An Art Conservator Restores a Painting of the Doomed Party Girl Isabella de’ Medici: See the Before and After

Some peo­ple talk to plants.

The Carnegie Muse­um of Art’s chief con­ser­va­tor Ellen Bax­ter talks to the paint­ings she’s restor­ing.

“You have to … tell her she’s going to look love­ly,” she says, above, spread­ing var­nish over a 16th-cen­tu­ry por­trait of Isabel­la de’ Medici pri­or to start­ing the labo­ri­ous process of restor­ing years of wear and tear by inpaint­ing with tiny brush­es, aid­ed with pipettes of var­nish and sol­vent.

Isabel­la had been wait­ing a long time for such ten­der atten­tion, con­cealed beneath a 19th-cen­tu­ry over­paint­ing depict­ing a dain­tier fea­tured woman reput­ed to be Eleanor of Tole­do, wife of Cosi­mo I de’ Medici, the sec­ond Duke of Flo­rence.

Louise Lip­pin­cott, the CMA’s for­mer cura­tor of fine arts, ran across the work in the museum’s base­ment stor­age. Records named the artist as Bronzi­no, court painter to Cosi­mo I, but Lip­pin­cott, who thought the paint­ing “awful”, brought it to Ellen Bax­ter for a sec­ond opin­ion.

As Cristi­na Rou­valis writes in Carnegie Mag­a­zine, Bax­ter is a “rare mix of left- and right-brained tal­ent”, a painter with a bachelor’s degree in art his­to­ry, minors in chem­istry and physics, and a master’s degree in art con­ser­va­tion:


(She) looks at paint­ings dif­fer­ent­ly than oth­er peo­ple, too—not as flat, sta­t­ic objects, but as three-dimen­sion­al com­po­si­tions lay­ered like lasagna.

The minute she saw the oil paint­ing pur­port­ed to be of Eleanor of Tole­do… Bax­ter knew some­thing wasn’t quite right. The face was too bland­ly pret­ty, “like a Vic­to­ri­an cook­ie tin box lid,” she says. Upon exam­in­ing the back of the paint­ing, she identified—thanks to a trusty Google search—the stamp of Fran­cis Leed­ham, who worked at the Nation­al Por­trait Gallery in Lon­don in the mid-1800s as a “relin­er,” trans­fer­ring paint­ings from a wood pan­el to can­vas mount. The painstak­ing process involves scrap­ing and sand­ing away the pan­el from back to front and then glu­ing the paint­ed sur­face lay­er to a new can­vas.

An x‑ray con­firmed her hunch, reveal­ing extra lay­ers of paint in this “lasagna”.

Care­ful strip­ping of dirty var­nish and Vic­to­ri­an paint in the areas of the por­trait’s face and hands began to reveal the much stronger fea­tures of the woman who posed for the artist. (The Carnegie is bank­ing on Bronzino’s stu­dent, Alessan­dro Allori, or some­one in his cir­cle.)

Lip­pin­cott was also busi­ly sleuthing, find­ing a Medici-com­mis­sioned copy of the paint­ing in Vien­na that matched the dress and hair exact­ly. Thus­ly did she learn that the sub­ject was Eleanor of Toledo’s daugh­ter, Isabel­la de’ Medici, the apple of her father’s eye and a noto­ri­ous, ulti­mate­ly ill-fat­ed par­ty girl.

The His­to­ry Blog paints an irre­sistible por­trait of this mav­er­ick princess:

Cosi­mo gave her an excep­tion­al amount of free­dom for a noble­woman of her time. She ran her own house­hold, and after Eleanor’s death in 1562, Isabel­la ran her father’s too. She threw famous­ly rau­cous par­ties and spent lav­ish­ly. Her father always cov­ered her debts and pro­tect­ed her from scruti­ny even as rumors of her lovers and excess­es that would have doomed oth­er soci­ety women spread far and wide. Her favorite lover was said to be Troi­lo Orsi­ni, her hus­band Paolo’s cousin.

Things went down­hill fast for Isabel­la after her father’s death in 1574. Her broth­er Francesco was now the Grand Duke, and he had no inter­est in indulging his sister’s pec­ca­dil­loes. We don’t know what hap­pened exact­ly, but in 1576 Isabel­la died at the Medici Vil­la of Cer­re­to Gui­di near Empoli. The offi­cial sto­ry released by Francesco was that his 34-year-old sis­ter dropped dead sud­den­ly while wash­ing her hair. The unof­fi­cial sto­ry is that she was stran­gled by her hus­band out of revenge for her adul­tery and/or to clear the way for him to mar­ry his own mis­tress Vit­to­ria Acco­ram­boni.

Bax­ter not­ed that the urn Isabel­la holds was not part of the paint­ing to begin with, though nei­ther was it one of Leedham’s revi­sions. Its resem­blance to the urn that Mary Mag­da­lene is often depict­ed using as she anoints Jesus’ feet led her and Lip­pin­cott to spec­u­late that it was added at Isabella’s request, in an attempt to redeem her image.

“This is lit­er­al­ly the bad girl see­ing the light,” Lip­pin­cott told Rou­valis.

Despite her fond­ness for the sub­ject of the lib­er­at­ed paint­ing, and her con­sid­er­able skill as an artist, Bax­ter resist­ed the temp­ta­tion to embell­ish beyond what she found:

I’m not the artist. I’m the con­ser­va­tor. It’s my job to repair dam­ages and loss­es, to not put myself in the paint­ing.

Note: An ear­li­er ver­sion of this post appeared on our site in 2023.

Relat­ed Con­tent 

How Art Con­ser­va­tors Restore Old Paint­ings & Revive Their Orig­i­nal Col­ors

The Art of Restor­ing a 400-Year-Old Paint­ing: A Five-Minute Primer

Watch the Tate Mod­ern Restore Mark Rothko’s Van­dal­ized Paint­ing, Black on Maroon: 18 Months of Work Con­densed Into 17 Min­utes

A Restored Ver­meer Paint­ing Reveals a Por­trait of a Cupid Hid­den for Over 350 Years

How an Art Con­ser­va­tor Com­plete­ly Restores a Dam­aged Paint­ing: A Short, Med­i­ta­tive Doc­u­men­tary

Watch the Renais­sance Paint­ing, The Bat­tle of San Romano, Get Brought Beau­ti­ful­ly to Life in a Hand-Paint­ed Ani­ma­tion

Free Course: An Intro­duc­tion to the Art of the Ital­ian Renais­sance

– Ayun Hal­l­i­day is the author of Cre­ative, Not Famous: The Small Pota­to Man­i­festo and Cre­ative, Not Famous Activ­i­ty Book


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Comments (154)
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  • Andy Regan says:

    Hon­est­ly, i think this restora­tion is a bit harsh. She looked much pret­ti­er before the old var­nish was removed.

