The Beatles: Live at Shea Stadium, 1965

in Music, Video - Arts & Culture | April 22nd, 2011

Here’s a Fri­day treat: The Bea­t­les’ 1965 con­cert at Shea Sta­di­um. At the time, this was the biggest rock con­cert in his­to­ry, with 12 cam­eras, a heli­copter fly­over, and 55,000 scream­ing fans. Best of all were the boys them­selves, still gid­dy enough about their own fame that they were crack­ing up on stage.

You can find a full set list for the show, and don’t miss John Lennon’s ter­rif­ic work on “Tick­et to Ride,” start­ing at minute 10:45. Just the day before, the band appeared on The Ed Sul­li­van Show for the fourth and final time, and we have the per­for­mance here in HD. Watched togeth­er, the two videos give a nice sense of how exhil­a­rat­ing Beat­le­ma­nia must have been.

The full Bea­t­les at Shea doc­u­men­tary (68 min­utes) can be watched over at Veoh.com.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

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Eagles Hatch, Millions Watch

in Video - Science | April 21st, 2011

The Iowa-based Rap­tor Resource Project works to fos­ter pop­u­la­tion growth among threat­ened bird pop­u­la­tions through­out the mid­west. They man­age 23 nests, edu­cate oth­ers in nest-site man­age­ment, and — best of all for those liv­ing far from the wilder­ness — main­tain sev­er­al web­cams at their sites. You can fol­low sev­er­al fam­i­lies online, includ­ing fal­cons, owls and osprey.

But the most pop­u­lar live stream keeps track of these bald eagles in Dec­o­rah, Iowa. While we were typ­ing up this post, we had the stream up in anoth­er win­dow: Along with about 90,000 oth­er view­ers, we watched one of the eagles shel­ter­ing three eaglets from a strong wind, 80 feet high in the snow-cov­ered nest. The oth­er was pre­sum­ably out hunt­ing. (The RRP’s blog has a nice expla­na­tion of how the par­ents pro­tect their young from cold and snow, both in the moment and through smart nest design.) The video above shows the 24-hour hatch­ing of their first egg, on April 1st and April 2nd, edit­ed down to just 10 min­utes.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Charlie Chaplin Mini Film Festival

in Film | April 21st, 2011

A few things to know about Char­lie Chap­lin. He starred in over 80 films, reel­ing off most dur­ing the silent film era. In 1914 alone, he act­ed in 40 films, then anoth­er 15 in 1915. By the 1920s, Chap­lin had emerged as the first larg­er-than-life movie star, if not the most rec­og­niz­able per­son on the plan­et.

The actor still holds enough cul­tur­al sway that Google gave him a spe­cial doo­dle for his birth­day last week. And now we give you a 4‑in‑1 col­lec­tion of Chap­lin films. Cre­at­ed in 1938, this mini film fes­ti­val, run­ning 46 min­utes, presents The Adven­tur­er, The Cure, Easy Street and The Immi­grant, all filmed in 1917. (Find an alter­nate ver­sion here.) Plus if you head into our col­lec­tion of Free Movies Online, you will find anoth­er 10 Chap­lin films, all free. Just scroll down to the Silent Film sec­tion, and you’ll be on your way…

via Curios­i­ty Counts

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Diary: The Last Short Film by Tim Hetherington

in Current Affairs, Film, Life | April 20th, 2011

Ear­li­er today, Tim Het­her­ing­ton, the pho­tog­ra­ph­er who pro­duced and direct­ed the award-win­ning film Restre­po, was killed in the Libyan city of Mis­ura­ta. Although inter­est­ed in diverse art forms, Het­her­ing­ton spent more than a decade work­ing in war zones. He was a cam­era­man on Liberia: An Unciv­il War (2004) and The Dev­il Came on Horse­back (2007), then direct­ed Restre­po, a film about a pla­toon of sol­diers in Afghanistan. It won the Grand Jury Prize at the 2010 Sun­dance Film Fes­ti­val. And, that same year, Het­her­ing­ton also shot a short film, Diary, which he sum­ma­rized in this fash­ion:

‘Diary’ is a high­ly per­son­al and exper­i­men­tal film that express­es the sub­jec­tive expe­ri­ence of my work, and was made as an attempt to locate myself after ten years of report­ing. It’s a kalei­do­scope of images that link our west­ern real­i­ty to the seem­ing­ly dis­tant worlds we see in the media.”

