John Lennon Jams With Eric Clapton, Keith Richards & Mitch Mitchell at the Rolling Stones’ Rock and Roll Circus (1968)

In 1968, Mick Jagger and Michael Lindsay-Hogg—director of the Let It Be film and several promo music videos for the Beatles and the Rolling Stones—sat down to brainstorm ideas for a full-length television production that would be unlike typical concert films. Lindsay-Hogg drew a circle on a piece of paper, and an idea was born for a rock and roll circus: two shows featuring the Stones, the Who, Marianne Faithfull, Taj Mahal, Jethro Tull, and John Lennon’s supergroup Dirty Mac, with Yoko, Eric Clapton, Jimi Hendrix’s drummer Mitch Mitchell, and Keith Richards on bass. That December, the bands played on a circus set in a London TV studio to a live audience.

Unhappy with the resulting footage, Jagger shelved the project, feeling like the Stones’ performance wasn’t up to snuff. (They went on early in the morning, and some say Jagger felt upstaged by the Who.) Some film of the concert made it into the 1979 documentary The Kids Are Alright, but much of it was lost until 1989, when it turned up in the Who’s private archive. The full concert film eventually premiered in 1996 at the New York Film Festival (and it’s now out on BluRay-see trailer below), where it appeared, wrote Janet Maslin, “straight out of its time capsule,” bringing back “the sleek young Stones in all their insolent glory, recalling a time when they ruled the roost.” Despite Jagger’s misgivings, they really did dominate that circus stage, but the event is notable for a number of other reasons.

Of course, there’s the Lennon supergroup, whose performance of his “Yer Blues,” sans Yoko (top) is “indispensable,” writes Allmusic. That’s no overstatement. Clapton’s sinuous leads and Mitch Mitchell’s busy fills sit beautifully with Lennon’s confident delivery. Rock and Roll Circus also features the only filmed performance of soon-to-be Black Sabbath guitarist Tony Iommi in his tenure with Jethro Tull (“arguably,” Maslin says, “the most unbearable band of their day.”)

As amazing as so many of these performances are (Taj Mahal’s “Ain’t That a Lot of Love” seriously rocks), as Maslin pointed out, the Stones “ruled the roost,” and they knew it, even if they had to go on at five in the morning to accommodate difficult setups between acts.

It just so happens that Rock and Roll Circus represents Brian Jones very last gig with the band. (It was not, as Ultimate Classic Rock reports, an earlier show at Empire Pool that May.) He looks particularly unenthused above playing “You Can’t Always Get What You Want,” and the rest of the band looks exhausted as well—all except Jagger whose “fabulous performance,” Maslin writes, “nearly turns this into a one-man show.” Just above, see them do “Jumpin’ Jack Flash,” introduced by Lennon in sign language (“one of two live renditions it ever got with Brian Jones in the lineup,” writes Allmusic). You can also see the barroom blues tune “Parachute Woman” here and below, a jumpy, funky “Sympathy for the Devil” (with Spanish subtitles).

To see the full concert—including the Who’s quick appearance, more Dirty Mac (with Yoko), and a bunch of sideshow extras—pick up a copy of the Rock and Roll Circus on BluRay.

Related Content:

John Lennon Writes Eric Clapton an 8-Page Letter Asking Him to Join the Plastic Ono Band for a World Tour on a Cruise Ship

The Last Time Lennon & McCartney Played Together Captured in A Toot And a Snore in ’74

Gimme Shelter: Watch the Classic Documentary of the Rolling Stones’ Disastrous Concert at Altamont

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

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  • Toad says:

    “Despite Jagger’s misgivings, they really did dominate that circus stage…”

    Well, except for getting blown off it by The Who, but hey, I guess we’re all happy with our own pair of ears.

  • JV says:

    Totally agree. The Who’s rendition of A Quick One While He’s Away is one of my all-time favorite rock performance clips. Just for Moon’s drumming/mugging/chucking a floor tom alone, but the whole band is on fire. The Who from this period is the best live band of the rock genre, bar none. For further proof, see their 1971 concert at Tanglewood.

  • KayBee says:

    I read this article expecting to see a final punchline about The Who actually having the most powerful and memorable performance (by far). It never came and I felt compelled to comment … only to (thankfully) find others with the same opinion! But, Josh Jones, you are forgiven!

  • j238 says:

    The Stones did rule the roost, but they actually didn’t know it. They felt The Who stole the show & this video didn’t see the light of day for decades.
    Today, it’s obvious the Stones were performing some of their classics, which were new at the time. The Who’s music just doesn’t hold up as well in the long term.

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