All our childÂhood homes conÂtained books we couldÂn’t quite explain. I rememÂber feelÂing parÂticÂuÂlarÂly mysÂtiÂfied, though not disÂpleasÂingÂly so, by a slim volÂume called CosÂmic View, origÂiÂnalÂly pubÂlished in 1957. The book seemed to me unimagÂinÂably old, strikÂingÂly lavÂish, and faintÂly alien, like a visuÂal time capÂsule from a forÂgotÂten era in a parÂalÂlel realÂiÂty.
The outÂlandish name of the author, Kees Boeke—surely not a name at all—only strengthÂened these imagÂiÂnaÂtive impresÂsions. Every few months, I would flip through and wonÂder at CosÂmic View’s full-page images. A girl with a cat? PlanÂeÂtary orbits? The galaxy itself? A bug? A cell?
I supÂpose I could have read a bit of the text and underÂstood the conÂtext for all of this, but I preÂferred at the time to leave the strange litÂtle volÂume’s rhyme or reaÂson obscure. Today I underÂstand Boeke’s aim: to view our uniÂverse at every posÂsiÂble scale, cosÂmic and othÂerÂwise, zoomÂing all the way in and then all the way out from our everyÂday perÂspecÂtive.
The 1977 short film PowÂers of Ten would do the same, but in motion. TakÂing CosÂmic View as a startÂing point, Charles and Ray Eames’ iconÂic litÂtle film (first above) starts with a fixed point in ChicaÂgo, then moves out into the uniÂverse by facÂtors of ten. And, before too long, you find yourÂself 100 milÂlion light years away. It’s eight minÂutes of brilÂliant work. But they didÂn’t come easÂiÂly. Almost a decade before releasÂing PowÂers of Ten, the Eames proÂduced a less wideÂly seen proÂtoÂtype. 1968’s A Rough Sketch for a ProÂposed Film DealÂing with the PowÂers of Ten and the RelÂaÂtive Size of Things in the UniÂverse reveals some of the thinkÂing and process the AmerÂiÂcan designÂers underÂtook to enviÂsion a cinÂeÂmatÂic CosÂmic View. They ultiÂmateÂly sucÂceedÂed, havÂing fleshed out this basic but still impresÂsive conÂcept over the folÂlowÂing decade. In 1982, the project would come full cirÂcle by returnÂing to print with PowÂers of Ten: A Book About the RelÂaÂtive Size of Things in the UniÂverse and the Effect of Adding AnothÂer Zero.
RelatÂed ConÂtent:
Charles and Ray Eames’ PowÂers of Ten: The ClasÂsic Film Re-ImagÂined By 40 Artists
MagÂniÂfyÂing the UniÂverse: Move From Atoms to GalaxÂies in HD
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on litÂerÂaÂture, film, cities, Asia, and aesÂthetÂics. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall.
1968? wow, can’t image how young am I still durÂing that time..
My introÂducÂtion to “CosÂmic View” — before I had ever seen the Eames film — came in the form of “CosÂmic Zoom”,an aniÂmatÂed verÂsion I saw in school some time around 1969.. You can see it here.…
http://www.youtube.com/watch?v=VgfwCrKe_Fk
Was there realÂly a Pan AmerÂiÂcan airÂplane on the MiaÂmi Beach Golf course in 1968?
I’m lookÂing for the origÂiÂnal 1968 PowÂers of Ten movie that was in black and white. I watched it in the SmithÂsoÂniÂan’s Air & Space MuseÂum when I was a kid. It was in its own litÂtle booth.
I read that this film was the proÂtoÂtype for the 1977 one which was in colÂor. The 1977 one was also in the SmithÂsonÂian.
I saw the black and white one and that’s the one I am lookÂing for. It made such an impresÂsion on me as a kid, I nevÂer forÂgot it. I don’t think the 1977 is near as good.
I searched YouTube but couldÂn’t find it. AnyÂone know a source?
Thanks,
Alex