In 1929, Josef von Sternberg began assembling the cast for the first major German sound film — Der blaue Engel, otherwise known as The Blue Angel. A classic of Weimar cinema, the 1930 film featured Marlene Dietrich playing Lola-Lola, a seductive singer in the local cabaret. Lola-Lola was, it has been said, a “liberated woman of the world who chose her men, earned her own living and viewed sex as a challenge.” The persona captivated audiences, and it made Dietrich an international star.
Above, you can watch Dietrich’s screen test for the film. Inhabiting the role, she gives the poor piano player an earful (essentially saying, “How the hell can I sing through this garbage with you playing like that?”). Then she works her way through “Why Cry at Parting?” and climbs on that piano, cigarette no longer in hand, and puts on a show…
If you would like to sign up for Open Culture’s free email newsletter, please find it here. It’s a great way to see our new posts, all bundled in one email, each day.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!