  • ANdi says:

    It’s changed her eye­line com­plete­ly.

  • Josef- Peter says:

    It is no longer the same por­trait more then the var­nish was removed, poor restora­tion job.

  • Charles says:

    Obvi­ous­ly no one above me read the arti­cle 🙄 giv­en that the face they removed in restora­tion was paint­ed over the orig­i­nal face. But, I know some­times you just want to look at the pic­tures and then fire off somw com­ments 🤡

  • Kathryn Carter says:

    I am real­ly sur­prised by the pre­vi­ous com­ments. How did the com­menters man­age to miss the point so bad­ly? Were the com­ments seri­ous?
    Briefly, the pur­pose of a restora­tion of a paintingis to remove the work of a lat­er painter who changed the painting.reveal the work of the orig­i­nal painter

  • Kathryn Carter says:

    If Charles’ com­ment had come in a lit­tle ear­li­er I would have saved myself some embar­rass­ment. I had scram­bled my com­ment and while try­ing to fix it hit the sub­mit but­ton and then could­n’t find how to delete it. No, I’m not real­ly good at man­ag­ing com­ments but I was annoyed by the first three com­menters. I still think that had to be a prank. I’ll keep my next com­ment to myself as a penance for mak­ing such a mess out of that one! 🤐

  • WWKIII says:

    I com­plete­ly agree, Andy

  • Ben l says:

    I like the old one bet­ter. Please don’t restore any more

  • Suzanne kfoury says:

    I a not sure that you under­stand the point, or have read the article.to restore is not to “make pret­ti­er”. It to restore it to the orig­i­nal paint­ing the orig­i­nal artist paint­ed before the years have dis­tort­ed it. Pret­ty has noth­ing to do with it.

  • Peter M says:

    What’s the point of the restora­tion, if the paint­ing looks worse as a result? Hope they did­n’t spend too much time on that project. Just made the world an ugli­er place. Why do they think it’s so impor­tant to get back to the orig­i­nal?.

  • Noell says:

    Maybe because its rude to cov­er up or paint over some­one else’s work espe­cial­ly in jusy parts. I found some­thing I paint­ed at around 8 years old and got offend­ed that my ex want­ed to paint over it and do it bet­ter.

  • Josef- Peter says:

    I, Josef- Peter, shall read arti­cles pri­or to leav­ing com­ments on them from here on out!

    Clear­ly I don’t under­stand how art restora­tion works, due to not read­ing the arti­cle.

  • Yin says:

    The por­tait now is a total­ly dif­fer­ent painting.The bone struc­ture is dif­fer­ent between the orig­i­nal. The restora­tion should be to lift up the dirt,but to always retain the char­ac­ter, styl­iza­tion of the orig­i­nal.
    The orig­i­nal por­trait has been ruined. This was a poor­ly done restora­tion.

  • Thomas Joseph Puleo says:

    She should have giv­en her a lit­tle hat with a flower.

  • Sonya Tellumikja says:

    Dick­ens these arti­cles are vot­ed on. 1Trillion for Sele­na & Simone.

  • OC says:

    Hi there,

    This is the edi­tor of Open Cul­ture, and we’re just won­der­ing if any­one can tell us how they found this arti­cle since it is get­ting a lot of vis­its right now.

    Thanks very much,
    Open Cul­ture

  • MJ says:

    It is baf­fling how many are miss­ing the entire point of the restora­tion of this paint­ing. The girl on the right was the real girl. She was the actu­al girl in his­to­ry that lit­er­al­ly sat and posed for the artist while he paint­ed her. Anoth­er artist obvi­ous­ly did not approve of the way that poor girl looked and changed her entire face… into some fic­tion­al girl. Why change his­to­ry? When I look at a por­trait I want to see who the real per­son was! What did that par­ty girl in the Vic­to­ri­an era actu­al­ly look like… I want it to remain his­tor­i­cal and real. I don’t want a fake, fic­tion­al per­son. There is no point to that, and it ruins every­thing.

  • Tom Weidler says:

    Oh, Helen Keller Can Tell The Dif­fer­ence Between Before & After…
    There’s Two Sep­a­rate Paint­ings.
    Don’t Piss On My Shoe And Tell Me It’s Rain­ing Out­side.
    Cather­ine De Medici, Queen Isabel­la Of Spain… Ital­ian Chefs Taught The French How To Cook, French Thought Toma­toes Were Poi­so­nous Hence Toma­toes Thrown At Those About To Be Behead­ed…
    Please Don’t Fin­ger Fuck Up Any­more His­tor­i­cal Art Mas­ter­pieces If You Your­self Don’t Flick Your Bean On Fri­day.
    HIGH🤟FIVE!💦💦
    TIZZLE~TIZZLE 🍷😎⚘️👍👍

  • David says:

    This is a des­e­cra­tion. She used to be cute. I don’t know if he was think­ing about his ugly moth­er or what hap­pened, but some­one needs to hit CTRL‑Z.

  • Carol says:

    It just appeared in my feed. I watched the video. I found the con­ser­va­tor’s restora­tion to be fas­ci­nat­ing. I am a painter so I see many art relat­ed videos and arti­cles.

  • Yeah Sure says:

    Looks more like anoth­er attempt to change his­to­ry. “Well it’s 2025,time to switch every­one’s gen­ders” Took a beau­ti­ful paint­ing and reduced it to a they/them. Nice work🙄

  • Arnie says:

    Face is com­plete­ly dif­fer­ent! Eye­brow line and shad­ow… lips and nose are dif­fer­ent. Looks like 2 dif­fer­ent ppl. Sad­ly ruined this piece of his­to­ry.…

  • Heather says:

    You Trumper dip­shit. She RESTORED it. Back to what the orig­i­nal artist paint­ed. Back to what the woman ACTUALLY looked like. I real­ize read­ing, rea­son­ing, and raton­al thought are dif­fi­cult for your kind, but do try sweet pea.

  • T says:

    It’s misog­y­ny. No inter­est in see­ing her if she does­n’t appease their eyes. And def no inter­est in learn­ing about the piece. I would­n’t be sur­prised if more than a few had sex­u­al fan­tasies about her when vis­it­ing 5 fin­ger Rosie. Oh love­ly misog­y­ny. Sur­prised no one com­ment­ed on her rack yet.

  • A Shanburn says:

    In response to Open Cul­ture Edi­tor- I found this page on my Google feed, with cap­tion call­ing her an ill-fat­ed par­ty girl or some­thing to that effect. So it was more the click-bait-ish cap­tion rather than art restora­tion info that piqued my inter­est. Nice paint­ing, restora­tion, arti­cle AND com­ments sec­tion!

