All Hail the Beat: How the 1980 Roland TR-808 Drum Machine Changed Pop Music

When the Roland TR-808 rhythm machine first came out in late 1980 most musi­cians were not impressed. It was a drum machine that did­n’t sound like drums, with a hand­clap fea­ture that did­n’t sound like hands clap­ping. One review­er said the machine sound­ed like march­ing anteaters. But as Rho­dri Mars­den wrote in a 2008 arti­cle for The Inde­pen­dent, “One man’s trash is anoth­er man’s trea­sure.”

For some, the 808 was so bad it was good. They embraced the sheer arti­fi­cial­i­ty of the thing. Its idio­syn­crat­ic nois­es began show­ing up on hit records like 1982’s “Sex­u­al Heal­ing,” by Mar­vin Gaye. “Boom­ing bass kicks, crispy snares and that annoy­ing cow­bell sound made famous dur­ing the 80’s are all part of the 808 and it’s famous sound,” writes Vin­tage Synth Explor­er. Yes, that annoy­ing cow­bell sound. On Whit­ney Hous­ton’s “I Wan­na Dance With Some­body,” writes Mars­den, the effect is like that of “a dis­tressed wood­peck­er.”

But as Nel­son George explains in his new video, All Hail the Beat (above), the 808 has remained a vital ele­ment in much of the pop music since the 1980s, in gen­res like hip hop, tech­no and house. Even though Roland stopped mak­ing the 808 in 1984 and many young musi­cans today have nev­er even seen one (a vin­tage 808 can cost over $2,000 on eBay) the machine’s 16 drum sounds have been wide­ly sam­pled, and have been built into many of the machines that have come lat­er.

Even the pho­ny hand­claps have become indis­pens­able. “Of course, they don’t sound like hand­claps,” pro­duc­er Jyoti Mishra told Mars­den, “but strange­ly, they have some­how become the sound of hand­claps. Every drum machine pro­duced since then has had to fea­ture that same kind of noise.”

To hear the 808 in its heyday–along with sev­er­al oth­er elec­tron­ic instru­ments, includ­ing Micro­moog and Prophet‑5 synthesizers–you can watch the video below from 1982, fea­tur­ing Afri­ka Bam­baataa & the Soul­son­ic Force per­form­ing “Plan­et Rock.”

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