You read that right.
What started as a scheme to get taxpayers on board with pricey rural sewer projects in the 1980s has grown into a countrywide tourist attraction and a matter of civic pride.
Each municipality boasts its own unique manhole cover designs, inspired by specific regional elements.
A community might opt to rep its local floral or fauna, a famous local landmark or festival, an historic event or bit of folklore.
Matsumoto City highlights one of its popular folk craft souvenirs, the colorful silk temari balls that once served as toys for female children and bridal gifts.
Nagoya touts the purity of its water with a water strider — an insect that requires the most pristine conditions to survive.
Hiroshima pays tribute to its baseball team.
Osaka offers a view of its castle surrounded by cherry blossoms.
Most of Japan’s 15 million artistic manhole covers are monochromatic steel which makes spotting one of the vibrantly colored models even more exciting.
In the fifty some years since their introduction, an entire subculture has emerged. Veteran enthusiast Shoji Morimoto coined the term “manholer” to describe hobbyists participating in this “treasure hunt for adults.”
Remo Camerota documents his obsession in Drainspotting: Japanese Manhole Covers and American traveler Carrie McNinch shares the joy of stumbling across previously unspotted ones in her autobiographical comic series You Don’t Get There From Here.
The ongoing popularity of this officially sanctioned street art is evidenced by the Japanese Society of Manhole Lovers, an annual manhole summit, and tons of collectible trading cards.