The Genius of Brian Eno On Display in 80 Minute Q&A: Talks Art, iPad Apps, ABBA, & More

Four years ago, I experienced musical polymath, rock producer, “drifting clarifier,” and high-tech painter Brian Eno‘s generative-art installation 77 Million Paintings in Long Beach. I also saw him give an entertaining talk there on his observations of and ideas about sound, images, and culture. This year, he brought the show to New York City, giving it the largest staging yet, and then sat down for an equally entertaining 80-minute Q&A for the Red Bull Music Academy. Perhaps it sounds a little odd that a creator who has based the past few decades of recent solo work on quietude, reflection, and mental receptiveness would appear at such length in a forum sponsored by an energy drink, but hey, we live in interesting times, and Eno has interesting thoughts, no matter where he voices them.

Sitting back on a sofa (whose side table comes stocked with cans of Red Bull), Eno discusses composing music for hospitals after meeting a great many children born to his 1975 album Discreet Music; the amateur chorus he runs and with whom he sometimes invites famous singer friends to sit in; “scenius,” or the special kind of genius that emerges when large numbers of enthusiasts cohere into a scene; the DJ as cultural “lubricant”; his love of early 20th-century Russian painting; what makes popular music, from Abba to Beyoncé, sound popular; the importance of deadlines; and his new iPad app Scape, which, to his mind, should soon displace the tiresome conventions of Hollywood film scoring entirely. While this provides a stimulating introduction to Eno the intellectual, longtime fans will want to catch up with his latest thoughts on several favorite subjects, such as the value of surrender in not just experiencing but creating art, and the counterintuitive bursts of creativity that come when working with fewer options, not more.

H/T goes to Heather

Related Content:

Brian Eno Once Composed Music for Windows 95; Now He Lets You Create Music with an iPad App

Brian Eno on Creating Music and Art As Imaginary Landscapes (1989)

Watch Brian Eno’s “Video Paintings,” Where 1980s TV Technology Meets Visual Art

Day of Light: A Crowdsourced Film by Multimedia Genius Brian Eno

Colin Marshall hosts and produces Notebook on Cities and Culture and writes essays on literature, film, cities, Asia, and aesthetics. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall.

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  • mark says:

    nice interview, thanks.

    notice the last question asked by the audience – the guy asking (“i make electronic music”) is kerian hebden aka four tet, if im not mistaken.

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