Considering Rocky/Creed, Our Most Successful Sports Film Franchise — Pretty Much Pop: A Culture Podcast #149

in Film, Podcasts, Pretty Much Pop, Sports | May 24th, 2023

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Your Pretty Much Pop hosts Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker talk through the ups and downs of this nine-film franchise that started with Rocky, the highest grossing film of 1976 and winner of that year’s Academy Award for Best Picture. We’re especially concerned with this year’s Creed III, directed by its star Michael B. Jordan, which is the first entry in the franchise that’s entirely free of Sylvester Stallone.

How can such an apparently simple formula (start as an underdog, train, and win at least a moral victory) stay fresh? Why was there a robot in Rocky IV? Is there any rationale for an extended, continuing Rocky-verse? Does enjoying these films involve approving of boxing as a sport, or the glorification of fictional sports heroes over real-life ones?

For various articles about things going on in the franchise, check out totalrocky.com. Sarahlyn mentions the NPR podcast The Statue.

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. If you’re not subscribed to the podcast, you’re missing lots of good episodes. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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Do Movie Androids Want to Love Us or Kill Us? Pretty Much Pop: A Culture Podcast #144

in Film, Pretty Much Pop, Sci Fi | February 14th, 2023

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Your Pretty Much Pop hosts Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker talk through various ethical and narrative problems having to do with the creation of artificial life.

We all watched M3GAN and Steve Spielberg’s A.I., and also touch on After Yang, Ex Machina, Bicentennial Man, the BBC show Humans, and of course this is an element in classic sci-fi properties like Alien, Blade Runner, Star Trek, etc.

We also go on a tangent about A.I. writing academic papers.

We mention the short stories E.M. Forster’s “The Machine Stops” and Roger Zelazny’s “For a Breath I Tarry.”

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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Adapting the Unfilmable Story of Pinnochio — Pretty Much Pop: A Culture Podcast #143

in Film, Podcasts, Pretty Much Pop | January 31st, 2023

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Your Pretty Much Pop A-Team Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker discuss the original 1883 freaky children’s story by Carlo Collodi and consider the recent rush of film versions, from a new Disney/Robert Zemikis CGI take to Guillermo del Toro’s stop-motion passion project to a heavily costumed Italian version by Matteo Garrone, which is the second to feature Oscar winner Roberto Benigni in a lead role. Benigni’s previous try was a 2002 version that is the most true to the beats of the original story and maybe because of this has a 0% on Rotten Tomatoes. Why do people keep remaking this story, and how has the original moral of “be a good boy and obey” changed over the years?

Read the original story. Some articles going through the film versions include:

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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What Are “Creatives”? Pretty Much Pop #138 on the Role of the Artist in Modern Society

in Art, Podcasts, Pretty Much Pop | December 8th, 2022

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Is there really a division in today’s culture between those who create and the merely receptive masses? Your Pretty Much Pop host gathers three artists in different media about the place of the artist in society: sci-fi author Brian Hirt, art photographer and academic Amir Zaki, and musician/novelist/ex-English prof John Andrew Fredrick, who leads a band called The Black Watch.

We touch on art education, the self-understanding of artists, the relation between artist and consumer, art vs. commerce, bad art vs. non-art, and much more.

Listen to Amir talking about photography on a past PMP episode. Listen to John talk about his music with Mark on Nakedly Examined Music. Listen to John’s new EP. Brian brings up the Decoder Ring podcast episode “The Storytelling Craze.” Listen to Mark’s tunes.

Follow us @blackwatchmusic, @amir_zaki_, and @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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Making Sense of Nathan Fielder’s The Rehearsal with Pretty Much Pop: A Culture Podcast #136

in Comedy, Podcasts, Pretty Much Pop, Television | November 2nd, 2022

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Mark Linsenmayer, Lawrence Ware, Sarahlyn Bruck, and Al Baker convene an emergency podcast recording to react to this mind-bending, possibly immoral HBO comedy docuseries, wherein Fielder helps ordinary people rehearse difficult personal confrontations, but this plan goes off the rails after 1.5 episodes out of the six that made up its first season.

