In 1909, early cinematic auteur D.W. Griffith offered his seven-minute interpretation of Edgar Allan Poe composing his acclaimed and widely-read poem “The Raven.” In 2011, filmmaker Don Thiel offered his twelve-minute interpretation of an encounter between a writer named Poe, apparently young and not long out of the military, and a stately talking raven — an encounter that takes place not in the modern day, nor in the first half of the nineteenth century during which the real Poe lived, but in the winter of 1959, over a century after Poe died — and in a Hollywood room, no less.
Poe made his name on tales of mystery and imagination; Edgar Allan Poe’s the Raven adds another layer of mystery and imagination atop it all. The effort won the film several awards, including Best Short at the H.P. Lovecraft Film Festival.
That might at first seem like an odd place for an adaptation of a poem of longing like “The Raven,” however deliberately skewed, to earn its honors. But you could see Lovecraft, who launched his own life’s career in elaborate explorations of dread beyond man’s direct comprehension almost exactly a century ago, as Poe’s literary heir.
But then, unlike Poe and “The Raven,” Lovecraft never claimed to have written anything deliberately and singlemindedly to maximize the satisfaction of the widest possible audience. Indeed, Lovecraft’s work, however influential on that of later imaginative writers, remains in the shadowy realm of the “cult,” while Poe’s has ascended onto the plane of required reading. Edgar Allan Poe’s the Raven, which envisions Poe’s most famous piece of work with booze, cigarettes, yellowing patterned wallpaper, lurid lighting, eight-millimeter film, a Corona typewriter, and other artifacts of midcentury dissolution, shows us that they’ve done so in part by transcending time and place. Longing, it seems, never gets old.
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Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books’ Korea Blog. Follow him on Twitter at @colinmarshall or on Facebook.
Here’s another marvelous Raven video: Chicago’s beloved Flat Five doing there thing:
Oh, blast those that remove (some of) the controls from the video when they embed it. One needs to see how many minutes the video has and be able to jump through its length back and forth, as necessary.
But thanks for finally listing it here, it’s a nice treat indeed.
Nice story telling and direction, yet I’ve to say I don’t like the acting, especially how he smokes, was exaggerated.
Have you gotten high yet since this post ? A slow draw off a joint is normal . Re think it all 2 yrs later ??? are you of the same opinion ?
When I first started watching, I was hesitant. I did not like the breaks in the narrator’s reading with actual dialog. But as I continued to watch, I saw how it all came together beautifully. Knowing the background of Poe, I can picture this being almost exactly how it occurred. The sheer madness of it. I was not happy with all smoking either, until I really listened to the words that were being said. Poe made reference to those burning embers throughout the entire poem, so naturally it was needed to understand what was causing him to be delusional. The crazed acting even played into the poem and helped you to visualize Poe and his rapid decent into lunacy. Excellent Job!