Remembering Amy Winehouse’s Better Days: Her American Debut

in Music | July 25th, 2011

Tal­ent­ed but trou­bled singer-song­writer Amy Wine­house was found dead in her Lon­don apart­ment on Sat­ur­day, July 23. The 27 year-old, whose deep voice had always expressed a lev­el of matu­ri­ty and soul­ful­ness that belied her age, was known to be strug­gling with drug addic­tion. In recent months, both her appear­ance and abil­i­ty to per­form live had dete­ri­o­rat­ed marked­ly.

Here she is in bet­ter days, mak­ing her Amer­i­can debut on The David Let­ter­man Show in 2007. For more back­ground on Wine­house­’s life and work, you can also check out The Girl Done Good, a free doc­u­men­tary avail­able at Snag Films. (Note: it is only avail­able in the US and Cana­da.)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Free Rap in the Streets of NYC

in Life, Music | July 23rd, 2011

Back in Novem­ber 2008, just days after the his­toric elec­tion of Barack Oba­ma, Chris “Shock­wave” Sul­li­van took to the streets of New York City and invit­ed unsus­pect­ing pedes­tri­ans to rap with him. The video went online in 2009, but it’s only going viral today. Fun­ny how the web works. H/T Kot­tke

Relat­ed Con­tent:

Hey New York, What Song Are You Lis­ten­ing To?

What New York­ers Heard on the Radio the Night John Lennon was Shot

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Hunter S. Thompson Gets Confronted by The Hell’s Angels (1967)

in Books, Literature | July 22nd, 2011

In 1965, the edi­tor of The Nation asked Hunter S. Thomp­son to write a sto­ry about the Hel­l’s Angels Motor­cy­cle Club, as they’re offi­cial­ly known. The arti­cle quick­ly led to a book deal, and, the next year, the Gonzo jour­nal­ist pub­lished Hel­l’s Angels: The Strange and Ter­ri­ble Saga of the Out­law Motor­cy­cle Gangs. Review­ing the book for The New York Times, Leo Lit­wak wrote:

Hunter Thomp­son entered this ter­ra incog­ni­ta [the world of the Hel­l’s Angels] to become its car­tog­ra­ph­er. For almost a year, he accom­pa­nied the Hel­l’s Angels on their ral­lies. He drank at their bars, exchanged home vis­its, record­ed their bru­tal­i­ties, viewed their sex­u­al caprices, became con­vert­ed to their motor­cy­cle mys­tique, and was so intrigued, as he puts it, that “I was no longer sure whether I was doing research on the Hel­l’s Angels or being slow­ly absorbed by them.” At the con­clu­sion of his year’s tenure the ambi­gu­i­ty of his posi­tion was end­ed when a group of Angels knocked him to the ground and stomped him…

Hunter Thomp­son has pre­sent­ed us with a close view of a world most of us would nev­er dare encounter, yet one with which we should be famil­iar. He has brought on stage men who have lost all options and are not rec­on­ciled to the loss. They have great resources for vio­lence which does­n’t as yet have any effec­tive focus. Thomp­son sug­gests that these few Angels are but the van­guard of a grow­ing army of dis­ap­pro­pri­at­ed, dis­af­fil­i­at­ed and des­per­ate men. There’s always the risk that some­how they may force the wrong options into being.

This clip, which aired on Cana­di­an tele­vi­sion in 1967, describes the cir­cum­stances that led up to the Angels giv­ing HST a beat down. The misog­y­ny that’s on dis­play will make you shud­der.

 

Relat­ed Con­tent

Hunter S. Thomp­son Inter­views Kei­th Richards

John­ny Depp Reads Let­ters from Hunter S. Thomp­son

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Lucian Freud (1922 — 2011)

in Art, Video - Arts & Culture | July 22nd, 2011

Lucian Freud, dis­tin­guished artist and grand­son of Sig­mund Freud, died yes­ter­day at the age of 88. The painter was best known for his con­tri­bu­tions to fig­u­ra­tive art and his uncom­pro­mis­ing por­traits, which The New York Times has col­lect­ed in an impres­sive online gallery.