This series builds upon Fielder’s previous show where he comedically tried to help businesses, Nathan for You, whose ground-breaking finale (“Finding Frances”) discovered The Rehearsal‘s format. Is Nathan himself the main butt of the joke, or is he punching down? Are there better ways to show the failings of reality TV? How does this kind of embarrassment humor differ from Borat and its ilk? Maybe the show is not as much about these people going through their rehearsals as an examination of the process of rehearsing itself that Fielder has devised.

Feel free to listen to us to find out what it’s all about, but you will be best served by watching this indescribable show yourself before experiencing this episode.

A few relevant articles also considering the show include:

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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The Breaking Bad-O-Verse — Pretty Much Pop: A Culture Podcast #135 Considers “Better Call Saul”

in Podcasts, Pretty Much Pop, Television | October 25th, 2022

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Given the end of Better Call Saul, your Pretty Much Pop host Mark Linsenmayer, plus NY Times entertainment writer/philosophy professor Lawrence Ware, novelist/writing professor Sarahlyn Bruck, and philosopher/musician Al Baker discuss this strange TV “franchise” that amazingly produced a prequel that was arguably better than the original. We cover the characterization and pacing, novelistic TV vs. not having a plot roadmap in advance, and whether we want to see another installment in this world.

A few articles we consulted included:

Follow us @law_writes, @sarahlynbruck, @ixisnox, @MarkLinsenmayer.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

 

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Why Predator — A Discussion of the Film Franchise on Pretty Much Pop: A Culture Podcast #133

in Film, Podcasts, Pretty Much Pop | September 29th, 2022

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Thanks to the new film Prey by Dan Trachtenberg and Patrick Aison, we now have six films (starting with 1987’s Predator) featuring the dreadlocked, camouflaged, infrared-seeing race of alien hunters who have apparently been flying around collecting our skulls for 300 years.

Thankfully, the new film is good, and adds to the recent spate of Indigenous-centered media, with its young, female Comanche protagonist taking on evil French bison-killers, her sexist peers, and a mountain lion, in addition to a relatively low-tech version of what many comic books have called a Yautja.

We talk about what makes for a good Predator film, the appeal of the monster (and when in the films it gets revealed), the pacing of the films, the music, direction, effects, humor, social commentary, and more.

A few of the articles we consulted included:

This marks the first episode of Pretty Much Pop season three, where Mark Linsenmayer’s recurring co-hosts will by default tentatively be those you will hear today: Philosophy prof/entertainment writer Lawrence Ware, novelist/writing prof Sarahlyn Bruck, and ex-musician, ex-philosophy grad student, and now ex-research manager Al Baker. The various convocations of musicians, comedians, et al, will still happen too, but will at least alternate with some permutation of that core group.

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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When Is a Joke “Too Soon”? — Comedians Discuss on Pretty Much Pop: A Culture Podcast #132

in Comedy, Podcasts, Pretty Much Pop | September 15th, 2022

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To honor the death of Gilbert Gottfried, Pretty Much Pop addresses jokes like the 9-11 one he was pilloried for. Can comedy really be “too soon” in relation to tragic subject matter? Is comedy really tragedy plus time, or are jokes most needed immediately when pain and discomfort are most acute?

Your host Mark Linsemayer is joined by three comedians: Adam Sank (of the LGBTQ-themed Adam Sank Show), Twitch-streaming songster Meri Amber, and returning guest Daniel Lobell (graphic novelist and podcaster). We get into tailoring jokes for an audience, coping with grief, and of course some talk about triggering, hyper-sensitive audiences, and cancellation (Chapelle, anyone?).

Watch Gottfried’s infamous joke yourself:

A few perspectives we may have reviewed before talking:

Follow us @AdamSank, @meriamber, @dannylobell, and @MarkLinsenmayer.

So maybe instead of the “Maccabees,” my Bible camp’s Polish jokes instead made the “Canaanites” the butt of their humor. (Unless that actually again refers some modern, extant people…)

Hear more Pretty Much Pop. Support the show and hear bonus talking for this and nearly every other episode at patreon.com/prettymuchpop or by choosing a paid subscription through Apple Podcasts. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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