Watch “Degrees of Uncertainty,” an Animated Documentary about Climate Science, Uncertainty & Knowing When to Trust the Experts

We should just trust the experts. But wait: to iden­ti­fy true exper­tise requires its own kind of even more spe­cial­ized exper­tise. Besides, experts dis­agree with each oth­er, and over time dis­agree with them­selves as well. This makes it chal­leng­ing indeed for all of us non-experts — and we’re all non-experts in the fields to which we have not ded­i­cat­ed our lives — to under­stand phe­nom­e­na of any com­plex­i­ty. As for grasp­ing cli­mate change, with its enor­mous his­tor­i­cal scale and count­less many vari­ables, might we as well just throw up our hands? Many have done so: Neil Hal­lo­ran, cre­ator of the short doc­u­men­tary Degrees of Uncer­tain­ty above, labels them “cli­mate denial­ists” and “cli­mate defeatists.”

Cli­mate denial­ists choose to believe that man­made cli­mate change isn’t hap­pen­ing, cli­mate defeatists choose to believe that it’s inevitable, and both there­by let them­selves off the hook. Not only do they not have to address the issue, they don’t even have to under­stand it — which itself can seem a fair­ly daunt­ing task, giv­en that sci­en­tists them­selves express no small degree of uncer­tain­ty about cli­mate change’s degree and tra­jec­to­ry. “The only way to learn how sure sci­en­tists are is to dig in a lit­tle and view their work with some healthy skep­ti­cism,” says Hal­lo­ran. This entails devel­op­ing an instinct not for refu­ta­tion, exact­ly, but for exam­in­ing just how the experts arrive at their con­clu­sions and what pit­falls they encounter along the way.

Often, sci­en­tists “don’t know how close they are to the truth, and they’re prone to con­fir­ma­tion bias,” and as any­one pro­fes­sion­al­ly involved in the sci­ences knows full well, they work “under pres­sure to pub­lish note­wor­thy find­ings.” Their pub­li­ca­tions then find their way to a media cul­ture in which, increas­ing­ly, “trust­ing or dis­trust­ing sci­en­tists is becom­ing a mat­ter of polit­i­cal iden­ti­ty.” As he did in his pre­vi­ous doc­u­men­tary The Fall­en of World War II, Hal­lo­ran uses ani­ma­tion and data visu­al­iza­tion to illu­mi­nate his own path to under­stand­ing a glob­al occur­rence whose sheer pro­por­tions make it dif­fi­cult to per­ceive.

This jour­ney takes Hal­lo­ran not just around the globe but back in time, start­ing in the year 19,000 B.C. and end­ing in pro­jec­tions of a future in which ring seas swal­low much of Ams­ter­dam, Mia­mi, and New Orleans. The most impor­tant stop in the mid­dle is the Age of Enlight­en­ment and the Indus­tri­al Rev­o­lu­tion of the 17th through the 19th cen­tu­ry, when sci­ence and tech­nol­o­gy rose to promi­nence and brought about  an unprece­dent­ed human flour­ish­ing — with cli­mat­ic con­se­quences that have begun to make them­selves known, albeit not with absolute cer­tain­ty. But as Hal­lo­ran sees it, “uncer­tain­ty, the very thing that clouds our view, also frees us to con­struct pos­si­ble answers.”

Relat­ed Con­tent:

A Map Shows What Hap­pens When Our World Gets Four Degrees Warmer: The Col­orado Riv­er Dries Up, Antarc­ti­ca Urban­izes, Poly­ne­sia Van­ish­es

Music for a String Quar­tet Made from Glob­al Warm­ing Data: Hear “Plan­e­tary Bands, Warm­ing World”

A Cen­tu­ry of Glob­al Warm­ing Visu­al­ized in a 35 Sec­ond Video

Cli­mate Change Gets Strik­ing­ly Visu­al­ized by a Scot­tish Art Instal­la­tion

The Pra­do Muse­um Dig­i­tal­ly Alters Four Mas­ter­pieces to Strik­ing­ly Illus­trate the Impact of Cli­mate Change

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.


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