Dark Side of the Lens: A Poetic Short Film by Surf Photographer Mickey Smith

Dark Side of the Lens presents the art and inner voice of Irish surf pho­tog­ra­ph­er Mick­ey Smith. The six minute film lets you expe­ri­ence Smith’s aes­thet­ics trans­lat­ed into beau­ti­ful prac­tice. (“I wan­na see waverid­ing doc­u­ment­ed the way I see it in my head, and the way I feel it in the sea.”) But then it rather poet­i­cal­ly cracks open the per­son­al phi­los­o­phy of the artist:

I nev­er set out to become any­thing in par­tic­u­lar, only to live cre­ative­ly and push the scope of my expe­ri­ence for adven­ture and for pas­sion… The raw bru­tal cold coast­lands for the right waverid­ers to chal­lenge – this is where my heart beats hard­est…

Most folk don’t even know who we are, and what we do or how we do it, let alone what they pay us for it. I nev­er want to take this for grant­ed so I try to keep moti­va­tion sim­ple, real, and pos­i­tive… If I only scrape a liv­ing, at least it’s a liv­ing where I’m scrap­ing.… If there’s no future in it, this is a present worth remem­ber­ing.

The aes­thet­ic choic­es. The per­son­al deci­sions. It’s all what’s hap­pen­ing behind the cam­era, the place no audi­ence sees, the “dark side of the lens.” You can find the full tran­script of Smith’s com­men­tary after the jump…

A final note: Dark Side of the Lens was born out of a project called “Short Sto­ries.” Estab­lished by Relent­less Ener­gy Drink, the UK-based project chal­lenged film­mak­ers to cre­ate their own mini opus, to explore and cel­e­brate “no half mea­sures” in film. Find oth­er shorts here.

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If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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The Bob Dylan Demos: They Are A‑Streamin’

Next week, Bob Dylan will release The Wit­mark Demos: 1962–1964, a col­lec­tion of 47 songs that the artist record­ed for the M. Wit­mark & Sons pub­lish­ing com­pa­ny, all before his 24th birth­day. The young Dylan knocked out these tracks in a sparse 6x8 foot stu­dio, accom­pa­nied only by his acoustic gui­tar, har­mon­i­ca and piano. And, right now, you can stream 23 of these demos (for free) on NPR’s First Lis­ten site. The line­up includes some of his finest ear­ly sin­gles – Blowin’ In The Wind, A Hard Rain’s A‑Gonna Fall, Don’t Think Twice, It’s All Right, Girl From The North Coun­tryMr. Tam­bourine Man, The Times They Are A‑Changin’… You get the gist.

If you’re inclined to pur­chase the album, then you’ll want to con­sid­er this Ama­zon deal. Buy The Wit­mark Demos on CD or vinyl before 10/18/2010 and you will also get a live con­cert CD – Bob Dylan: In Con­cert, Bran­deis Uni­ver­si­ty, 1963 – that has “nev­er been heard, boot­legged or cir­cu­lat­ed in any way.” Not bad for $13.99. Find more details here.

The Ware Tetralogy: Free SciFi Download

ware tet

Between 1982 and 2000, Rudy Ruck­er wrote a series of four sci-fi nov­els that formed The Ware Tetral­o­gy. The first two books in the series â€“ Soft­ware and Wet­ware – won the Philip K. Dick Award for best nov­el. Lat­er Free­ware and Real­ware fol­lowed. This sum­mer, Prime Books repub­lished the tetral­o­gy in one big vol­ume, com­plete with an intro­duc­tion by William Gib­son that calls Ruck­er “a nat­ur­al-born Amer­i­can street sur­re­al­ist” or, more sim­ply, one sui gener­is dude. And now the even bet­ter part: Ruck­er (who hap­pens to be the great-great-great-grand­son of Hegel) has released The Ware Tetral­o­gy under a Cre­ative Com­mons license, and you can down­load the full text for free in PDF and RTF for­mats. In total, the col­lec­tion runs 800+ pages. For more infor­ma­tion on the book and the free down­load, vis­it here. And don’t for­get to donate to the Cre­ative Com­mons Legion of Super­heroes fundrais­ing cam­paign.

A big thanks to Rosario for the heads up here.

