Do We Outgrow the Music of Our Youth? Pretty Much Pop: A Culture Podcast #99

What long-term effects do songs that we’re exposed to early have on our adult tastes? As children we (hopefully) learn to love music, but then our critical faculties and peer pressure kick in, and many early influences become unacknowledged or transformed into guilty pleasures. Is the generation gap in musical taste really just due to how styles change over time (and we old folks just don’t get the new sound), or are there more fundamental reasons why it’s easier for younger people to absorb new music?

Today’s panel includes your host Mark Linsenmayer plus Erica Spyres, Brian Hirt, and The Hustle podcast host Jon Lamoreaux. They share their own experiences, songs from yesteryear that they have complicated feelings about now, and get into related topics like the activities of former pop stars and nostalgia in film soundtracks.

A few particular tracks that we mention are Go West’s “King of Wishful Thinking,” Jo Boxers’  “Just Got Lucky,” Jethro Tull’s “Songs from the Wood,” and The Cars’ “Magic.” Can a pretty Steve Howe intro redeem this Asia cheesefest?

A few articles we consulted included:

Follow Jon’s podcast @thehustlepod. To get an idea of the formats of The Hustle as compared to Mark’s Nakedly Examined Music, why not take a deep dive on Grand Funk Railroad’s amazing Mark Farner who appeared on both? …NEM, Hustle.

Hear more of this podcast at This episode includes bonus discussion that you can access by supporting the podcast at This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

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  • Marco says:

    As for American music, I haven’t heard anything, with the exception a few jazz artists, that I have enjoyed enough to download or buy a cd in the last 10 years or more. My tastes since the 90’s, have brought me to African, Brasilian, Caribbean musics. Much more vital and inventive.

  • Paul Beard says:

    I think there is plenty of new music worth discovering for those over 30 but much depends on the means of exposure and discovery. Commercial radio doesn’t offer a lot of options, given its need to deliver an audience to its sponsors. Non-commercial/listener-supported radio can afford to take more chances and doesn’t have to worry about scaring off listeners (and sponsors).

    In the streaming era you can find stations that have a worldwide presence, allowing exposure to more than the local stations can offer. Try as an example. It offers a realtime stream and playlist as well as archives of themed shows dating back two weeks, as well as podcasts and a YouTube channel. If there was no good music being made, they would have a hard time coming up with material to share.

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