  • M says:

    I also saw this in my Google feed (my inter­ests are food, trav­el, arts and cul­ture). You swipe right on the Android home page to get a scrol­lable feed of ran­dom Inter­net stuff Google thinks you’ll find into based on all it knows about your brows­ing and inter­net habits. I clicked because learn­ing the secret of who the paint­ing was real­ly for/about and see­ing the legit­i­mate source (a qual­i­ty pub­li­ca­tion) implied this arti­cle would be worth read­ing. And it was!

  • Perla kotoyan says:

    These two women do not look alike .
    The for­mer one is a nor­mal look­ing pret­ty lady with soft lines .
    The per­son who restored the paint­ing depict­ed her as if she had hyper­thy­roidism with popped eyes 👀
    Are you sure this is not fake

  • LindaCHalle says:

    A nice pair of Oak­leys would have made her a total horse of a dif­fer­ent col­or.

  • John Brereton says:

    The girl in the BEFORE ver­sion was pret­ti­er. The AFTER ver­sion makes her look more “Haps­burg”. Whichev­er is the more accu­rate depic­tion if the real per­son we will nev­er know.

  • Art Lover says:

    She pur­pose­ly or sub­con­scious­ly trans­formed a clas­sic beau­ty, as was also paint­ed by oth­er, more tal­ent­ed artists dur­ing her own life­time (Check her paint­ing on wikipedia), into a dog. That’s not restora­tion, that’s destruc­tion with a tinge of female jeal­ousy.

  • Art Lover says:

    And to the naysay­ers, if time and yel­low­ing of age turned ugly women into clas­sic beau­ties, no woman on earth would ever wash her own face.

  • Robert John Linkens Jr says:

    Wait so he restored it? More like He changed it!!!
    So the gray reveals lay­ers of stuff put there by the orig­i­nal artist. I doubt any­one ever had the audac­i­ty to restore paint­ings until us.
    So you take away the lay­ers to change the char­ac­ter­is­tics of the sub­ject to what you want instead of the orig­i­nal artist. You freak­ing ruined it by mak­ing it some­thing that isn’t it any­more!!
    Idio­cy it’s total Idio­cy!!

  • Robert John Linkens Jr says:

    I meant xray not gray my apolo­gies

  • Amy says:

    It was in my Google sug­gest­ed arti­cles. I fol­low a paint­ing restor­er on IG so maybe that’s how it was sug­gest­ed to me.

  • Sarah says:

    Looks hor­ri­ble after the “restora­tion.” It’s a total­ly dif­fer­ent paint­ing.

  • Shayne says:

    Well done! If peo­ple under­stood the work put into repair­ing, restor­ing orig­i­nal art they would have bet­ter appre­ci­a­tion. It is impor­tant we see what was sup­posed to be there and, know the why then to make it up as we go along for our wants and, have to relearn what should have been and, guess the why.
    We may nev­er know the truth with­out artists like your­self. Bra­va.

  • molly says:

    we actu­al­ly will :) restora­tion artists can see past the lay­ers of paint that cov­ered the orig­i­nal. it also helps when the mod­el was rich and had oth­er paint­ings to ref­er­ence for the face. ones that weren’t destroyed by a ran­do Vic­to­ri­an revi­sion­ist. he cov­ered her with his own time peri­ods beau­ty stan­dards so we know she DIDN’T look like that. it’s basi­cal­ly the same as some­one today tak­ing the por­trait on the right, and decid­ing she *needs* lip fillers, fake lash­es and a bbl. to each their own, but the restora­tion artists job was to show us the og face before the remov­able lay­ers of paint were caked on. if you like Vic­to­ri­an era art more then the 16th cen­tu­ry style and that’s ok! but the orig­i­nal paint­ing was­n’t made to look like that.

  • KS says:

    Gra­cious these com­ments are daft. Almost every sin­gle one has missed the point that an artist in the 19th cen­tu­ry PAINTED OVER an orig­i­nal done in the 16th cen­tu­ry. They restored the 16th cen­tu­ry orig­i­nal. It does­n’t mat­ter if you think the 19th cen­tu­ry ver­sion was pret­ti­er, it’s still not the orig­i­nal or what the sub­ject actu­al­ly looked like. It is, indeed, restored.

  • molly says:

    call­ing a 16th cen­tu­ry woman a they/them cuz our beau­ty stan­dards have changed over the past 400 years is just pathet­ic slug brain rot and a mas­sive you prob­lem. you would­n’t be able to rec­og­nize a real nat­ur­al woman if one punched you in the face.

  • molly says:

    it real­ly is com­ments like this that keep my sane, thank you for hav­ing read­ing com­pre­hen­sion. seri­ous­ly, thank you.

  • Eric says:

    Hi, this arti­cle­popped up on my Google “Dis­cov­er “ feed.
    I hope that helps!

  • Crista says:

    This was rec­om­mend to me on my Google phone brows­er, you see a few arti­cles and news on the home­page and this one was among them.

  • Earl of Lemongrab says:

    It’s real­ly cool any­time they find a cov­er up.. but it also sucks. I hate it when they restore it like this. There is a rea­son it was changed.. the cov­er up is part of its his­to­ry.. there is a sto­ry behind it..(lol lit­er­al­ly) we might not know what that sto­ry is.. but its fas­ci­nat­ing. Its fun star­ing at them.. to imag­ine why it was changed.. maybe that’s just me..but I would pre­fer they add its xray next to the paint­ing.. or even have a repli­ca made for a side by side. Still super cool.

  • Earl of Lemongrab says:

    There is a sto­ry behind cov­er up. I mean.. tech­ni­cal­ly the updat­ed ver­sion could still be the real woman.. lol. van­i­ty has always been a issue with women. She could have seen that orig­i­nal and she said hel­l­l­l­ll no.. absolute­ly not.. fix it and fix it now.. this is their fil­ter moment for that time­frame. I under­stand why they do this.. but I don’t agree with it. I’d pre­fer a repli­ca be made.

  • Angelique says:

    Only a lib­er­al could turn a sim­ple com­ment into a polit­i­cal state­ment. Get off the TDS Kool-Aid, Sweet pea, and grow up.

  • Jennifer says:

    I thought sim­i­lar too until I read the arti­cle. Now I can see beau­ty in the orig­i­nal ren­der­ing vs. the 1800’s “pho­to­shopped” pret­ty girl ver­sion applied over the top. Total­ly can pic­ture her as a par­ty girl. Sad way to end, and glad they left the urn in her hands. Great arti­cle!

  • David Arnold says:

    The “restored” face has a com­plete­ly dif­fer­ent look! Not impressed!

  • Judy says:

    Not the same paint­ing!!

  • Joshua says:

    Why remove the new paint job? Is that not as impor­tant as the orig­i­nal, at this point? It sure looked bet­ter before… She looked beau­ti­ful now. She look bland. Leave art alone if it’s old!

