Image by Eric Delmar, via Wikimedia Commons
Practicing for countless hours before we can be good at something seems burdensome and boring. Maybe that’s why we’re drawn to stories of instant achievement. The monk realizes satori (and Neo learns kung fu); the superhero acquires great power out of the blue; Robert Johnson trades for genius at the crossroads. At the same time, we teach children they can’t master a skill without discipline and diligence. We repeat pop psych theories that specify the exact number hours required for excellence. The number may be arbitrary, but it comforts us to believe that practice might, eventually, make perfect. Because in truth we know there is no way around it. As Wynton Marsalis writes in “Wynton’s Twelve Ways to Practice: From Music to Schoolwork,” “practice is essential to learning music—and anything else, for that matter.”
For jazz musicians, the time spent learning theory and refining technique finds eloquent expression in the concept of woodshedding, a “humbling but necessary chore,” writes Paul Klemperer at Big Apple Jazz, “like chopping wood before you can start the fire.”
Yet retiring to the woodshed “means more than just practicing…. You have to dig deep into yourself, discipline yourself, become focused on the music and your instrument.” As beginners, we tend to look at practice only as a chore. The best jazz musicians know there’s also “something philosophical, almost religious” about it. John Coltrane, for example, practiced ceaselessly, consciously defining his music as a spiritual and contemplative discipline.
Marsalis also implies a religious aspect in his short article: “when you practice, it means you are willing to sacrifice to sound good… I like to say that the time spent practicing is the true sign of virtue in a musician.” Maybe this piety is intended to dispel the myth of quick and easy deals with infernal entities. But most of Marsalis’ “twelve ways to practice” are as pragmatic as they come, and “will work,” he promises “for almost every activity—from music to schoolwork to sports.” Find his abridged list below, and read his full commentary at “the trumpeter’s bible,” Arban’s Method.
- Seek out instruction: A good teacher will help you understand the purpose of practicing and can teach you ways to make practicing easier and more productive.
- Write out a schedule: A schedule helps you organize your time. Be sure to allow time to review the fundamentals because they are the foundation of all the complicated things that come later.
- Set goals: Like a schedule, goals help you organize your time and chart your progress…. If a certain task turns out to be really difficult, relax your goals: practice doesnʼt have to be painful to achieve results.
- Concentrate: You can do more in 10 minutes of focused practice than in an hour of sighing and moaning. This means no video games, no television, no radio, just sitting still and working…. Concentrated effort takes practice too, especially for young people.
- Relax and practice slowly: Take your time; donʼt rush through things. Whenever you set out to learn something new – practicing scales, multiplication tables, verb tenses in Spanish – you need to start slowly and build up speed.
- Practice hard things longer: Donʼt be afraid of confronting your inadequacies; spend more time practicing what you canʼt do…. Successful practice means coming face to face with your shortcomings. Donʼt be discouraged; youʼll get it eventually.
- Practice with expression: Every day you walk around making yourself into “you,” so do everything with the proper attitude…. Express your “style” through how you do what you do.
- Learn from your mistakes: None of us are perfect, but donʼt be too hard on yourself. If you drop a touchdown pass, or strike out to end the game, itʼs not the end of the world. Pick yourself up, analyze what went wrong and keep going….
- Donʼt show off: Itʼs hard to resist showing off when you can do something well…. But my father told me, “Son, those who play for applause, thatʼs all they get.” When you get caught up in doing the tricky stuff, youʼre just cheating yourself and your audience.
- Think for yourself: Your success or failure at anything ultimately depends on your ability to solve problems, so donʼt become a robot…. Thinking for yourself helps develop your powers of judgment.
- Be optimistic: Optimism helps you get over your mistakes and go on to do better. It also gives you endurance because having a positive attitude makes you feel that something great is always about to happen.
- Look for connections: If you develop the discipline it takes to become good at something, that discipline will help you in whatever else you do…. The more you discover the relationships between things that at first seem different, the larger your world becomes. In other words, the woodshed can open up a whole world of possibilities.
You’ll note in even a cursory scan of Marsalis’ prescriptions that they begin with the imminently practical—the “chores” we can find tedious—and move further into the intangibles: developing creativity, humility, optimism, and, eventually, maybe, a gradual kind of enlightenment. You’ll notice on a closer read that the consciousness-raising and the mundane daily tasks go hand-in-hand.
While this may be all well and good for jazz musicians, students, athletes, or chess players, we may have reason for skepticism about success through practice more generally. Researchers at Princeton have found, for example, that the effectiveness of practice is “domain dependent.” In games, music, and sports, practice accounts for a good deal of improvement. In certain other “less stable” fields driven by celebrity and networking, for example, success can seem more dependent on personality or privileged access.
But it’s probably safe to assume that if you’re reading this post, you’re interested in mastering a skill, not cultivating a brand. Whether you want to play Carnegie Hall or “learn a language, cook good meals or get along well with people,” practice is essential, Marsalis argues, and practicing well is just as important as practicing often. For a look at how practice changes our brains, creating what we colloquially call “muscle memory,” see the TED-Ed video just above.
Wynton Marsalis Takes Louis Armstrong’s Trumpet Out of the Museum & Plays It Again
Sonny Rollins Describes How 50 Years of Practicing Yoga Made Him a Better Musician
Playing an Instrument Is a Great Workout For Your Brain: New Animation Explains Why
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
I teach preclinical skills to dental students. The parallels between learning dental hand skills and learning musical skills have changed my approach to teaching.
I’ll be sharing this post with my students. Marsalis teaches some great principles!
That’s why Mr. Marsalis is a master at his craft. His simple instrument opened these points of advice due to his intense spiritual relationship with it. It also allowed him to connect these points to the vast array of achievement that can be had in our world. Thank you Mr . Marsalis for this hard-earned wisdom.
One of the best books on the topic of practicing and what drives people to pursue their craft be it chess, writing, chess, tennis, or music is THE TALENT CODE by Daniel Coyle. Everything Marsalis mentions is discussed in detail in this book with concise examples especially the value of “struggle” as a means to growth. Much of what Marsalis says here is mentioned in Coyles book but clearer. Especially how to achieve and reach your goals through specific techniques.
One of the best books on the topic of practicing and what drives people to pursue their craft be it chess, writing, tennis, or music is THE TALENT CODE by Daniel Coyle. Everything Marsalis mentions is discussed in detail in this book with concise examples especially the value of “struggle” as a means to growth. Much of what Marsalis says here is mentioned in Coyles book but clearer. Especially how to achieve and reach your goals through specific techniques.
Being an upcoming Kenyan trumpeter,this is so important to me, not only because I really look up to Mr.Wynton Marsalis as some kind of compass to being the best trumpeter I can ever get to be, but also because without practicing this piece of advice, I may not achieve my just mentioned goal.
Thank you sir, you are a great inspiration to me.
“those who play for applause, thats all they get”
A great article >>> Maestro.
Am really bless reading this articles.
All thanks to My music theory for sending this.
All the best.
Don’t waste your hard earn money. Wynton sits so far in the back in his orchestra that the people who buy the best seats can’t even see him. I could have gotten the same affects from playing a CD at home. I paid $500 bucks for tickets for my wife and I. We haven’t seen Wynton yet. We hear him introducing band members but we haven’t seen Wynton yet.