CharÂlie ChapÂlin is said to have added his 4 1/2 minute final speech to The Great DicÂtaÂtor (1940) only after Hitler’s invaÂsion of France. The speech both showÂcasÂes the actor’s conÂsidÂerÂable draÂmatÂic gifts and makes a preÂscient, eloÂquent plea for human decenÂcy. So the idea of adding any kind of extra music, espeÂcialÂly a comÂpoÂsiÂtion by the freÂquentÂly bomÂbasÂtic Hans ZimÂmer, might seem like first gildÂing the lily and then dousÂing it with lysol and neon paint. But we think this ZimÂmer track from the 2010 sci-fi head trip hit IncepÂtion actuÂalÂly kinÂda works. Give it a look/listen and let us know what you think.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
StartÂing at 9 pm PDT tonight, YouTube will make 10,000 CreÂative ComÂmons videos availÂable to anyÂone using YouTube’s video ediÂtor. IniÂtialÂly the CreÂative ComÂmons library will be loaded with videos from C‑SPAN, Public.Resource.org, Voice of AmerÂiÂca, and Al Jazeera, and you can bet that more conÂtent providers will be added down the line.
This partÂnerÂship will let video/filmmakers unleash their creÂativÂiÂty and proÂduce some extraÂorÂdiÂnary video remixÂes – Ă la DonÂald DisÂcovÂers Glenn Beck – withÂout runÂning the risk of legal comÂpliÂcaÂtions. And because the CreÂative ComÂmons library will be stocked only with videos released under a less restricÂtive CC-BY license, the resultÂing remixÂes can have comÂmerÂcial ambiÂtions. A boon for some.
FinalÂly, we shouldÂn’t miss anothÂer imporÂtant comÂpoÂnent of this partÂnerÂship: MovÂing forÂward, any videoÂmakÂer can release their own creÂative work under a CC license on YouTube. Fast forÂward 6 t0 18 months, and the CreÂative ComÂmons library will be vast, and the remix opporÂtuÂniÂties, endÂless. A good day for open culÂture.
DurÂing the 1960s and 1970s, the UniÂverÂsiÂty of WisÂconÂsin-MadiÂson put togethÂer one of the finest hisÂtoÂry proÂgrams in the UnitÂed States, and it was anchored by George Mosse, a GerÂman-born culÂturÂal hisÂtoÂriÂan who authored 25 books covÂerÂing the EngÂlish RefÂorÂmaÂtion, LutherÂan theÂolÂoÂgy, JewÂish hisÂtoÂry, and fasÂcist ideÂolÂoÂgy. Though he died in 1999, Mosse still remains a legÂendary figÂure in MadiÂson, and now the uniÂverÂsiÂty (where I did my underÂgradÂuÂate work — in hisÂtoÂry, no less) has dustÂed off recordÂings of his coursÂes and made them freely availÂable online.
Three of his coursÂes tie togethÂer into a nice packÂage, offerÂing a long look at EuroÂpean CulÂturÂal HisÂtoÂry. The first course takes you from 1500 to 1800, covÂerÂing the RenaisÂsance, RefÂorÂmaÂtion, EngÂlish RevÂoÂluÂtion, EnlightÂenÂment, and French RevÂoÂluÂtion. The secÂond course moves from 1660 to 1880, focusÂing on the ideas that changed Europe. It’s essenÂtialÂly an intelÂlecÂtuÂal hisÂtoÂry that traces the rise of EnlightÂenÂment thinkÂing, GerÂman RomanÂtiÂcism and IdeÂalÂism (includÂing HegelianÂism), the birth of libÂerÂalÂism and MarxÂism and beyond.
And, finalÂly, the last course focusÂes on the critÂiÂcal periÂod 1880 — 1920. Here we have a surÂvey of the culÂturÂal revolt against bourÂgeois sociÂety, the rise of modÂern culÂture (figÂures like NietÂzsche, Freud, & Brecht take cenÂter stage), the damÂage wrought by World War I, and the beginÂnings of fasÂcism in Europe.
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