  • Barb says:

    LOL at all these comments.I was an art his­to­ry major in col­lege. Read the arti­cle ful­ly. Read­ing com­pre­hen­sion is impor­tant. The restor­er did an excep­tion­al job, both on the paint­ing and philo­soph­i­cal­ly. An art restor­er’s job is to return a work of art to its orig­i­nal state or as close to it as pos­si­ble. This was her job. This is what she did. The col­ors were restored. The face was restored. Now the paint­ing is not a com­plete paint-over. Impor­tant: it now shows the orig­i­nal artist’s intent. This is what art his­to­ry is about. We need to respect the intent of the artist, which the restor­er did beau­ti­ful­ly.

  • Jake says:

    This was in my “Google cards” for some rea­son and the before and after caught my eye because they were so dif­fer­ent.
    The head­line does not men­tion that it was pre­vi­ous­ly paint­ed over or “uncov­er­ing the orig­i­nal” so it seems like one of the botched restora­tions where they com­plete­ly repaint the face.…until you actu­al­ly read the arti­cle, which it seems many peo­ple did not LOL

  • Ruth Peddinghaus says:

    That “Girl” is a Dude! They trans­gen­dered their chil­dren back then too. It’s part of their reli­gion. Com­ing out par­ties, gloves and white make­up sure helped dis­guise the man­ly fea­tures.

  • Barb Grover says:

    I agree. The pre-restored ver­sion is bet­ter.

  • Isabella Ruberto says:

    The orig­i­nal paint­ing was an “orig­i­nal” por­trait of a lady.
    The new restora­tion not only changed the emo­tion­al per­cep­tion of the sub­ject, mutat­ing the gen­er­al feel­ing of this art piece, but also lit­er­al­ly alter­ing the phys­i­cal look of the noble woman.
    The new expe­ri­ence of the paint­ing is now a work of decep­tion!
    Who did it?

  • Salty Nursey says:

    It’s fea­tured in my google feed. Inter­est­ing how they even had “fil­ters” cen­turies ago. 😝

  • Eileen DiCosola says:

    Agree

  • Ryan says:

    Why do women put on pounds of make­up over their face? Thats ok but not on a paint­ing? Maybe she, like almost every­one women on this plan­et, was embar­rassed by how they nat­u­ral­ly look and want­ed to touch up her ugly parts?

  • Jane O'Brien says:

    Thank you for shar­ing your response. Peo­ple should READ the arti­cle before mak­ing fool­ish and incor­rect state­ments. Yes,this is two dif­fer­ent women!

  • Stephen D says:

    It was pushed to me in my Google News­feed. This may just be an exam­ple of a ran­dom sto­ry “bub­bling up” as it aquires more clicks.

  • Paulo Ferreira says:

    I’m not a Trumper dip­shit and even I’m not sure she did exact­ly what she claims for all we know that’s what she wants us all to believe but in real­i­ty it’s quite oppo­site and she took some lib­er­ties of her own with what she claims is noth­ing but a restora­tion! Unless there’s some video or pic­tures of the whole process and any of us actu­al­ly got to watch her ful­ly restore it tru­ly all we can do is take her word for it which nowa­days does­n’t mean much!

  • Nick says:

    I found it in the Google news feed. Pret­ty sure most of these read­ers your see­ing aren’t your typ­i­cal audi­ence, though maybe I’m wrong, but it does­n’t seem like a major­i­ty of the peo­ple here even read the arti­cle, and if they did, don’t seem to know what the word restora­tion means.

  • Amy says:

    Has any­one seen any of the rest of the Medici Fam­i­ly? They were not attrac­tive by today’s stan­dards. Look into the Haps­burgs too. They RESTORED the ORIGINAL paint­ing (the one on the right). What lat­er peo­ple did was the equiv­a­lent of paint­ing over the Mona Lisa to give her eye­brows and a big smile because it would “look bet­ter”. The peo­ple des­e­crat­ed some­one’s work and it’s been restored back. Stop being so harsh. You don’t have to like the result, that’s a “you prob­lem”. Kudos to the restor­er for the time and patience put into this piece.

  • VegabondMind says:

    Hey, I came by way of googles news feed. Nor­mal­ly I only get arti­cles about physics, math or tech­nol­o­gy but nev­er art. I was look­ing at facts on Esto­nia which had its air­space breached by Russ­ian fight­ers which caused Ital­ian 35s to respond. Ital­ian planes and Ital­ian paint­ings, who know might be enough for googles algos.

  • Leanna says:

    What is with these com­ments? The orig­i­nal paint­ing from the 16th cen­tu­ry was paint­ed over by an artist around 300 years after the orig­i­nal was paint­ed.

    It was now just restored to what it orig­i­nal­ly looked like. This was a fab­u­lous restora­tion. It’s shock­ing how many of you can’t seem to read. What’s the point of com­ment­ing if you haven’t read the arti­cle?

  • Dan Adamson says:

    Bra­vo! Beau­ti­ful job!!!

  • JSA says:

    The arti­cle nev­er says in plain words that three have was removed.
    It has 8 para­graphs about the painter and the sub­ject, one para­graph about a reclin­er job, and one sen­tence about scrap­ing off Vic­to­ri­an paint.

    At no point does the arti­cle tell us that a new face was paint­ed over. It also ends by telling us the restora­tion added an urn that was nev­er part of the paint­ing.

    At best it is light­ly implied that the “Before” appear­ance was actu­al­ly an inac­cu­rate pre­vi­ous restora­tion job

  • Heather Brown says:

    When­ev­er I open a new tab in Google it has sug­ges­tions for me, this was one of the arti­cles.

  • Heather Brown says:

    Yup, exact­ly the same for me.

