Do We Need Yet More Films About Time Loops? A Pretty Much Pop Discussion (#80) of Groundhog Day and its Descendents

Tine looping, where a character is doomed to repeat the same day (or hour, or longer period) is a sci-fi trope dating back more than a century, but really entered American consciousness with the 1993 Bill Murray film Groundhog Day. Since then, and especially in the last five years, there have been numerous iterations of this idea in various genres from racial police-shooting drama to teen sex comedy. But do we need more of this? What are the philosophical ideas involved, and how do these change with tweaks to the scenario?

Mark, Erica, Brian, and returning guest Ken Gerber discuss not only the very recent and popular forays into this genre with Hulu’s Palm Springs and Netflix’s Russian Doll, but also touch on Edge of Tomorrow, Repeaters, 12:01 PM, Before I Fall, The Fare, and episodes of The Twilight Zone, Star Trek: Discovery, The X-Files, and Rick & Morty.

There are of course other film and TV uses of this trope. For a relatively full list, you can see this wiki page listing time loop films and this other wiki page discussing literary antecedents. Also see the “Groundhog Day” Loop page on tvtropes.org, and here’s a relevant reddit thread.

Here are more articles:

Watch the 12:01 PM 1990 short film. This bonus episode of the 11.22.63 podcast had a great discussion of time loop media including the Ken Grimwood novel Replay and the short story “12:01 P.M.” and its sequels. You can read the 1941 Malcolm Jameson story “Doubled and Redoubled” online. As a forerunner to the time loop idea, check out the very short 1892 children’s story “Christmas Every Day” by William Dean Howells, where time does move forward with its consequences, but it’s always Christmas!

We talked a little about Happy Death Day with its costume designer in our ep. 38 and got into time travel more generally with Ken in ep. 22 and into “weird situations” in our Twilight Zone ep. 52. You may also enjoy Wes Alwan’s (sub)Text podcast discussing the psychological implications of Groundhog Day.

Check out the time loop movie bingo card that Brian put together (with groundhog picture by Ken):

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion that you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

 

Pretty Much Pop: A Culture Podcast #27 Discusses the Impact and Aesthetics of Star Wars

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Mark Linsenmayer, Erica Spyres, and Brian Hirt grasp the low-hanging fruit in pop culture to talk about Star Wars: The unique place that these films have in the brains of people of a certain age, how we grappled with the prequels, and why we feel the need to fill in and argue about the details.

We primarily focus on the two most recent emanations of this beast, The Mandalorian and Rise of Skywalker. We talk alien and droid aesthetics (how much cuteness is too much?), storytelling for kids vs. adults reliving their childhood, pacing, plotting, casting, whether celebrity appearances ruin the Star Wars mood, creation by an auteur vs. a committee, and what we’d like to see next.

We had enough to say about this that we didn’t need to draw on online articles, but here’s a sampling of what we looked at anyway:

This episode includes bonus discussion that you can only hear by supporting the podcast at patreon.com/prettymuchpop. In this case, it’s all just more Star Wars talk, covering droid body dysmorphia and humanization, the cycle of embodiment via action figures and re-presentation on the screen, tragedy in Star Wars vs. Watchmen, making up for racism in Star Wars through sympathetic portrayals of Sand Person culture, watching particular scenes many times, clown biker troopers, and more. Don’t miss it!

This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts or start with the first episode.

Pretty Much Pop #22 Untangles Time-Travel Scenarios in the Terminator Franchise and Other Media

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Time-travel rules in The Terminator franchise are notoriously inconsistent. Is it possible for someone from the future to travel backwards to change events, given the paradox that with a changed future, the traveler wouldn’t then have had the problem to try to come back and fix? Neither the closed-loop series of events in the first Terminator film nor the changed (postponed) future in the second make sense, and matters just get worse through the subsequent films.

Mark Linsenmayer, Erica Spyres, and Brian Hirt are joined by Brian’s brother and co-author Ken Gerber to talk through the various time travel rulesets and plot scenarios (a good starter list is at tvtropes.org), covering Dr. Who, Back to the Future, Looper, Dark (the German TV show), time loop films a la Groundhog Day (Edge of Tomorrow, Happy Death Day), time-travel comedies (Future Man), historical tourism (Mr. Peabody and Sherman), Timecop‘s “The same matter cannot occupy the same space,” using time-travel to sentimentalize (About Time) or clone yourself (see that Brak Show episode about avoiding homework), and freezing time (like in the old Twilight Zone).

Some articles we looked at included:

You can find the Brian and Ken short stories we talk about at gerberbrothers.net. Listen to them podcast together and read the science fiction stories they publish at constellary.com. The Partially Examined Life podcast episode Mark hosted where the dangers of AI are discussed is #108 with Nick Bostrom.

This episode includes bonus discussion that you can only hear by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts or start with the first episode.

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