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Dancing in the Rain

Let me set the stage for this: Last Decem­ber, Richard Davis (22 years old) was killed in a car acci­dent at the cor­ner of 90th and MacArthur in East Oak­land, Cal­i­for­nia. Days lat­er, the half broth­er of the vic­tim, Dar­rell Arm­stead, a pop­u­lar turf dancer, and his crew, The Turf Feinz, paid an art­ful trib­ute at the scene of the crash. Film­mak­er Yoram Savion cap­tured the dance that unfold­ed in the cold win­ter rain. It was just anoth­er RIP video … until the video went viral late this sum­mer, and now again this Octo­ber. You can find more work by Savion and The Turf Feinz on YouTube (find the videos here). Or head over to this col­lec­tion on Vimeo…

via The East Bay Express

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Join the Legion of Creative Commons Superheroes!

Cre­ative Com­mons has kicked off its Legion of Super­heroes fundrais­ing cam­paign say­ing, “Imag­ine a world where knowl­edge flows freely and can be built upon with­out lim­its. Imag­ine a world where cul­ture, art and media are avail­able to every­one, sci­en­tif­ic con­tent is shared by cor­po­ra­tions and research insti­tu­tions, and shared intel­li­gence aug­ments human rights efforts across bor­ders.”

It’s not hard for us to imag­ine that world. We see it every day. Whether you know it or not, the enrich­ing video/audio fea­tured on Open Cul­ture is often released with a Cre­ative Com­mons license, which means that it can be shared freely across the globe. Our col­lec­tion of free online cours­es offers a good exam­ple. Some of the world’s finest uni­ver­si­ties release their cours­es with a CC license, allow­ing an inter­na­tion­al audi­ence to con­tin­ue learn­ing and grow­ing. And we just help get the word out.

Right now, Cre­ative Com­mons is work­ing to raise $550,000 by the end of the year to sup­port their work. I have includ­ed a lit­tle box below where you can make a con­tri­bu­tion of any size. Or you can head over to their site and do the same. If you would like to sup­port open­ness and inno­va­tion, please con­sid­er being a super­hero and giv­ing what you can.

For John’s 70th

In 1975, John Lennon released Rock N Roll, where, work­ing with Phil Spec­tor, he revis­it­ed and cov­ered songs from the ear­ly days of rock. Chuck Berry and Bud­dy Hol­ly songs made their way onto the album, as did Ben E. King’s 1961 clas­sic “Stand By Me” (watch above.) Lennon was 35 years old at the time, and today (if you haven’t heard) he would have turned 70. Imag­ine if the sec­ond half of his life, so abrupt­ly stolen from him, could have been as fruit­ful as the first half. Just imag­ine…

Relat­ed Con­tent:

John Lennon Sings Bud­dy Hol­ly

John Lennon (and Yoko Ono) on the Dick Cavett Show

I Met the Wal­rus: An Ani­mat­ed Short Film with John Lennon

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Art Builds Upon Art: Nina Paley’s New Video

From the mak­er of Sita Sings the Blues comes a new short film that artis­ti­cal­ly deliv­ers a sim­ple mes­sage: “All cre­ative work builds on what came before.” Using arti­facts from the Met­ro­pol­i­tan Muse­um of Art, Nina Paley draws the visu­al con­clu­sion that art bor­rows and remix­es – that noth­ing is real­ly out of the box. This argu­ment res­onates for some. For oth­ers, it falls flat. Either way, the film is worth a watch. (You can down­load high-res and Ogg ver­sions at the Inter­net Archive.)

Relat­ed Con­tent:

Every­thing is a Remix (A Short Film)

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Footage of the Coronation of the Last Russian Czar (1896)

The coro­na­tion of Nicholas II, the last Russ­ian czar, took place in May 1896, an event cap­tured in some of the old­est footage still in exis­tence (above). The coro­na­tion was a high point, and, from there, it was large­ly down­hill for Nicholas. In 1905, the czar lost a humil­i­at­ing war against Japan, which then part­ly trig­gered an unset­tling rev­o­lu­tion lat­er that year – one that forced the king to live with­in the con­straints of a con­sti­tu­tion­al monar­chy. But this was just the begin­ning. The real rev­o­lu­tion came in 1917, and soon enough the Bol­she­viks, led by Lenin, exe­cut­ed Nicholas II, his wife and son, his four daugh­ters and domes­tic staff in July 1918. Bloody Nicholas – he had a fair amount of blood on his own hands – was dead. And now the new communist/Soviet era was under­way…

Relat­ed note: The Library of Con­gress hosts online a big series of pho­tos from the Russ­ian Empire cir­ca. 1905 — 1915. You can access them via the top lev­el, or by jump­ing direct­ly into the full col­lec­tion of images here. (Thanks Michael for the tip here.)

via How Stuff Works

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Open Culture was founded by Dan Colman.