  • Sherri O'Neal says:

    They aren’t the same. The first has a demure sweet rosy soft face with healthy fem­i­nine fea­tures, slen­der­er than “after” can­vas which appears very Hab­s­burg in the face length and all.🤔 You know, the inbreed­ing caused the promi­nent Ger­man fam­i­ly off­spring to bear down syn­drome fea­tures, pro­trud­ing slack jaw-line, slight lazy yet bugged eyes, lack-less lus­ter of skin tone. You see it! It’s com­plete­ly anoth­er woman. 🤷🏽

  • Ty says:

    This sub­ject popped up in my feed. Even though it’s way out of my algo­rithm. How­ev­er, my lat­est grand­moth­er was a (not famous­ly known) artist. I inher­it­ed 2 of them. Before I inher­it­ed one of them, I cleaned up (restored) one piece in par­tic­u­lar. Now I’m not an expert or licensed restor­er. All I did was use a damp cloth, using only luke warmed water. Clean­ing off the dirt, dust, smoke, etc. It did­n’t fade the paint or come off. It did bright­en up yo its orig­i­nal col­ors. So what “solu­tions” or “chem­i­cals” are you using to “restore” paint­ings? I’m hav­ing mixed feel­ings about this whole arti­cle. I do, myself, enjoy the “so-called” non restora­tion paint­ing bet­ter than the “orig­i­nal”. Per­son­al­ly I think “pro­fes­sion­al” or not, a per­son would still be able to tell if it had been altered or not. My opin­ion, I see it as 2 total­ly dif­fer­ent paint­ings. Just say­ing.…

  • Frank Murphy says:

    Have you ever con­sid­ered that per­haps the sec­ond painter was called in to FIX the botched orig­i­nal por­trait? I would pre­fer that no restora­tion be done to the adjust­ed paint­ing on the left. It is/was beau­ti­ful. I have done some por­traits for fam­i­lies who were dis­sat­is­fied with the orig­i­nal effort by anoth­er painter. Maybe more con­cern should be giv­en to the impor­tance of the orig­i­nal adjust­ments to the paint­ing by those who chose to do them (the orig­i­nal com­mis­sion­er?) than see­ing the hor­rid job of the orig­i­nal painer, regard­less of his his­tor­i­cal impor­tance.

  • Rowan says:

    It does­n’t even look like the same per­son. The new paint­ing: the nose is longer, the head is longer, the hair­line is more reced­ing, the hand is fat­ter, the eyes are big­ger. That’s not a restora­tion that’s an entire­ly new paint­ing. What is that thing that the new paint­ing is hold­ing? Com­plete­ly added an object. Seri­ous­ly, ” no”.

  • Edward says:

    I, too was pre­pared to com­ment like the ini­tial com­ments above, think­ing she was pret­ti­er in the “orig­i­nal.” But I learned some­thing about restora­tion. The more I read about it, the more I dis­cov­ered that tru­ly orig­i­nal paint­ings have often been com­pro­mised. In many cas­es, the paint­ing did not car­ry the pres­tige it does now, so tam­per­ing with it was not sac­ri­le­gious. A con­tem­po­rary might have felt Mona Lisa need­ed a big­ger smile and gave her one. To do so not, due to the sig­nif­i­cance and val­ue of the paint­ing would be crim­i­nal. Isabel­la is, indeed less attrac­tive in the restora­tion, but that’s appar­ent­ly what she looked like.
    Then again, I may be total­ly incor­rect.

  • Dan says:

    Google news bar when I swipe left on my phone.

  • Chris says:

    To be fair, an arti­cle’s title is sup­posed to con ey crit­i­cal infor­ma­tion. Maybe some­thing like “An Art Con­ser­va­tor Removes Deface­ment of Famous Paint­ing of the Doomed Par­ty Girl Isabel­la de’ Medici: Before and After”

  • Bill says:

    Fun­ny when a restora­tion revives ugli­er and worse art than the appar­ent secret painter that paint­ed over this who isn’t the artist.…?

    The whole deal is sil­ly but yea, maybe leave it how it was. No one has an issue w the orig­i­nal (not actu­al­ly orig­i­nal appar­ent­ly but the art world is full of crap so🤷)

  • Jill Long says:

    This appeared in my Google pushed feed for the day. Not 100% sure why. I do read some design and archi­tec­ture con­tent, but most­ly sci­ence and nature.

  • Jesse says:

    If I saw the old paint­ing, and they were try­ing to tell me that was a 16th cen­tu­ry paint­ing of a Medici woman, I’d laugh. It used to look obvi­ous­ly fake, more like a 19th cen­tu­ry paint­ing, more British or French. This restora­tion makes for a more real­is­tic, insight­ful, ulti­mate­ly more enjoy­able work, real­ly impres­sive work.

  • Susan Shields says:

    Not only does she look like a dif­fer­ent per­son, but she looks like she’s from a dif­fer­ent part of the world. She looks like Queen Eliz­a­beth I. Is that what you were going for?

  • Meagan says:

    No, I think you’re miss­ing an impor­tant detail. The image that’s labeled as “before” is not the orig­i­nal artist’s paint­ing. It’s the paint­ing after a dif­fer­ent “restora­tion artist” had come in and changed the actu­al paint­ing. What the restora­tion expert here did was remove the lay­ers that the pre­vi­ous restora­tion artist had added, which had fun­da­men­tal­ly changed the por­trait, and made it more true to what the orig­i­nal artist had actu­al­ly paint­ed.

    Y’all just sound mad that her actu­al face isn’t as pret­ty as the fake face that was paint­ed over her, like­ly done because they found her a lit­tle too ugly, too. But that’s not real­ly the point of a por­trait, is it?

  • Rebecca says:

    For me, it came up as a sug­gest­ed arti­cle in my Google news feed app.

  • George says:

    Uh… You failed. That desat­u­rat­ed garbage shows us more of your need to see an optometrist than any­thing. AND you total­ly changed her facial expres­sion! This is what hap­pens when idiots think they’re smart.

  • Asta says:

    The sheer num­ber of out­raged com­ments here is the def­i­nite proof of what is wrong with the soci­ety in this era of social media expo­sure. Mon­key sees shiny object, mon­key thinks it must be gold. Does any­one actu­al­ly read any longer?!

  • Akhra Gannon says:

    hey there OC! this arti­cle showed up in the news feed on my Google Fi Pix­el. (I clicked through because I had the same reac­tion as most com­menters, good thing I decid­ed to read before writ­ing…)

  • Isabella says:

    It takes a tal­ent­ed, diverse­ly edu­cat­ed woman to unfurl the his­to­ry of oth­er woman. Love it thank you.

  • Belissa says:

    Agree

  • AJ says:

    Great Arti­cle, very infor­ma­tive on both the restora­tion process and the sub­ject of the por­trait. The com­ment sec­tion may be the place to look for a sequel to revive a

  • Jake - Who actually read the article says:

    READ THE ARTICLE OR DON’T COMMENT.
    The fin­ished paint­ing is actu­al­ly EXACTLY like the ‘orig­i­nal’, the true orig­i­nal, before it was paint­ed over by anoth­er artist in the 1800’s. They did­n’t give her new fea­tures, they removed the fuzzy fil­ter that was paint­ed over her actu­al facial fea­tures.

  • Jake - Who actually read the article says:

    You are lit­er­al­ly the per­son you think you’re com­plain­ing about, idiot that thinks he’s smart. Read the fuck­ing arti­cle. The restor­er did­n’t change her expres­sion, she restored the sub­jects orig­i­nal expres­sion after it was paint­ed over by the sec­ond artist. My God.

