It’s almost impossible not to wonder how reclusive artists of the past — like anonymous street photographer and Chicago nanny Vivian Maier — would fare in the age of Tumblr and Instagram. Would Maier have become internet famous? Would she have posted any of her photographs? The little we know about her makes it hard to answer the question. Maier lived a life of abstemious self-negation. “She never exhibited her work,” Alex Kotlowitz writes at Mother Jones, “she didn’t share her photos with anyone, except some of the children in her care.”
And yet, Maier was known to enjoy conversations about film and theater with knowledgeable people. One suspects that if she had been able to stay in touch with like minds, she might have been encouraged by a supportive community she couldn’t find anywhere else. We might imagine her, for example, submitting a select few photographs to Women Street Photographers, a project that began in 2017 as an Instagram account and has since “burgeoned into a website, artist residency, series of exhibitions, film series, and now a book published this month by Prestel,” Grace Ebert writes at Colossal.
For women street photographers living and working today, the project offers what founder Gulnara Samoilova says she needed and couldn’t find: “I soon began to realize that with this platform, I could create everything I had always wanted to receive as a photographer: the kinds of support and opportunities that would have helped me grow during those formative and pivotal points on my journey.” The project is international in scope, bringing together the work of 100 women from 31 countries, “a tiny sampling of what’s out there.”
Street photography is both a record of the world and a statement of the artist themselves: it is how they see the world, who they are, what captures their attention, and fascinates them. There’s a wonderful mixture of art and artifact, poetry and testimony that makes street photography so appealing. It’s both documentary and fine art at the same time, yet highly accessible to people outside the photography world.
There are Vivian Maiers around the world driven to document their surroundings, whether anyone ever sees their work or not. Maier made her photographs “for all the right reasons,” says Chicago artist Tony Fitzpatrick. “She made them because to not make them was impossible. She had no choice.” But perhaps she might have chosen to show her work if she had access to platforms like Women Street Photographers. We can be grateful for such outlets now: they offer perspectives that we can find nowhere else. Women Street Photographers will announce the winners of its inaugural virtual exhibition “on or around April 1.”