David Lynch Takes Aspiring Filmmakers Inside the Art & Craft of Making Indie Films

As a couple of generations of film students have shown us, you shouldn’t try to imitate David Lynch. You should, however, learn from David Lynch. At his best, the director of EraserheadBlue Velvet, and Mulholland Drive has managed, in the words of David Foster Wallace, to “single-handedly broker a new marriage between art and commerce in U.S. movies, opening formula-frozen Hollywood to some of the eccentricity and vigor of art film.” How has Lynch brought his enduringly strange and richly evocative visions to the screen, and to a surprising extent into the mainstream, without much apparent compromise?

You can get an idea of his method in Room to Dream: David Lynch and the Independent Filmmaker, the twenty-minute documentary above. Since Lynch hasn’t released a feature film since 2006’s Inland Empire — an especially uncompromising work, admittedly — some fans have wondered whether he’s put the movies, per se, behind him.

But Room to Dream shows the director in recent years, very much engaged in both the theory and process of filmmaking — or rather, his distinctive interpretations of the theory and process of filmmaking.

This touches on his childhood obsession with drawing weapons, his discovery of “moving paintings,” his endorsement of learning by doing, how he uses digital video, his enjoyment of 40-minute takes, why people fear the “very dark,” conveying meaning without explaining meaning (especially to actors), the process of “rehearsing-and-talking, rehearsing-and-talking,” how Avid (the short’s sponsor, as it would happen) facilitates the  “heavy lifting” of editing his footage, how he finesses “happy accidents,” how he composes differently for different screens, and the way that “sometimes things take strange routes that end up being correct.” Take Lynch’s words to heart, and you, too, can enjoy his experience of crafting what he calls “sound and picture moving along in time” — with or without an Avid of your own.

Room to Dream will be added to our collection, 285 Free Documentaries Online.

via NoFilmSchool

Related Content:

Akira Kurosawa’s 80-Minute Master Class on Making “Beautiful Movies” (2000)

David Lynch Presents the History of Surrealist Film (1987)

10 Tips From Billy Wilder on How to Write a Good Screenplay

Tarkovsky’s Advice to Young Filmmakers: Sacrifice Yourself for Cinema

Filmmaking Advice from Quentin Tarantino and Sam Raimi (NSFW)

Colin Marshall hosts and produces Notebook on Cities and Culture and writes essays on cities, language, Asia, and men’s style. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall or on Facebook.

by | Permalink | Comments (1) |

Support Open Culture

We’re hoping to rely on our loyal readers rather than erratic ads. To support Open Culture’s educational mission, please consider making a donation. We accept PayPal, Venmo (@openculture), Patreon and Crypto! Please find all options here. We thank you!

Comments (1)
You can skip to the end and leave a response. Pinging is currently not allowed.
  • TIC-filmz-Distribution says:

    The Director’s Hiatus from Cinema (and Film’s Future) Discussed … One of the topics brought up in the interview was Lynch’s feeling on the direction of filmmaking — and its … The problem is, there are no more art houses left, really. There are just blockbuster theaters for the sole purpose of making money.

Leave a Reply

Open Culture was founded by Dan Colman.