You can watch Diary above and also vis­it a slideshow of Het­her­ing­ton’s pho­to­graph­ic work here.

via Boing­Bo­ing

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The Symmetry of Life

in Radio, Video - Science | April 20th, 2011

Last year, film­mak­ers Will Hoff­man, Daniel Mer­cadante, and Julius Metoy­er III pro­duced their first con­cep­tu­al video based on a Radi­o­Lab episode called “Words.” Now the trio is back, play­ing on ideas explored in a new Radi­o­Lab episode, Des­per­ate­ly Seek­ing Sym­me­try, which med­i­tates on how “sym­me­try shapes our very existence–from the ori­gins of the uni­verse, to what we see when we look in the mir­ror.” You can watch their lat­est video above, and stream below the radio episode upon which it is based. And if you’re not famil­iar with Radi­o­Lab, a pro­gram that’s chang­ing the medi­um, then def­i­nite­ly check out this pro­file in The New York Times.

via Brain­Pick­ings

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Paul Simon’s Christmas Gets Animated in April

in Music | April 20th, 2011

So Beau­ti­ful or So What – Paul Simon’s 12th solo album (and his first release since 2006) hit the streets and ether last week. Crit­ics are call­ing it his best album since The Rhythm of the Saints (1990), if not Grace­land (1986). And it all starts out with “Get­ting Ready for Christ­mas Day,” a song that works well out­side the con­ven­tions of your usu­al Christ­mas song. As The Tele­graph reminds us, the song is over­whelm­ing­ly sec­u­lar, even a tad polit­i­cal:

I got a nephew in Iraq
It’s his third time back
But it’s end­ing up the way it began
With the luck of a begin­ner
He’ll be eat­ing turkey din­ner
On some moun­tain top in Pak­istan.

And it’s writ­ten by some­one out­side the Chris­t­ian faith, though that nev­er stopped Neil Dia­mond, Bar­bara Streisand or Car­ole King from knock­ing out a Christ­mas tune. If there is a spir­i­tu­al ele­ment, it per­haps comes down to this: Quite catchi­ly, the song’s cho­rus builds around excerpts from a 1941 ser­mon by the Rev. J.M. Gates, an influ­en­tial preach­er who became the most record­ed Gospel singer before World War II. Get more on Gates and his sam­pled ser­mon here.

Today, we’re offer­ing three videos that accom­pa­ny this song. First, a splen­did ani­ma­tion fea­tured above. Next, the offi­cial­ly released video. And final­ly a live per­for­mance record­ed on The Col­bert Report late last year.

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The Physics of the Bike

in Physics | April 20th, 2011

Please give this video a sec­ond to get going.

We have all seen or expe­ri­enced it. When trav­el­ing at the right speeds, bikes can prac­ti­cal­ly steer them­selves, remain­ing upright and defy­ing the pull of grav­i­ty. Physi­cists thought they fig­ured out this minor mys­tery long ago. But a new paper (read the PDF here) by Andy Ruina (Cor­nell Uni­ver­si­ty) and Jim Papadopou­los (Uni­ver­si­ty of Wis­con­sin — Stout) chal­lenges the con­ven­tion­al wis­dom. This video, which comes to us cour­tesy of Sci­ence Fri­day, explains…

Relat­ed Con­tent:

Physics: Free Cours­es

Physics from Hell: How Dante’s Infer­no Inspired Galileo’s Physics

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Morgan Spurlock: The Greatest TED Talk Ever Sold

in Film, Media, TED Talks | April 19th, 2011

Mor­gan Spur­lock­’s newest doc­u­men­tary, The Great­est Movie Ever Sold, expos­es the myr­i­ad ways in which pop­u­lar media is almost whol­ly spon­sored, leased, bought and brand­ed by pow­er­ful cor­po­ra­tions. Iron­i­cal­ly — and inten­tion­al­ly — Spur­lock made sure his doc­u­men­tary would also be almost whol­ly spon­sored, leased, bought and brand­ed by pow­er­ful cor­po­ra­tions. In his very fun­ny TED talk, Spur­lock (Super Size Me, 30 Days) explains how he fur­thered his exper­i­ment in “pure trans­paren­cy” by encour­ag­ing spon­sor­ships of, you guessed it, his very fun­ny TED talk.

Con­fused? That’s because pure trans­paren­cy is a lot eas­i­er to envi­sion than exe­cute. Find out why start­ing at minute 6:18.

via TED

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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