hope) – I believe that he’d see right through them.

  • Tom Forsythe says:

    “Woodrow Wilson, who was highly sympathetic to Jim Crow (but perhaps not, as has been alleged, an admirer of the Klan)”

    Woodrow Wilson was a racist, who segregated the federal government, and showed the Klan-glorifying movie Birth of a Nation at the White House. He played a significant part in the Klan’s resurgence.

    Guthrie himself was not fond of “negros,” although his position softened in later years. After being admonished by a black fan for using the “n-word,” he tore all the pages out of his songbook that used that word. This was a noble transformation, but doesn’t change the fact that the racist songs were there in the first place.

  • John says:

    No wonder the kids today just play video games and don’t use the internet. You old grumpy whiny mean people just fight all day.

  • David K says:

    The article says:
    “Where Guthrie’s anti-fascist guitars went off to is anyone’s guess, but if one of them were ever discovered, Robert Santelli writes, “it surely would become one of America’s most valued folk instruments.” Or one of its most valued instruments in general.”

    One of these guitars is in the Museum of Popular Culture in Seattle, founded and funded by the late Paul Allen. It’s not printed on paper on the front of the guitar, as in the photo for this article. But scratched on the back, in small print but very clearly, is the inscription “THIS MACHINE KILLS FASCISTS.” It’s a thrill to see it. I don’t recall the type of guitar; it’s a small parlor sized guitar; not a dreadnought. And next to it in the display case is Jimi Hendrix’s 1960s Martin D-45.

    Let’s give some gratitude to Paul Allen, for making Guthrie’s instrument available to us to see…. and to remind us of Guthrie’s strong messages for us.

  • Rowland Whittet says:

    From each according to their abilities
    To each according to their needs.

    You can put a pencil behind your ear so people know your inclinations

    Sometimes its unloading the Laura B to get the mail or provide a story.

    Othertimes its playing a jig to get the summer complaints
    to join in and unload the groceries, lumber and concrete block

  • andrew says:

    LMAO “ this machine kills fascists and also anti fascists”

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