Cities have long proÂvidÂed a rich enviÂronÂment for phoÂtogÂraÂphy, at least to phoÂtogÂraÂphers not interÂestÂed excluÂsiveÂly in nature. But only with the advent of the motion picÂture camÂera did the subÂject of cities find a phoÂtoÂgraphÂic form that truÂly suitÂed it. Hence the popÂuÂlarÂiÂty in the 1920s of “city symÂphoÂny” films, each of which sought to capÂture and present the real life of a difÂferÂent bustling indusÂtriÂal metropÂoÂlis. But while city symÂphonies cerÂtainÂly hold up as works of art, they do make modÂern-day viewÂers wonÂder: what would all these capÂiÂtals look like if I could gaze backÂward in time, lookÂing not through the jitÂtery, colÂorÂless mediÂum of earÂly motion-picÂture film, but with my own eyes?
YoutuÂber IgnaÂcio LĂłpez-FranÂcos offers a step closÂer to the answer in the form of these four videos, each of which takes hisÂtorÂiÂcal footage of a city, then corÂrects its speed and adds colÂor to make it more lifeÂlike.
At the top of the post we have “a colÂlecÂtion of high qualÂiÂty remasÂtered prints from the dawn of film takÂen in Belle Époque-era Paris, France from 1896–1900.” Shot by the Lumière comÂpaÂny (which was foundÂed by Auguste and Louis Lumière, invenÂtors of the proÂjectÂed motion picÂture), the sights capÂtured by the film include the Avenue des Champs-ÉlysĂ©es, TuiÂleries GarÂden, the then-new EifÂfel TowÂer, and the now-soon-to-be-rehaÂbilÂiÂtatÂed but then-intact Notre Dame catheÂdral.
The Paris footage was colÂorized using DeOldÂify, “a deep learnÂing-based project for colÂorizÂing and restorÂing old images.” So was the footage just above, which shows New York City in 1911 as shot by the Swedish comÂpaÂny SvenÂsÂka Biografteatern and released pubÂlicly by the MuseÂum of ModÂern Art. “ProÂduced only three years before the outÂbreak of World War I, the everyÂday life of the city recordÂed here — street trafÂfic, peoÂple going about their busiÂness — has a casuÂal, almost pasÂtoral qualÂiÂty that difÂfers from the modÂernist perÂspecÂtive of latÂer city-symÂphoÂny films,” say the accomÂpaÂnyÂing notes. “Take note of the surÂprisÂing and remarkÂably timeÂless expresÂsion of boreÂdom exhibÂitÂed by a young girl filmed as she was chaufÂfeured along BroadÂway in the front seat of a conÂvertÂible limÂouÂsine.”
Shot twenÂty years latÂer, these clips of New York’s TheÂater DisÂtrict have also underÂgone the DeOldÂify treatÂment, which gets the bright lights (and numerÂous balÂlyÂhooÂing signs) of the big city a litÂtle closÂer to the stunÂning qualÂiÂty they must have had on a new arrival in the 1930s. The streets of Havana were seemÂingÂly quiÂeter durÂing that same decade, at least if the colÂorized footage below is to be believed. But then, the hisÂtoÂry of tourism in Cuba rememÂbers the 1930s as someÂthing of a dull stretch after the high-livÂing 1920s that came before, durÂing the UnitÂed States’ days of ProÂhiÂbiÂtion — let alone the even more daiquiri- and mojiÂto-soaked 1950s that would come latÂer, speakÂing of eras one dreams of seeÂing for oneÂself.
RelatÂed ConÂtent:
ImmacÂuÂlateÂly Restored Film Lets You RevisÂit Life in New York City in 1911
The OldÂest Known Footage of LonÂdon (1890–1920) FeaÂtures the City’s Great LandÂmarks
Berlin Street Scenes BeauÂtiÂfulÂly Caught on Film (1900–1914)
The OldÂest Known Footage of LonÂdon (1890–1920) FeaÂtures the City’s Great LandÂmarks
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
Leave a Reply