  • Jj says:

    Maybe the sub­ject request­ed it be improved. No one knows why or who made the ini­tial mod­i­fi­ca­tion as far as I can tell. It did LOOK bet­ter before the restora­tion. Clear­ly restora­tion is not the same as preser­va­tion.

  • Kathleen says:

    The after looks ter­ri­ble.

  • Zen says:

    This post is garbage… There’s no ref­er­ence to what the mod­el actu­al­ly looks like at all… So peo­ple have lit­er­al­ly no idea what it’s sup­posed to look like or what it should like… Just read­ing this was a waste of time for me. The restora­tion looks awful to me in com­par­i­son to what it was… Some­times the beau­ty of the art should stay with the art paint­ed not depend on the mod­els beau­ty… Mean­ing she’s not that attrac­tive if this is the restora­tion… More­over… I’d appre­ci­ate a play­boy mag­a­zine more than this… Which is exact­ly my point… The art is sup­posed to be attrac­tive and so should the mod­el and in most ide­al cas­es look even more attrac­tive… Not less. This is the art of ugli­ness revered… It’s like say­ing Ben Affleck was too good look­ing to play bat­man because less face it… The orig­i­nal, Michael Keaton was­n’t the great­est pick… I’d argue that Michael isn’t good enough look­ing but he’s still a great actor… Then they did a restora­tion that Robert Pat­ten­son brought forth from it… Mr. 47. Every bat­man actor is a great actor, so much so that I think it’s a 5 way tie… No one wants to see Michael Keaton star as bat­man again… That’s basi­cal­ly what I’m say­ing. He was great as the Vul­ture though also… I’m being truth­ful and hon­est, not sar­cas­tic also… Great.. it’s restored to it’s nat­ur­al like­ness and ugli­ness that resem­bles the orig­i­nal mod­el (sup­pos­ed­ly… Again NOONE HERE HAS A REFERENCE TO…) AND AGAIN… THIS POST WAS NONSENSE WITHOUT THAT REFERENCE NOT BEING SHOWN!

  • Michael says:

    I agree 💯;;;

  • Bee says:

    She restored it to the paint­ing if the orig­i­nal artist!!! The restora­tion is the real girl. It would help if all the ones who loved the fake cute girl would actu­al­ly read the arti­cle or watch the movie of the restora­tion. She did an amaz­ing job in restor­ing the paint­ing to its orig­i­nal state.

  • Andrea says:

    If the lat­est ren­di­tion of the paint­ing of Isabel­la de Medici is a more accu­rate phys­i­cal depic­tion of what this young woman actu­al­ly looked like, then it should be accept­ed as such.
    One should want to have a more accu­rate phys­i­cal depic­tion of this his­tor­i­cal fig­ure rather than a fairy tale ren­di­tion.

  • Andrea says:

    I com­plete­ly agree!!

  • Andrea says:

    I agree!!

  • Kelly Curry says:

    No. Just no. This is a dis­grace and embar­rass­ing as an artist. I don’t see a cleaning/restoration job, i see some­one’s over done ego on dis­play. Sad

  • Lisa Breslof says:

    Loved this fea­ture. I need to find an art con­ser­va­tor for my paint­ing. As a retired muse­um pro­fes­sion­al, I real­ize the impor­tance of find­ing some­one who is expe­ri­enced.

    Could you make rec­om­men­da­tions.

    Thank you.
    Lb******@***il.com
    201–921-4158

  • Count David III says:

    His­to­ry has been erased and rewrit­ten. This is mere­ly Tro­jan horse cen­sor­ship

  • Theresa says:

    Right? Did they not read it? They missed a fas­ci­nat­ing sto­ry!!

  • Tim Whitcher says:

    Sounds like the com­menter prefers the Mar A Lago face that was paint­ed over the orig­i­nal por­trait.

  • Susan says:

    Total­ly agree with you. My moth­er was an antique deal­er in the Frech Quar­ter of New Orleans and a mem­ber of the Inter­na­tion­al Apprais­ers Soci­ety. I want art and antiques as they were intend­ed by the artist. Here in New Orleans, we have peo­ple whose careers are the restora­tion of old art, antiques and old build­ings. It’s pains tak­ing work and expen­sive but worth it for the results.

  • Jeanine says:

    The arti­cle was under the Google search engine on my phone. Hope this helps :)

  • Susan says:

    Let’s all flick our bean! 💧

  • Susan says:

    Let us flick each oth­er’s bean!💧
    The more you mess with a paint­ing and so on it real­ly will change it in the next 1000 years think of it!!

  • Tab says:

    I while heart­ed­ly agree!!! I love see­ing the TRUE image of peo­ple in the past. Not some made-up “Dis­ney ver­sion” that is pic­ture per­fect! The restora­tion is incred­i­ble!! And I for one am seri­ous­ly impressed at the process of get­ting a paint­ing restored, just amaz­ing

  • Sera says:

    I found it in my Google list of ran­dom sto­ries. Pix­el phone thing, not sure if oth­er Androids do some­thing sim­i­lar. I find cul­tur­al and art sto­ries inter­est­ing.

  • Ruth says:

    The issue is the face changed from the orig­i­nal artist. The fact that the orig­i­nal artist’s work has been edit­ed. I don’t think any artist would be cool with some­one CHANGING their work. There is a dif­fer­ence between col­or cor­rect­ing aging paint back to its orig­i­nal intent — bring­ing it all back to its orig­i­nal glo­ry, and edit­ing accord­ing to what the next per­son felt it Should look like. This is an issue of alter­ing a his­tor­i­cal piece of art. The restor­er should have just cre­at­ed his/her own inter­pre­ta­tion all togeth­er rather than change the og.

  • Rain says:

    The orig­i­nal paint­ing was restored. The one on the right was paint­ed over in the 19th cen­tu­ry to look like it did on the left. She took off that lay­er of paint to reveal the orig­i­nal. Read the arti­cle, please. If that 19th cen­tu­ry painter want­ed to paint a dif­fer­ent girl, he should have made his own paint­ing instead of ruin­ing the orig­i­nal.

  • Debbir says:

    Agreed….restoration didn’t do Isabel­la jus­tice.

  • Sandra Larson says:

    I com­plete­ly agree that she looked bet­ter before. They prob­a­bly did­n’t know that they were tak­ing off sub­tle lay­ers which made it an amaz­ing paint­ing.

  • Lin Hightower says:

    EXACTLY.

  • Victoria Snith says:

    It’s not a good reator­tion. The clothing,lace,material, pearls, hair, all poor­ly done.Tgen the face, rhe skin and tone quite ugly abd harsh.Bone struc­ture total­ly different,with elon­gat­ed jaw­line, pointy and not smooth.It’s to redo an orig­i­nal per­son­’s look who is long gone and like­ly nev­er depict­ed real­is­ti­cal­ly in this paint­ing (lucky for her).
    Say what you will about peo­ple com­plain­ing about the down­grad­ed looks of rhe “restored”, there is no excuse to flub the silks,laces,ornaments, hair, skin tones. Then to add that urn! Ready to again wash feet? You had­n’t done enough dam­age already?

