The Wire as Great Victorian Novel

A while back, W. Daniel Hillis made the case that The Wire may rise to the lev­el of – if not sur­pass – Tol­stoy’s War & Peace. Writ­ing for the Edge.org, Hillis went so far as to say:

As much as I liked War and Peace, I prob­a­bly got more out of The Wire. And why should that be sur­pris­ing? More human effort can be put into a tele­vi­sion series than a nov­el and more time is spent con­sum­ing it. If both are exe­cut­ed to their high­est stan­dards, with equal care, skill and insight, we might well expect less from the book.

If we can men­tion The Wire in the same breath as Tol­stoy, then why not anoth­er giant of nine­teenth cen­tu­ry lit­er­a­ture, Charles Dick­ens? Yes, The Wire has been called “Dick­en­sian” too, and this week the Hood­ed Util­i­tar­i­an has re-imag­ined The Wire as a seri­al­ized Vic­to­ri­an nov­el. The premise? Imag­ine The Wire writ­ten in 60 install­ments over the course of six years, start­ing in 1846, by Hor­a­tio Buck­les­by Ogden, a Dick­ens con­tem­po­rary who wrote with a “nuance and atten­tion to detail that Dick­ens nev­er achieved.” Each install­ment ran 30 pages and sold for one shilling apiece.

The Hood­ed Util­i­tar­i­an has­n’t actu­al­ly print­ed these 60 install­ments (because they don’t actu­al­ly exist). But they have pro­duced a few won­der­ful mock pages, and writ­ten a faux piece of lit­er­ary crit­i­cism to accom­pa­ny them. A great job by Joy Delyr­ia and Sean Michael Robin­son.

via Boing­Bo­ing