Freud was also known for his rig­or­ous (some would say cru­el) demands on his sub­jects. From his New York Times obit­u­ary:

To the artist and Freud biog­ra­ph­er Lawrence Gow­ing [Lucian Freud] said, “For me the paint is the per­son.” Mr. Freud’s dingy stu­dio became his artis­tic uni­verse, a grim the­ater in which his con­tort­ed sub­jects, stripped bare and there­fore uniden­ti­fi­able by class, sub­mit­ted to the artist’s unblink­ing, mer­ci­less inspec­tion.

You can learn more about Lucian Freud’s work and lega­cy through a dis­cus­sion of his paint­ing Stand­ing by the Rags at SmART His­to­ry (video post­ed above or click here).

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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“You Just Don’t Get It, Do You?” — A Montage of Cinema’s Worst Cliché

in Film, Random | July 22nd, 2011

Jeff Smith, an inde­pen­dent film­mak­er from Indi­anapo­lis, must have spent quite a bit of time going through hun­dreds of movies to come up with his final mon­tage of 120 movies con­tain­ing the line “You just don’t get it, do you?”. If you want to invest some time as well, try to guess the movies first and then com­pare your results with the list of actu­al movies here.

If you enjoy guess­ing movies, you can take a look at Jef­f’s blog post “Name That Film,” in which he shows you tricky movie stills (don’t wor­ry, he also pro­vides the solu­tions).

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

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The Year According to The New York Times, in 12,000 Screenshots

in Random | July 21st, 2011

As if your Twit­ter, Google +, and RSS feeds weren’t over­whelm­ing enough, you can now watch a time lapse video of a year’s worth of The New York Times — in 12,000 screen­shots. Enjoy, and try not get dizzy.

via Giz­mo­do

Relat­ed Con­tent:

Gay Talese: Drink­ing at New York Times Put Mad Men to Shame

Hard Words in The New York Times

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Hiroshima Atomic Bombing Remembered with Google Earth

in Google, History | July 21st, 2011

Dur­ing the final days of World War II, the Unit­ed States dropped dev­as­tat­ing atom­ic bombs on Hiroshi­ma and Nagasa­ki. More than 65 years lat­er, Hide­nori Watanave, an asso­ciate pro­fes­sor of Tokyo Met­ro­pol­i­tan Uni­ver­si­ty, has cre­at­ed a dig­i­tal archive to pre­serve the mem­o­ry of the Hiroshi­ma bomb­ing. A com­ple­ment to the Nagasa­ki archive launched in 2010, the Hiroshi­ma Archive lay­ers his­tor­i­cal resources into Google Earth, giv­ing users the chance to explore a panoram­ic view of Hiroshi­ma, sur­vivor accounts, aer­i­al pho­tos, 3D topo­graph­i­cal data, and build­ing mod­els.

The doc­u­ments are all writ­ten in Japan­ese, which cre­ates some­thing of a lan­guage bar­ri­er for many read­ers. But a tour through the archive will tell you some­thing impor­tant — some­thing impor­tant about the Hiroshi­ma bomb­ing and how we’re memo­ri­al­iz­ing the past in our new dig­i­tal age.

Relat­ed Con­tent:

Google Lit Trips

Ancient Rome in 3D on Google Earth

Vis­it the Pra­do Art Col­lec­tion with Google Earth

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Spike Jonze and Beastie Boys, Together Again

in Film, Music, Video - Arts & Culture | July 21st, 2011

Being John Malkovich direc­tor and long­time Beast­ie Boys col­lab­o­ra­tor Spike Jonze has direct­ed yet anoth­er music video for the band: A high-con­cept sci-fi extrav­a­gan­za that fea­tures zom­bies, GI Joe action fig­ures, and, as usu­al, a sound­track with a pret­ty decent hook.

The song is called “Don’t Play No Game That I Can’t Win,” and the ver­sion we’ve post­ed above is the 11-minute direc­tor’s cut.  You can watch a short­er ver­sion here, but why would you ever want to?

Relat­ed Con­tent:

Col­lab­o­ra­tions: Spike Jonze, Yo-Yo Ma, and Lil Buck

Ful­ly Flared, the 2007 skate­board­ing film direct­ed by Spike Jonze

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Open Culture was founded by Dan Colman.