  • LL says:

    It was­n’t restored, it was altered.

  • Laura M says:

    The restora­tion messed up all of her facial fea­tures. She looks less beau­ti­ful with a harsh­er nose and a dif­fer­ent mouth. Her eyes are dif­fer­ent as well. Very sad.

  • Raven says:

    As an actu­al artist, I’d be furi­ous and be rolling around in my grave if some­one took one of my pieces and destroyed it like this per­son did in a extreme­ly failed attempt at restora­tion. They made her look hor­ri­ble, she looked bet­ter before. They changed her entire face shape and expres­sion. They took some­thing attrac­tive and soft and made it harsh and ugly. I’d fire this so called restora­tion per­son and tell them they need to find a dif­fer­ent career path. They clear­ly have no busi­ness touch­ing a can­vas.

  • Jacob S. says:

    There was some mis­in­for­ma­tion a while ago around this piece. Some click­bait arti­cle showed the dif­fer­ence with no con­text and ‘the inter­net’ got angry at the con­ser­va­tor.

  • Jacob says:

    It is because restor­ing the artists true work instead of a coverup is more reveal­ing to the his­tor­i­cal con­text then try­ing to make the world ‘pret­ti­er’. Con­ser­va­tors are meant to con­serve his­to­ry, not rein­ter­pret it.

  • Jacob says:

    The pur­pose of all art and of all women is not to be attrac­tive to you. I’m sor­ry that you came across an arti­cle that had too many words for you to read. In the future I sug­gest keep­ing your opin­ions to your­self until you actu­al­ly under­stand the con­text in which you are speak­ing…

  • Jacob S. says:

    This arti­cle is the per­fect exam­ple of the death of media lit­er­a­cy. Peo­ple used to be forced to read to be able to uphold con­ver­sa­tion in social set­tings, now they just read titles and pic­tures… I bet I could guess the polit­i­cal affil­i­a­tion of all those who left hate com­ments for the con­ser­va­tor and their restora­tion…

  • Brenden says:

    Yes he restored took more than lib­er­ty in repaint­ing this por­trait. Hon­est­ly looks as though dam­age was done before “restor­ing”.

  • Brenden says:

    Yes he restored took more than lib­er­ty in repaint­ing this por­trait. Hon­est­ly looks as though dam­age was done before “restor­ing”. The per­spec­tive angle of the face has been changed as well as adding to the hand.

  • Jess says:

    Read the fuck­ing arti­cle. Are you illit­er­ate? The girl on the right IS the ORIGINAL paint­ing. The one on the left was paint­ed many many years lat­er by a dif­fer­ent artist. You must be stu­pid.

  • Jess says:

    I guess none of you idiots can read. How igno­rant and embar­rass­ing for you. The paint­ing on the left is NOT THE ORIGINAL PAINTING. Some­one paint­ed over it in a dif­fer­ent cen­tu­ry, a dif­fer­ent artist, and changed the wom­an’s fea­tures. The woman that restored it REMOVED the alter­ation and it is now again the orig­i­nal paint­ing. Why even click on some­thing if you aren’t capa­ble of read­ing a few para­graphs?

  • Jess says:

    Wrong. Try read­ing the arti­cle if you are capa­ble and have more than a 2nd grade edu­ca­tion.

  • Jess says:

    Anoth­er per­son who can’t read. Get off the Inter­net if you can’t be both­ered to read a few para­graphs of the cor­re­spond­ing arti­cle. Stick with chil­drens pic­ture books. The paint­ing on the left isn’t the orig­i­nal. But illit­er­ates would­n’t know that would you? The paint­ing on the right is the orig­i­nal woman. The one on the left is fake. She was not real. Paint­ed over by anoth­er artist in the 1800s. Your com­ment is embar­rass­ing.

  • Jess says:

    Your com­ment is an embar­rass­ment. You either did­n’t or could­n’t read. The paint­ing on the left was not orig­i­nal. A com­plete­ly dif­fer­ent woman was paint­ed over by a dif­fer­ent artist in the 1800s. The paint­ing on the right has been restored to the orig­i­nal paint­ing as it was paint­ed in the 1500s. The state of peo­ples intel­li­gence now is what is sad. 90% of the peo­ple leav­ing com­plete­ly igno­rant com­ments did not read a sin­gle word of the arti­cle.

  • Jess says:

    Good one Mol­ly! I can’t believe that 90% of these peo­ple are too stu­pid to read… Oh wait, actu­al­ly I can. And it was a fas­ci­nat­ing arti­cle about a fas­ci­nat­ing per­son. How inter­est­ing that a wealthy mobile from the 1500s loved his daugh­ter so much he allowed her to do as she pleased and pro­tect­ed her from any harm. Of course after her father died her hus­band wast­ed no time in killing her for doing the same thing he was doing. Unfor­tu­nate­ly her broth­er was a man of his time.

  • Ali Davies says:

    Hahaaa — this is the best com­ment …love it!!

  • Randy says:

    Absolute­ly ter­ri­ble. What gives them the right to change and ruin the most impor­tant part. Should be fired and nev­er be allowed near anoth­er artist’s work. Dis­gust­ing.

  • Tester says:

    It’s pushed into my Google feed.

  • Drew says:

    It looks awful and almost car­toon-ish. They changed the eye posi­tion, the nose, the jaw line. The back­ground was tak­en out. Shad­ows and the warmth dis­ap­peared. Just a pale white car­toon. They did­n’t just take the var­nish off a painter seals their work with, they “repaint­ed ” it in a vile and unpro­fes­sion­al way.

  • Drew says:

    By the way Jess. I don’t give a damn about what you read, the crit­i­cism i am giv­ing is based on the paint­ing as it stood before what it became on the right. So before you throw a fit like you have done all over this arti­cle comments…this com­ment isn’t based ok n your top­ic, so move on.

  • Laura says:

    I agree. The “after” looks like a total­ly dif­fer­ent paint­ing. And yes, not near­ly as pret­ty as the orig­i­nal. Com­put­er gen­er­at­ed and poor­ly done.

  • Amanda says:

    She absolute­ly DESTROYED this paint­ing!! It’s God awful and com­plete­ly changed. She needs to find a new career.

