“We live in a nightmare that David Foster Wallace had in 1994,” said a tweet that put me in stitches last summer, but I have a sense that we’ve only sunk deeper into that hyperverbal, media-obsessed, and deeply fearful novelist’s bad dreams since then.[...]
Some moments in history strike us as dramatic ruptures. Certainties are superseded, thrown into chaos by a seismic event, and we find ourselves adrift and anxious. What are artists to do? Gripped by the same fears as everyone else, the same sense of urgency, writers, musicians, filmmakers, painters, etc.[...]
Two professors at the University of Washington, Carl Bergstrom and Jevin West, have created a website meant to accompany a potential college seminar entitled “Calling Bullshit.” Here’s how Bergstrom and West explain the premise of their course. It’s worth quoting them at length.
The world is awash in bullshit.
Lena Dunham drafted a host of well known friends for The History Of 100 Years Of Women’s Health Care At Planned Parenthood, the short film (above) she co-directed with animator Kirsten Lepore.[...]
The late Leonard Cohen’s 1992 anthem “Democracy” feels not just fresh, but painfully relevant these days.
Cohen, a Canadian who spent much of his adult life in the States, avowed that the song was neither sarcastic nor ironic, but rather hopeful, an “affirmation of the experiment of democracy in this country.
We’re well into the backlash cycle of the post-election outrage over “fake news,” as commentator after commentator calls this phrase into question and celebrates the fall of the gatekeeper media.[...]
Noam Chomsky, now 88 years old, made his career studying linguistics at MIT. Harry Belafonte, 89, became the “King of Calypso,” popularizing Caribbean music in the 1950s. Yes, the two men come from different worlds, but they share something important in common–a long commitment to social justice and activism.[...]
Last May, during the contentious presidential primaries, Noam Chomsky spoke about the mounting resentments in America, the opening they’ve created for a figure like Donald Trump, and the parallels to 1930s Germany. Six months later, Trump has apparently won the election.[...]
By now, you undoubtedly know what happened when Mike Pence went to see Hamilton on Friday night. And the brouhaha that unfolded from there, particularly on Twitter.
Tweets came and went throughout the weekend. But, if you’re keeping score at home, none outfunnied this tweet from Jeremy Noel-Tod.
When Mike Pence entered the Richard Rodgers Theatre to see Hamilton Friday night, the crowd booed him.
When the play ended, the cast sent Pence off with a special message. Speaking for the cast, Brandon Victor Dixon, the actor who plays Aaron Burr, said this:
You know we have a guest in the audience this evening.