Note: The film switchÂes to EngÂlish about 45 secÂonds in.
EarÂliÂer this month, we feaÂtured the launch of The Empire Strikes Back Uncut, a fan-driÂven attempt to re-creÂate the most beloved Star Wars movie of them all. But for an insight into the creÂation of the origÂiÂnal film, have a look at the Dutch teleÂviÂsion docÂuÂmenÂtary above, The MakÂing of The Empire Strikes Back (part one, part two). The broadÂcast focusÂes on the painstakÂing creÂation of the film’s speÂcial effects, most of which still hold up 32 years after audiÂences first glimpsed them. We see the modÂels, the matÂte paintÂings, and even the phaÂlanx of perÂformÂers and techÂniÂcians needÂed to exeÂcute the NorÂway-shot batÂtle on the ice planÂet Hoth. It took $18 milÂlion, so proÂducÂer Gary Kurtz tells us, to pull all of this off. SureÂly that seemed an extravÂaÂgant, no-expense-spared figÂure in 1980, but today, in light of the profÂits, dedÂiÂcatÂed fanÂbase, and place in the zeitÂgeist, it sounds like a barÂgain.
Alas, The MakÂing of the Empire Strikes Back exists on the interÂnet only in an incomÂplete form, but the stoÂry behind its redisÂcovÂery turns out to be interÂestÂing enough to comÂpenÂsate. Star Wars fan site mintinbox.net offers a detailed four-part artiÂcle on this, “one of the most lost docÂuÂmenÂtaries about The Empire Strikes Back.” Though directÂed by famed French “grand-reporter-camÂeraÂman” Michel ParÂbot, it fell into obscuÂriÂty soon after its iniÂtial broadÂcast. But readÂing of the subÂseÂquent search for a disÂtribÂutable copy, we realÂize that we underÂesÂtiÂmate the comÂpletist ardor of the Star Wars fanÂdom at our perÂil. A fasÂciÂnatÂing read indeed, but perÂhaps, like the MetaFilÂter comÂmenter who could only exclaim “I HAVE SEEN A MAN IN A WAMPA SUIT,” you preÂfer simÂpler pleaÂsures.
RelatÂed conÂtent:
HunÂdreds of Fans ColÂlecÂtiveÂly Remade Star Wars; Now They Remake The Empire Strikes Back
Mark HamilÂl’s Star Wars Screen Test (FeaÂturÂing HarÂriÂson Ford)
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture. FolÂlow him on TwitÂter at @colinmarshall.
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