  • Nat says:

    Why not keep it as it is now and cre­ate a repli­ca of the x‑ray to recre­ate the Medici under­neath both have val­ue eras­ing one to have the oth­er seems a poor choice

  • Heather Jimenez-Matteson says:

    I feel that those who wish to leave a com­ment should be first quizzed as to deter­mine the lev­el of knowl­edge per­tain­ing to the objec­tive of the arti­cle or the footage thus to weed out the words which serve only to dimin­ish the over­all intel­lec­tu­al capac­i­ty of soci­ety and the com­mu­ni­ty shar­ing these expo­sures. The woman who per­formed the restora­tion was keen to stay on point of the pur­pose for ALL restora­tions, even going as far as to word by word explain such at the end. Any­one mak­ing hideous sug­ges­tions such as a “lit­tle hat with a flower” or mak­ing crit­i­cal, nay cru­el com­men­tary in ref­er­ence to the ORIGINAL phys­i­cal appear­ance and bone struc­ture of the hand­some woman sim­ply because she no longer resem­bles the false­ly pre­sent­ed dain­ty del­i­cate smil­ing like­ly pub­licly fear­ful bafoon of a woman with no struc­tur­al integri­ty and with teen­sy lit­tle use­less flut­tery fin­gers and palms rather than the robust and con­fi­dent struc­tural­ly sound hand­some woman who need not be that tiny lit­tle waif of a thing the pre­vi­ous moles­ter had com­mit­ted against her for the nar­row mind­ed unde­serv­ing com­mu­ni­ty I feel should have to pay a sum to the indus­try for the priv­i­lege of speak­ing that oth­ers will have to be sub­ject­ed to and thus suf­fer far more than they claim the paint­ing has at the the tal­ent­ed tip of the most recent hon­ourable restora­tors paint brush.…..great restora­tion job, kudos to your deter­mi­na­tion to stay true to the orig­i­nal life of the sub­ject.

  • Laurie R. says:

    100 per­cent agreed. More fem­i­nine in the un-restored. The fore­head is COMPLETELY dif­fer­ent. The restored ver­sion has a much high­er hair­line. The mouth was pret­ti­er in the orig­i­nal. The chin looks more mas­cu­line in the restored ver­sion. The wrist isn’t as del­i­cate look­ing, nei­ther are her cheeks. In restor­ing, details should nev­er be changed. Wow. Just wow.

  • Kat says:

    I agree…she AGED her unfavorably…it does­n’t even look like the same per­son any­more😞

  • Dianne Michele Dumas says:

    I com­plete­ly agree. The face on the the orig­i­nal is fem­i­nine. The rework is very mas­cu­line. The light is also soft­er on the orig­i­nal. Sor­ry but I do not care for it. I think you should have left it alone. The artist soul is gone. It has been replaced.

  • Susan Vaughn says:

    She removed the face that the orig­i­nal artist was hap­py with, and instead repaint­ed her face over the old one he had cov­ered. How sil­ly. Her face before the restora­tion was soft­er, more youth­ful, kinder. Her restored face is hard, harsh, too high a fore­head, her eyes are not sym­met­ri­cal. She does not look approach­able, and I think the orig­i­nal artist is rolling over in his grave at this por­trait. It’s been ruined. I’ve done por­traits where the face looks off, and I’ll wait for it to dry, sand it down, and repaint it. If sev­er­al hun­dred years from now, a con­ser­va­tor decid­ed to com­plete­ly remove the face and paint over the old one, I’d be hor­ri­fied. This paint­ing is no longer that of the orig­i­nal artist. Sad­ly.

  • Margaret says:

    I had it sug­gest­ed via the Google sug­ges­tions.

  • Sharon says:

    The eyes are now not aligned and they were before. How does that hap­pen?

  • Sonia says:

    Dude orig­i­nal face or not they should of left that face ALONE! Her fore­head is extend­ed with a bump on it, eyes puffed up, big­ger nose, slight smile GONE! Now she looks more like a Haps­berg (I know that’s prob­a­bly spelled wrong) but if you don’t know how they look you need to check that out. You know there’s a say­ing if it ain’t broke don’t fix it. This is a sit­u­a­tion where that total­ly applies.

  • Mandy says:

    She went from a fore­head to five­head. Was their inten­tion to restore a reced­ing hair­line?!

  • Me says:

    It was fea­tured in the front of the Google page of the Google app.

  • Ellie says:

    The sub­jects whole fact is dif­fer­ent. You did­n’t resist any­thing. Her entire face shape is dif­fer­ent. You ruined the paint­ing

  • Eric says:

    So fyi oth­er than the dum­ba$$ ppl who went off the rails with their pro­pa­gan­da & anti christ dri­ven input.

    So I think it’s impor­tant to remem­ber that this is only about art today. The paint­ing was not com­mis­sioned as art or paint­ed as art. The paint­ing was com­mis­sioned as a por­trait, a way to make a mem­o­ry in a time before cam­eras exist­ed. The pur­pose was to cap­ture the like­ness of the Mod­el not impress ppl who have no clue What they are talk­ing about 700 years lat­er.

    For the sake of any­more igno­rant com­ments, think of it this way (sole­ly based on the arti­cle and what the mod­el actu­al­ly looked like) the sce­nario is like you tak­ing a self­ie and using 25 dif­fer­ent fil­ters to make your­self look bet­ter & then in the future some­one uses a tool that removes your fil­ters & shows you as you real­ly looked and then that was shared across the inter­net and peo­ple who had no clue their head from a don­key decid­ed they should com­ment their most­ly dumb thoughts about what you real­ly look like.
    (If you have 2 brain cells, you took a quick Google and found more por­traits of her, while she does­n’t look iden­ti­cal to either ver­sion its safe to say the restored look is clos­er to what she looked like than the oth­er.

  • Freydis the Finder says:

    I agree with you! This paint­ing is so much more beau­ti­ful before the so-called restora­tion. The ‘after’ makes her look so much old­er and not attrac­tive at all!

  • Lorna Fuentes says:

    El curador dañó la obra, la orig­i­nal no se parece en nada a su ver­sión restaurada,parecen pin­turas de tiem­pos difer­entes. Al alter­ar el col­or y téc­ni­ca en la piel se perdió demasi­a­do.

  • LesBooks says:

    Yes…but what about the paint­ing that was the first cov­er up? That one the she was pret­ty and the recent restora­tion piece is hideous to look at. The artist who did that cov­er up (the 300yrs lat­er) did the cov­er up for a rea­son. What do you think the mod­el in the por­trait would pre­fer? Can’t the restora­tion be on a whole new can­vas pre­serv­ing both?

  • Cat says:

    The shal­low com­ments about the beau­ty of the sub­ject, or lack of, are dense, at best. You do under­stand that the real lady was not a con­ven­tion­al beau­ty by any mea­sure. This is a his­tor­i­cal paint­ing and was restored to the orig­i­nal way it would have looked. For those of you who just want a pret­ty pic­ture to look at,while ignor­ing the his­tor­i­cal sig­nif­i­cance, this venue is not for you.

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