Aleister Crowley in ceremonial garb, 1912, via Wikimedia Commons
We’ve all had our wits scared out of us by films, images, and the written word, but somehow few forms work their haunting magic quite so effectively as sound alone. Think of the snap of the twig in the woods or the creak of the staircase in the empty house — or, to take it farther, the sound of possessed children speaking in tongues. You can hear recordings of that and other unusual phenomena at Ubuweb, which hosts the collection Occult Voices – Paranormal Music, Recordings of Unseen Intelligences 1905-2007.
The eerie recordings on offer include “audio documents of paranormal phenomena including trance speech, direct voices, clairvoyance, xenoglossy, glossolia including ethnological material, paranormal music, ‘rappings’ and other poltergeist manifestations as well as so-called ‘Electronic voice phenomena.'”
A rich mixture indeed, and one that begins with those possessed kids, all of them recorded in the post-Exorcist late 1970s and early 80s; you can hear the eight-year-old “Janet” sounding not unlike the devil-filled Linda Blair in the recording embedded above.
Later we hear from mediums like Britain’s famed Leslie Flint, one of the last of his kind to ostensibly speak directly in the voices of the channeled deceased, including figures as accomplished and distinctive as Oscar Wilde in 1975 (above), Charlotte Brontë in 1973, and Winston Churchill in 1980.
The collection also contains the voice of Arthur Ford, who made his name as a medium by claiming to have made contact with the spirit of Harry Houdini. In the clip above, you can hear five minutes of Ford’s final Houdini séance, conducted in 1936.
No collection of occult materials would be complete, of course, without something from Aleister Crowley, surely the most famous occultist in modern history, and one known in his time as “the wickedest man in the world.” Just above we have Crowley reciting “The Call of the First Aethyr,” a piece of occult poetry he recorded in a 1920 session that produced the only known recordings of his voice.
Though Crowley, like many of the other spiritualists captured here, hailed from Britain, much of the material in the collection comes from Germany, especially the kind of paranormal music heard just above. But no matter where in the world these recordings were made, and whether or not you believe in the existence of other realms beyond that world, describing any of the recordings gathered here will leave you grasping for any adjective besides otherworldly.
Enter the archive of Occult Voices here.
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Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
Oops! While that is indeed a clip of the Final Houdini Seance in 1936, that is not Arthur Ford. That is Edward Saint, business manager and boyfriend of Beatrice Houdini. Saint was not a medium, and the Final Houdini Seance was one last public attempt by Bess to contact Harry. Houdini did not come through, and Bess forever closed the door on future attempts, concluding that communication with the spirit world was “impossible.”
Silly but entertaining, and a delight to hear what Crowley sounded like.
Yes, but, im not sure if the voice goes with the face lol .. But, I loved it
Eight struck me as implausible, so I googled it up, and I’m pretty sure ubuweb has the wrong age of Janet in the first recording. That would be Janet Hodgson, of the “Enfield poltergeist,” which you can look up in Wikipedia. Janet Hodgson would have been 11, not 8, when it happened. As an adult in 2016, she still said it was true, giving interviews tied in with the film The Conjuring 2, which evidently was about the story. So she was even able to monetize it. You gotta commit to the bit.
They made an error stating that the Call was the only recording , there are a few such as this wonderful poem.
Alas, he sounds like Quentin Crisp impersonating Winston Churchill. I wish that I’d never heard him speak: my estimation of Crowley has never quite recovered from the shock.
…. Mis-ter Crow-ley , did you talk to the dead-ed
Mis-ter A-larming …….
Are these recordings Creative Commons? Are we able to use them for music as long as credits are given?
This was a CD set released by Suppose of Berlin in 2007, and I’m fairly sure this is a breach of their copyright.