During the mid-1950s, Stan Vanderbeek began shooting surrealist collage films that, as NPR put it, “used clippings from magazines and newspapers to create whimsical but pointed commentary.” If you think this sounds familiar, you’re right. It’s precisely this approach that surfaces later in Terry Gilliam’s own work. And if one film provided particular inspiration, it was Vanderbeek’s 1963 film Breathdeath.
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